Baron John Emerich Edward Dalberg Acton Acton

Summary

Baron John Emerich Edward Dalberg Acton Acton Lectures on Modern history

The crown prince was a musician and a versifier, with a taste for clever men, but also for cleverish men, an epicurean student, with much loose knowledge, literary rather than scientific, and an inaccurate acquaintance with French and Latin. To Bayle, Locke, Voltaire in his first manner, he owed an abundance of borrowed ideas, conventionally rational; but to the rising literature; of his own country, which ruled the world before he died, he did not attend. Hardened by his father's heartless severity he learnt to live without sympathy, to despise mankind, to rely on himself.
Source: Gutenberg

Baron John Emerich Edward Dalberg Acton Acton Lectures on Modern history

The ruthless destruction indicates the tone of the new era. Old St. Peter's was not only a monument of history, but a sepulchre of saints.
Julius was not inspired by the Middle Ages. Under him the Papacy was preparing for a new career, less spiritual than what once had been, more politic and secular and splendid, under new stars. He had Bramante, Michael Angelo, Rafael, San Gallo, Peruzzi, a concentration of artistic genius such as had never been, not produced by Rome itself, but attracted from every quarter by the master of Rome.
Source: Gutenberg

Baron John Emerich Edward Dalberg Acton Acton Lectures on Modern history

In another sphere, it is the vision of a higher world to be intimate with the character of Fenelon, the cherished model of politicians, ecclesiastics, and men of letters, the witness against one century and precursor of another, the advocate of the poor against oppression, of liberty in an age of arbitrary power, of tolerance in an age of persecution, of the humane virtues among men accustomed to sacrifice them to authority, the man of whom one enemy says that his cleverness was enough to strike terror, and another, that genius poured in torrents from his eyes.
Source: Gutenberg

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