Prado Museum

“ The description of the Museum at Madrid would require a whole volume. It is rich in the extreme, and contains a very large number of the works of Titian, Raphael, Paolo Veronese, Rubens, Velasquez, Ribeira, and Murillo. The pictures are hung in an excellent light, and the architectural style of the building is tolerably good, especially in the interior. The Façade looks on the Prado, and is a specimen of bad taste, but taken altogether the building does honour to the architect, Villa Nueva, who drew the plans. ”

“ When we entered the Museo, we found a little old man, gentle, grave, and unobtrusive, varnishing the ugly portrait of some Signor of the cinquecento. Round the walls hung pictures, of mediocre value, in dingy frames; but all of them bore sounding titles. Titians, Lionardos, Guido Renis, and Luinis, looked down and waited for a purchaser. In truth this museum was a bric-à-brac shop of a sort that is common enough in Italy, where treasures of old lace, glass, armour, furniture, and tapestry, may still be met with. ”

“ Following the long lane which ascends between a wing of the palace and its garden wall, Narcisse and Pierre at last reached the Museum of Antiquities. Ah! what a museum it is, with galleries innumerable, a museum compounded of three museums, the Pio-Clementino, Chiaramonti, and the Braccio-Nuovo, and containing a whole world found beneath the soil, then exhumed, and now glorified in full sunlight. For more than two hours Pierre went from one hall to another, dazzled by the masterpieces, bewildered by the accumulation of genius and beauty. ”

“ It was eleven o'clock in the morning when Mariano Renovales reached the Museo del Prado. Several years had passed since the famous painter had entered it. The dead did not attract him; very interesting they were, very worthy of respect, under the glorious shroud of the centuries, but art was moving along new paths and he could not study there under the false glare of the skylights, where he saw reality only through the temperaments of other men. ”

“ Not far from the Piazza della Signoria is what is called the National Museum, contained in the old Palazzo del Podesta, rich, but severely rich, in its architecture. The ground floor is occupied with ancient and modern armour and arms. Above there is a gallery of statues, some of them by Michael Angelo, a room full of majolica, another of ivory carvings, two of bronzes, two of tapestry, and two of sculpture; but the collection, though interesting, looks small after experiencing the extent of the Uffizi and Pitti Galleries, and seems hardly deserving to be dignified with the name of National. ”

“ What have we to do with the arms and banners of the tourneys? At most we may rub the cobwebs away and shake off the dust and lay them aside in a museum." [73]
To come out of the Museo, that graveyard of dead beauty, of forgotten enthusiasms, into the quiet, deserted Piazza di S. Francesco, where the summer sleeps ever in the sun and no footstep save a foreigner's ever seems to pass, is to fall from one dream into another, not less mysterious and full of beauty. How quiet now is this old city that once rang with the shouts of the victors home from some sea fight, or returned from the Giuoco. ”

“ She had sunk into her great armchair, and was weeping hot tears.
Ten minutes later, M. Charnot and Jeanne entered with me into the jealously guarded museum.
Museum was the only name to give to a collection of such artistic value, occupying, as it did, the whole of the ground floor to the right of the hall. Two rooms ran parallel to each other, filled with pictures, medals, and engravings, and were connected by a narrow gallery devoted to sculpture. ”

“ He who goes over this immense building, cannot do so without a feeling of admiration for the men whose energy has brought together this vast and wonderful collection of things, the like of which cannot be found in any other museum in the world. The reflection of the setting sun against a mirror in one of the rooms, told me that night was approaching, and I had but a moment in which to take another look at the portrait that I had seen the previous day, and then bade adieu to the Museum. ”

“ When a gate has to be moved, or a hinge is no longer used, or a lock or even a key from these early times goes out of commission, we would consider it almost a sacrilege to throw it away; it is transported to the museum--not alone because of its value as an antique but, as a rule, also because of its charm as a work of art. When a bench-end is no longer needed it, too, finds its way into the museum. ”

“ There are many paintings, but besides some by Rubens, Mascagni, Cardenas, Vincenzo Carduccio, the rest of them are of very slight merit, gathered together from convents here and there, and hung at random in the rooms, along the corridors, staircases, and galleries. None the less, it is a museum which leaves upon the mind a profound impression, not very unlike that produced by one’s first sight of a bull-fight ”

“ It is never under any circumstances, however, justifiable to treat an object of art and one worthy of a place in a museum as though it were a part of the decoration of the museum. It may by its nature be a decoration to the room, but it must be so arranged that for light and for space and for general effect it is shown to its best advantage. To cut a piece of sculpture, a painting or a tapestry, as a layman might do, to make it fit a given spot in a museum is to commit a crime. ”

“ It would be a hopeless task to attempt to review with any detail the gems of this collection. My memory is filled with the countless canvases that adorn the ten great halls. If I refer to my notebook I am equally discouraged by the number I have marked for special notice. The masterpieces are simply innumerable. I will say a word of each room, and so give up the unequal contest.
As you enter the Museum from the north, you are in a wide sturdy-columned vestibule, hung with splashy pictures of Luca Giordano. To your right is the room devoted to the Spanish school; to the left, the Italian. ”

“ In Opera del Duomo, Florence
Alinari
Thus they have stolen away the silver altar of the Baptistery, that miracle of the fourteenth-century silversmiths, Betto di Geri, Leonardo di Ser Giovanni, and the rest, that it may be a cause of wonder in a museum. So a flower looks between the cold pages of a botanist's album, so a bird sings in his case: for life is to do that for which we were created, and if that be the praise of God in His sanctuary, to stand impotently by under the gaze of innumerable unbelievers in a museum is to die. ”

