Adoration of the Magi

Definition and stakes

Portrait of W. H. Withrow W. H. Withrow The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity

Fig. 87.—Adoration of the Magi.
In the accompanying engraving of a fresco in the cemetery of St. Marcellinus the virgin mother is represented as seated in the calm attitude and dress of a Roman matron, holding the infant Christ in her arms, but not in the least suggesting the modern Madonna. [492] The Magi bring their offerings as the first-fruits of the homage of the world. Sometimes the number is increased to four or reduced to two, in which case they are arranged on either side of the Virgin, to preserve the balance and symmetry of the picture.
Source: Gutenberg

J. G. H. Barry Our Lady Saint Mary

The life of God is day by day poured out at the altars of the Church, and they go their way in seeming unconsciousness of its presence, of its appeal, of its virtue, or of their own sore need of it. The Magi come from a far distance on a hazardous journey into an unknown country that they may offer the gold of their adoration to an infant King; and the Christian feebly considers whether he is not too tired to get up of a morning and go a short distance to receive the Body and Blood of the Redeemer of his soul!
Source: Gutenberg

Portrait of Éliphas Lévi Éliphas Lévi The history of magic (1922)

This prince, abandoned to luxury and indolence, reduced the science of the Magi to the level of one of his courtesans. What purpose did marvels serve if they failed in ministration to pleasure? Compel, O enchanters, compel the winter to produce roses; double the savour of wine; apply your power over the light to make the beauty of women shine like that of divinities. The Magi obeyed and the king passed from intoxication to intoxication.
Source: Gutenberg

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