City of the Dead

Definition and stakes

Portrait of Thea von Harbou Thea von Harbou Metropolis (1927)

The structure of the City of the Dead quaked right down to the centre of the earth. It was as if a mighty fist had suddenly opened a sluice—but, instead of water, a maelstrom of stones hurtled from the dammed-up bed—blocks, mortar, crumbles, stone-splinters, ruins poured down from the arch—a curtain of stones—a hail of stones.
Source: Gutenberg

Baroness Emmuska Orczy Orczy I will repay

The great alleys of sombre monuments, the weird cedars with their fantastic branches, like arms of a hundred ghosts, quelled and awed these hooting masses of degraded humanity.
The silent majesty of this city of the dead seemed to frown with withering scorn on the passions of the sister city.
Instinctively the rabble was cowed. The cemetery looked dark, dismal, and deserted. The flashes of lightning seemed to reveal ghostlike processions of the departed heroes of France, wandering silently amidst the tombs.
And the populace turned with a shudder away from this vast place of eternal peace.
Source: Gutenberg

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