Summary

Robert P. Scott Cycling art, energy, and locomotion

Such fundamental principles as that a short lever hung in the middle is just as powerful as a long one hung in the same way; that two turns of a small wheel rolls over as much ground as one turn of another twice the size; that there is no more power in a spring than you put into it, and many other like principles, all seem to be forgotten in the general rush to be the first to make a mile a minute on a dirt road.
Truly we inhabit a wonderful sphere; only just make gravity pull sideways, and we would have no further use for locomotives.
Source: Gutenberg

Robert P. Scott Cycling art, energy, and locomotion

In a sprocket-crank machine the real question of gearing is whether to change the length of crank or proportion of the sizes of the gear-wheels; but you can’t by any combination get power and speed both with the same amount of work done by the rider.
Simple as all this matter of gearing is, it is probable that there is no feature in cycles so indefinitely understood, or, we might say, so persistently distorted. The only trouble is that riders will not stop to apply a most fundamental law of nature. If we gain speed, we lose power; if we gain power, we must lose speed.
Source: Gutenberg

Robert P. Scott Cycling art, energy, and locomotion

To long cranks little objection can be made, but as to increased rake and large rear wheels, this is a thrust at the heart of all we have to admire in the Ordinary. We are willing to take the old mount with all its dangers, for the sake of its neat appearance and ease of running, but when we get back nearly off the large wheel; when we reach out to the end of a longer crank; when we get over and drag along after us a great ungainly rear wheel to wag about over the road; and lastly, when we strike at the life of easy steering, pray what have we left?
Source: Gutenberg

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