Summary

Theodore Graebner Evolution: An Investigation and a Critique

According to the theory we would expect that in the various departments of art, perfection would be a late blossom, burgeoning forth only after ages of feeble experiment and attempt. But what are the facts? As we study the history of any art,—be it literature or any department of literature; be it architecture, sculpture, the domestic arts, or even the art of war,—we find the highest culmination either at points which specifically exclude the idea of a development or, indeed, perfection shines forth in the very beginning, all subsequent art being decay and apostasy from that primal perfection.
Source: Gutenberg

Theodore Graebner Evolution: An Investigation and a Critique

Now, if one considers how closely physical theories are bound up with the principle of evolution, should we not expect scientists to renounce this principle when another stone in its foundation has been destroyed? And since there is no such renunciation, is it not plain that this class of scientists insists upon an atheistic interpretation of the universe, no matter on what hypothesis? For the slow increase of variations in plants and animals, by which Darwin accounts for the origin of species, the evolutionists demanded more than 400,000,000 years.
Source: Gutenberg

Theodore Graebner Evolution: An Investigation and a Critique

Now, over against this doctrine of chance there stands the monumental fact that throughout nature, living and non-living, there runs a principle of design. The minerals, the plants, the animals, all exhibit, as even the superficial observer knows or might know, a plan. There is design in the crystals in which elements exist when they pass from a liquid into a solid state; there is design in the leaf and flower of every plant; there is plan, design, in the structure and physiology of animals.
Source: Gutenberg

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