Thomas Newbigging

“ In spite of the application—nay, rather to some extent by reason of it, for the anti-climax is extraordinary in a fable—it may be doubted whether our sympathies are not with the fox rather than with the elephant. We feel that the latter, with all his wisdom and good advice, is somewhat of a bore; whilst the fox, rake and wastrel though he be, has that touch of nature that makes him kin. ”

“ He was one of the galaxy of great men and writers that adorned the age of Louis XIV. His fables, as is well known, are in verse, and include the best of those from ancient sources, with others of his own invention. He may be said to have turned Æsop into rhyme. The happy spirit of the genial Frenchman inspires them all. They are written with a vivacity and sprightliness all his own, and these qualities, with the humour which he infuses into them, make their perusal exhilarating and health-giving. ”

“ We are all apt scholars when the fable is the schoolmaster. There is no class of the community that has not come under its sway. It has penetrated to the highest stratum of society equally with the humblest, and may be credited with an influence as wide and far-reaching as the sublimest moral treatise which the human intellect has produced.
The epic and the novel (fables of a kind) , like some paintings, cover a wide canvas, and the details are not always easily grasped and remembered ”

“ THE MORAL AND APPLICATION OF FABLES.
'Come, sir, lend it your best ear.'
Ben Jonson: Love Freed.
Thus La Fontaine: [10] 'The fable proper is composed of two parts, of which one may be termed the body and the other the soul. The body is the subject-matter of the fable and the soul is the moral.'
On the origin of the added morals to fables, Mr. Joseph Jacobs [11] has the following appropriate remarks: 'The fable is a species of the allegory, and it seems absurd to give your allegory, and then give in addition the truth which you wish to convey. ”

“ Besides, when the moral of a fable is not very prominent and striking, a leading thought at the beginning puts the reader in a proper track. He knows the game which he pursues; and, like a beagle on a warm scent, he follows the sport with alacrity in proportion to his intelligence. ”

“ The applicability of the fables of Æsop to the circumstances and occurrences of every-day life, in the highest walks as in the humblest—for the nature in both is human, after all—gives them peculiar value. ”

“ Most writers, especially modern writers, on Æsop, have scouted with an unnecessary display of eclecticism the whole of the stories collected by Planudes regarding his hero; but in this they show a want of discrimination. Whether the stories are true of Æsop or not, and I know of no character on whom they may be more aptly fathered, they are as ripe in wisdom as are many of the best of the fables, and their pedigree is quite as authentic. ”

“ Besides, instruction, as conveyed by fable, does not only lay aside its lofty mien and supercilious aspect, but appears dressed in all the smiles and graces which can strike the imagination or engage the passions. ”

“ One day, however, ready to die for hunger, she got upon the ridge of her enchanted castle, which had long been the mansion of famine for cats, and spied from thence another cat, that was stalking upon a neighbour's wall like a lion, walking along as if she were counting her steps, and so fat that she could hardly go. The old woman's cat, astonished to see a creature of her own species so plump and so large, with a loud voice cries out to her pursy neighbour: "In the name of pity speak to me, thou happiest of the cat kind! ”

“ Now, a fairy or other fanciful tale usually or invariably contains some romance and much improbability; it often deals largely in the superstitious, and it is not necessarily the vehicle for conveying a moral. The very opposite holds good of a fable. Although animals are usually the actors in the fable, there is an air of naturalness in their assumed speech and actions. The story may be either highly imaginative or baldly matter-of-fact, but it never wanders beyond the range of intuitive (as opposed to actual or natural) experience, and it always contains a moral. ”

“ It is a remarkable circumstance in connection with the literature of fable, that those who have excelled in it are comparatively few. The principal names that occur to us are Æsop, La Fontaine, Gay, Lessing, Krilof; 'the rest are all but leather or prunello,' if we except a few rare examples from Northcote and Cowper. The composition of fables seems to call for the exercise of a talent which is peculiar and rare. La Fontaine says [54] that the writing of apologues is a gift sent down from the immortals. Not even those who have practised the art have always succeeded in it to perfection. ”

“ In a word, a fable is, or ought to be, the very quintessence of common sense and wise counsel couched in brief narrative form. It partakes somewhat of the [6] character of a parable, though it can hardly be described as a parable, because this is more sedate in character, has human beings as its actors, and is usually based on an actual occurrence.
Though parables are not fables in the strict and limited meaning of the term, they bear a close family relationship to them. Parables may be defined as stories in allegorical dress. The Scriptures, both old and new, abound with them. ”

“ They are more of the nature of rencontres of adventures, fabulous, it is true, and containing generally an excellent moral, but elaborated and complex for the most part; they are wanting in the terseness, the crispness, and concentration, as well as in the simplicity and spontaneity, of the Greek. At the same time there is a freshness and vigour in these old fables that is not sacrificed by translation, and they are sufficiently striking and admirable as moral stories to justify the repute in which they have always been held. ”

“ A fable should carry its moral without the telling; nevertheless the application is often worth supplying, because it puts, or should put, the lesson taught by the fable in a terse and impressive form. Above and beyond all, a fable should possess the quality of simplicity, and whilst easy to be understood, it should have force and appropriateness.
Fables treat of the follies and weaknesses, and also of the nobler qualities, of humankind, generally [8] through the medium of the lower animals and the members of the vegetable and natural kingdom. ”

“ The Mountain in Labour; The Fox without a Tail; The Satyr and the Man, who blew hot and cold with the same breath, and others. It is safe to assert that nothing in literature has been more quoted than the fables named. We could not afford to lose them; their absence would be a distinct loss—literature and life would be the poorer without them; and, such being the fact, we are justified in holding those writers in esteem who have contributed to the instruction and entertainment of mankind in the fables they have invented. ”

