Friar Laurence

Definition and stakes

Various,  Graham's Magazine, Vol. XXXVI, No…

“ And thus throughout the play one passion, sentiment, or whim, is constantly succeeding and driving out another.
Friar Laurence, as becomes his sacred character, preaches moderation wherever he appears, and constantly labors to restrain the headstrong passions of others. He first appears (Act 2d, Scene 3d) soliloquizing in his cell. After describing “flecked darkness” as reeling like a drunkard “from forth day’s path-way,” he falls into reflections on the constitution of nature. He finds a principle of good and a principle of evil in every thing that lives on the earth.
”
Source: Gutenberg

Basil Thomson,  South Sea Yarns (1894)

“ They consisted in a bamboo, a banana-leaf, a bit of bark, a leaf or two, and a little human hair. Furnished with these simple tools, Friar Laurence would, for the trifling sum of a whale’s tooth, or a bolt of bark-cloth, lay low the head on which the hair had grown. So widespread was the Friar’s reputation that, when the mad white men had [Pg 136] come and forbidden the noble art of war, he had found it convenient to reside for some months in an inaccessible mountain-cave, and had returned to Verona with his occupation gone, and a head crammed with the wisdom born of solitary meditation. ”
Source: Gutenberg

Emily Sarah Holt,  For the Master's Sake: A Story of the Days of Queen Mary

“ The preacher at the Cross that day was a Black Friar—a tall spare man, whom some might call gaunt and ungainly; a man of quick intelligence and radiant eyes, of earnest gesture and burning words. No idle monastic reveller this, but a man of one object, of one idea, full of zeal and determination. His years were a little over forty, and his name was John Laurence. But of himself Agnes thought very little ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature