Summary

Various The Mirror of Literature, Amusement…

How high Miss Kemble's young aspirings have been—what conceptions she has formed to herself of the dignity of tragic poetry—may be discovered from this most remarkable work; at this height she must maintain herself, or soar a still bolder flight. The turmoil, the hurry, the business, the toil, even the celebrity of a theatric life must yield her up at times to that repose, that undistracted retirement within her own mind, which, however brief, is essential to the perfection of the noblest work of the imagination—genuine tragedy.
Source: Gutenberg

Various The Mirror of Literature, Amusement…

She must not be content with the fame of the most extraordinary work which has ever been produced by a female at her age, (for as such we scruple not to describe her Francis the First,) —with having sprung at once to the foremost rank, not only of living actors but of modern dramatists;—she must consider that she has given us a pledge and earnest for a long and brightening course of distinction, in the devotion of all but unrivalled talents in two distinct, though congenial, capacities, to the revival of the waning glories of the English theatre.
Source: Gutenberg

Various The Mirror of Literature, Amusement…

It seems therefore to me a very curious thing to find a learned man and an accomplished courtier protesting against book-learning as an evil, so far back as the year 1646, and a curious thing he himself appears to have thought it, introducing his opinion as a "paradox" until he explains. In this explanation we find the same opinion that is now strenuously insisted on by Mr. Cobbett, namely, that a man who properly understands his own business or employment, though he have nothing of literature, is by no means to be accounted ignorant.
Source: Gutenberg

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