“ The Æsopian fable or apologue is a short story, either fictitious or true, generally fictitious, calculated to convey instruction, advice or reproof, in an interesting form, impressing its lesson on the mind more deeply than a mere didactic piece of counsel or admonition is capable of doing. We say a short story, because if the narration is spun out to a considerable length it ceases to be a true fable in the ordinary acceptation of the term, and becomes a tale, such, for example, as a fairy tale. ”

“ First, the nightingale poured forth one of his most entrancing lays, followed by the cuckoo, with his two mellow notes. Being requested to deliver judgment, said the ass, "Without doubt the trill of the nightingale is worth listening to; but for a good plain song give me that of the cuckoo!"'
The moral here is obvious. Persons with a want of taste, or with a depraved taste, see no difference between things excellent and mean. Nay, they will often be found to prefer the mean, as being more in harmony with their own predilections. ”

“ Lessing comes nearest to the terseness and concentration of the Æsopian model, but many of his so-called fables are better described as epigrams and witticisms. True, all these writers have sometimes, like the Phrygian, 'hit the mark,' but oftener they have missed not only the bull's-eye, but the target itself; and the arrows of their satire are frequently lost in the mazes of verbiage. ”

“ These are made to represent the characters we find in human life. Curious, that although it is chiefly the lower animals and inanimate things that are made the vehicle of the instruction or reproof contained in the story, we do not feel that there is any incongruity in these having the power of speech. We willingly accept the circumstance of their faculty of speech and reasoning as Gospel truth for the time being. It is natural that they in the fable should speak as the heroes or actors, and we listen to their words, whether wise or foolish, with deference or contempt as the case may be. ”

“ Fabulists as censors have always been not only tolerated, but patronized and encouraged, even in the most despotic countries, and when they have exposed wickedness and folly in high places with an unsparing hand. Æsop among the ancients, and Krilof amongst the moderns, are both striking examples of this. The fables of antiquity may indeed be truly said to have been a natural product of the times in which they were invented. ”

“ Shakespeare: As You Like It.
'Fables,' says Aristotle, 'are adapted to deliberate oratory, and possess this advantage: that to hit upon facts which have occurred in point is difficult; but with regard to fables it is comparatively easy. For an orator ought to construct them just as he does his illustrations, if he be able to discover the point of similitude, a thing which will be easy to him if he be of a philosophical turn of mind.' [42]
The truth of this is exemplified in the use which has been made of the apologue by orators in all ages, but especially in early times. ”

“ Insignificant even to thyself, as well as useless to others, thou art almost as insensible as the block in which thou wast bred. Even I, that had my birth only from the scum of the neighbouring river, at the rising of this day's sun, and who shall die at its setting, have more reason to applaud my condition than thou hast to be proud of thine. ”

“ The following instances of the application of fables to particular occasions are recorded. The fable of The Belly and the Members, which is reputed [69] to be the oldest in existence, is of sterling excellence, as well as of venerable antiquity. [43] Its lucid moral is truth in essence. The logic of its conclusion is as invulnerable as the demonstration of a proposition in Euclid. There is no gainsaying it, turn it how we may, and, with all due deference to Montaigne, only one moral is deducible from it. ”

“ Who among us would admit for a moment that we are the counterpart or human representative of the fox with its low cunning, the loquacious jackdaw, the silly goose, the ungrateful viper, the crow to be cajoled by flattery, not to mention the egregious donkey? 'Satire,' says an acute writer, [16] 'is a sort of glass wherein beholders do generally discover everybody's face but their own.' Or, to parody a line of Young, 'All men think all men peccable but themselves.' To be sure, we might be willing, modestly perhaps, to admit that we who are singers can emulate the nightingale ”

“ It may be questioned whether a fable has ever the full immediate effect intended. Men are loath [23] to apply the moral to their own case, though they have no difficulty in applying it to the case of others—even to their best acquaintances and friends. For example, take the present company, the present company of my readers—it is usual, by the way, to except 'the present company,' but we will be rash enough, even at the risk of castigation, to break the rule—take, then, the present company in illustration of our point. ”

“ The moral of the story is, that it is better to be contented with what one has than to travel in search of what ambition prompts us to seek for.
In the Escurial, near Madrid, the library of which is rich in ancient literary treasures, is a work by Ebn Arabscah, a collection of Arabian fables. Arabia may with truth be designated the very fountain-head of fabulous story. It was in that country that the venerable Locman flourished, during, it is believed, the reigns of the Jewish kings David and Solomon. ”

“ He does not declare the King to be the happiest man, but leaves it to be inferred that, assuming happiness to be attained by men during life (which Solon denied) , then was Crœsus pre-eminent over all others in that respect. It must be admitted that the answer does not display the character of Æsop in the best light as a moralist, however much it may exalt his reputation as a courtier. There probably was a good deal of the fox in his nature, and this, not less than his wisdom, enabled him to maintain his position at the Court of this vain and wealthy potentate. ”

“ Dodsley says that ''tis the very essence of a fable to convey some moral or useful truth beneath the shadow of an allegory.' [4] Boothby defines the [4] fable as 'a maxim for the use of common life, exemplified in a short action, in which the inhabitants of the visible world are made the moral agents.' G. Moir Bussey states that 'the object of the author is to convey some moral truth to the reader or auditor, without usurping the province of the professed lecturer or pedant. ”