Summary

Various Encyclopaedia Britannica, 11th Edition…

The irritability of mankind, which easily forgets and neglects praise, but cannot forgive the rankling poison of blame, has set upon the word critic a seal which is even more unamiable than that of criticism. It takes its most savage form in Benjamin Disraeli’s celebrated and deplorable dictum, “the critics are the men who have failed in literature and art.” It is plain that such names as those of Aristotle, Dante, Dryden, Joshua Reynolds, Sainte-Beuve and Matthew Arnold are not to be thus swept by a reckless fulmination.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

A large part of the reason why the criticism of productions of the past is so much more fruitful than mere contemporary reviewing, is that by remoteness from the scene of action the critic is able to make himself familiar with all the elements of age, place and medium which affected the writer at the moment of his composition. In short, knowledge and even taste are not sufficient for perfect criticism without the infusion of a still rarer quality, breadth of sympathy.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

The deity of Spinoza and the Eleatics is a mere substance, not a cause in any sense. As to the necessity under which Deity exists of acting or creating, this is the highest form of liberty, it is the freedom of spontaneity, activity without deliberation. His action is not the result of a struggle between passion and virtue. He is free in an unlimited manner; the purest spontaneity in man is but the shadow of the freedom of God. He acts freely but not arbitrarily, and with the consciousness of being able to choose the opposite part. He cannot deliberate or will as we do.
Source: Gutenberg

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