Otto Rothfield

Summary

Otto Rothfield Women of India

The heroism of Indian womanhood has found its loftiest expression in the Rajput nobility, with the great Queens who have fought and been slain in battle or self-immolated on the funeral pyre: its piety is a transfiguration in the Brahman and the merchant class: and woman’s love with its transcendent ecstasy burns like a glowing ember on the hearth of every soul. But for devotion to labour, uninspired by any ideal other than its mere fulfilment, one turns to the menial castes that, from century to century, have lived closest to their own soil.
Source: Gutenberg

Otto Rothfield Women of India

The maid-servant may be the concubine of her master and the dancing girl who enlivens the Courts is often in private a mistress. But great is the power of the wife behind the curtain, deep and warm-blooded the love she hopes to win, great also her valorous devotion. And through the whole fabric runs a woof as of old, half-faded brocade, a thread of chivalry and pure reverence and protective delight. A strand of silk at the wrist may make the Rajput gentleman at any moment the knight-errant of a lady whom he shall never see, and for whom his honour shall yet be as a brother’s.
Source: Gutenberg

Otto Rothfield Women of India

In many places, however, and in many castes, the soft bloom of companionship and emotion is bruised by the brutality of a first union with a partner before unknown and undesired. Nor can it be denied that the gnostic asceticism, to which Indian idealism has so often condescended, has killed, where it could, that joy in a free humanity which alone can invest marriage with the flaming beauty of love. When the value of love is considered as an inspiration to art and chivalry and, indeed, to every creative activity, then the loss, thus self-inflicted, will appear in all its gravity.
Source: Gutenberg

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