Summary

Preserved Smith The Age of the Reformation

What is more cruelly realistic than the leer of the satyr clothed as Francis, King of France; than the bovine dullness of Charles V and the lizard-like dullness of his son; or than that strange combination of wolfish cunning and swinish bestiality with human thought and self-command that fascinates in Raphael's portrait of Leo X and his two cardinals? On the other hand, what a profusion of strong and noble men and women gaze at us from the canvases of that time. They are a study of infinite variety and of surpassing charm.
Source: Gutenberg

Preserved Smith The Age of the Reformation

Venice, seated like a lovely, wanton queen, on her throne of sparkling waters, drew to her bosom all the devotees of pleasure in the whole of Europe. Her argosies still brought to her every pomp and glory of vestment with which to array her body sumptuously; her lovers lavished on her gold and jewels and palaces and rare exotic luxuries. How all this is reflected in her great painters, the Bellinis and Giorgione and Titian and Tintoretto! Life is no longer a wonder to them but a banquet; the malady of thought, the trouble of the soul is not for them.
Source: Gutenberg

Preserved Smith The Age of the Reformation

It loved sensation with the greediness of childhood; it intoxicated itself with Rabelais and Titian, with the gold of Peru and with the spices and vestments of the Orient. It was a daring age. Men stood bravely with Luther for spiritual liberty, or they gave their lives with Magellan to compass the earth or with Bruno to span the heavens. It was an age of aspiration. It dreamed with Erasmus of the time when men should be Christ-like, or with More of the place where they should be just; or with Michelangelo it pondered the meaning of sorrow, or with Montaigne it stored up daily wisdom.
Source: Gutenberg

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