Cathedral of Toledo

Definition and stakes

Portrait of Théophile Gautier Théophile Gautier Wanderings in Spain

The exterior of the Cathedral of Toledo is far less rich than that of the Cathedral of Burgos; there is no florid profusion of ornaments, no arabesques, no rows of statues running round the portals, but simply solid buttresses, sharp bold angles, a thick facing of large stones, and a sturdy-looking spire that displays none of the delicate decorations of Gothic art, every portion of the whole building being covered with a reddish tint like a piece of toast, a kind of sunburnt skin like that of a pilgrim from the Holy Land
Source: Gutenberg

Portrait of Albert Frederick Calvert Albert Frederick Calvert Toledo: an historical and descriptive account of the "City of generations"

THE CATHEDRAL Transcending in importance all the other monuments of Toledo and, indeed, of Castile, is the Cathedral—one of the noblest specimens of Gothic architecture the world affords. The metropolitan church of Spain, it is sumptuous without gaudiness, austere without gloominess, admirably interpreting the spirit of Spanish Catholicism before it withered under the chilling influence of Philip II. and the Inquisition. The Cathedral of Toledo does not impress the foreigner as typically national.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

The cathedral of Toledo is one of the most nobly designed churches in Europe. In dimensions it is surpassed only by the cathedrals of Milan and Seville, whilst in beauty of plan it leaves both those great churches far behind. The chevet, in which two broad aisles are carried round the apse with chapels alternately square and apsidal opening out of them, is perhaps the most perfect of all the schemes we know.
Source: Gutenberg

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