Aesculapius

Definition and stakes

1911 Encyclopædia Britannica (1911)

“ The god was fetched from Epidaurus in the form of a snake and a temple assigned him on the island in the Tiber (Livy x. 47; Ovid, Metam. xv. 622) . Aesculapius was a favourite subject of ancient artists. He is commonly represented standing, dressed in a long cloak, with bare breast; his usual attribute is a club-like staff with a serpent (the symbol of renovation) coiled round it. He is often accompanied by Telesphorus, the boy genius of healing, and his daughter Hygieia, the goddess of health. Votive reliefs representing such groups have been found near the temple of Aesculapius at Athens. ”
Source: Wikisource

Oxonian,  Thaumaturgia; Or, Elucidations of the Marvellous

“ The Romans who sent for Aesculapius from Epidaurus, when their city was troubled with the plague, say, that the serpent that was worshipped there for him followed the ambassadors of its own accord to the ship that transported it to Rome, where it was placed in a temple built in the isle called Tiberina. In this temple the sick people were wont to lie, and when they found themselves no better, they reviled Aesculapius: so impatiently ungrateful and peevish were often the afflicted, that they made no scruple to reproach the very god who administered to their maladies. ”
Source: Gutenberg

Portrait of Thomas Bulfinch Thomas Bulfinch,  Bulfinch's Mythology: The Age of Fable

“ ADMETUS AND ALCESTIS Aesculapius, the son of Apollo, was endowed by his father with such skill in the healing art that he even restored the dead to life. At this Pluto took alarm, and prevailed on Jupiter to launch a thunderbolt at Aesculapius. Apollo was indignant at the destruction of his son, and wreaked his vengeance on the innocent workmen who had made the thunderbolt. These were the Cyclopes, who have their workshop under Mount Aetna, from which the smoke and flames of their furnaces are constantly issuing. ”
Source: Gutenberg

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