“ My agents brought me from foreign lands, even from the most distant islands of the sea, button-holes of every kind; in silk, in wool, in cloth of gold, in every imaginable material, and of those which could not be obtained careful copies were made. There was not a duplicate specimen in the whole collection; only one of each kind; nothing repeated. Never before was there such a museum. With all my power I strove to educate my people up to an appreciation of button-holes ”

“ The shopkeepers and gondoliers, the beggars and the models, depend upon it for a living; they are the custodians and the ushers of the great museum—they are even themselves to a certain extent the objects of exhibition. It is in the wide vestibule of the square that the polygot pilgrims gather most densely; Piazza San Marco is the lobby of the opera in the intervals of the performance. ”

“ No other qualities can possibly atone for defects of lighting in a museum. No building with a bad light can be called properly a museum; it may be an architect’s triumph, a civic ornament, a costly patchwork, a marvel of folly, but a museum it is not, if it is unfit for the first requirements of a collection. ”

“ The collection of old coins in this Museum, is, I believe, the finest in the world, and the cabinets of ancient gems and crystals are exceedingly beautiful. Then there is the library of papyri—rolls found at Herculaneum, and a perfect model of the city of Pompeii. There are also many other rooms full of interesting relics of the two unfortunate cities—wonderful works of art in crystal, stone, and bronze, much of which cannot even be imitated in the present day. Altogether this Museum is a very temple of ancient treasure, and should make us humble in the knowledge that we now possess. ”

“ There are some adroit water-colours by modern Frenchmen, and there is a seeming attempt to make the collection contemporary in spirit, but it is all as dead as the allegorical dormouse, while over at the Prado there is a vitality manifested by the old fellows that bids fair to outlast the drums, tramplings, and conquests of many generations. ”

“ There are afternoon hours that can be passed pleasantly amidst the endless halls and galleries of the great Museo Nazionale, where the antiquities of Pompeii and Herculaneum may be studied in advance, for the wise traveller will not rush headlong into the sacred precincts of the buried cities on the Vesuvian shore, before he has first made himself thoroughly acquainted with the wonderful collections preserved in the Museum. ”

“ The wholesale exhibition of one class of objects leads to two things: a false impression on the part of the public as to the importance of that particular thing in the daily life of the people of ancient times, and a fatigue of mind and eye which must be avoided if the public is to benefit from the collection. To the great mass of museum visitors the exact position of a handle on a cup or the precise number of geometrical figures used in a design are of no possible interest. ”

“ The air of grandeur that reigns in the general arrangement of the gallery is very striking: and the tasteful and judicious distribution of this matchless assemblage of antiques does great honour to the Council of the CENTRAL MUSEUM. Among the riches which Rome possessed, the French commissioners also, by their choice selection, have manifested the depth of their knowledge, and the justness of their discrimination. ”

“ By and by, when the whirligig of time has brought on another revenge, the museum itself becomes a dust-heap, and remains so till after long ages it is rediscovered, and valued as belonging to a neo-rubbish age—containing, perhaps, traces of a still older paleo-rubbish civilization. ”

“ Here is this dry-looking archaeological museum, with antipathetic custodians at the door who refuse to get change for twenty-lira pieces: nothing could be more unpromising than they or their building; and yet you find yourself instantly among countless vestiges of a past people who had risen to power and crumbled again before Christ was born—but at a time when man was so vastly more sensitive to beauty than he now is that every appliance for daily life was the work of an artist. Well, a collection like this demands days and days of patient examination, and one has only a few hours. ”

“ This unique institution has done excellent work in improving the physical and moral conditions under which young people grow up in the city.
The collections in Cracow illustrative of history and civilization are rapidly growing, chiefly by gifts from private persons desirous to contribute towards constructing a full image of the glorious past. This tendency prevailing in the public mind is fostered by the municipality, which by preserving the National Museum, fulfils its historical task, and proves a faithful guardian of the relics of civilization. ”

“ They gained high prices in their day, and are now mostly consigned either to cellars or to the darkest rooms of suburban galleries.
Time is, after all, the greatest of art critics, and its judgment is sure. The best of all the centuries adorns the walls of the National Museum. It is the best only that survives. To us, in all our painful twentieth-century newness, it is given to inherit the mystery and magic of the old Greeks and Egyptians; the charming imagery of Raphael, filled with simple faith and sweet imagination ”

“ It forms the centre of the Plaza del Oriente, directly in front of the royal palace, from which it is separated, however, by a broad thoroughfare. According to history, Galileo showed how the true balance of the horse could be sustained in its remarkable position, the whole weight of rider and animal resting on the hind legs. On the Prado, the grand public drive of the citizens, there are fine marble statues and groups, combined with fountains, representative of Neptune, Apollo, and Cybele. ”

“ The public galleries of a museum, whether of natural history, antiquities or art, should not contain the bulk of the collection, but only special things, carefully selected, and equally carefully placed in case or on wall, with artistic judgment as to space-bordering and colour of background, and with scientific perfection of illumination, so as to produce the "just" impression on the leisurely visitor. ”

“ For objects in a museum are dead, their relations with life ended. Objects partake of the lives of their possessors, and when cut off are as dead as finger-nails. A vase dominating the court of a Pompeian house and a vase in the Naples Museum are as a creature to its skeleton. What a stimulation in the one or two houses left with their living reality—their frescoes and their furniture, their kitchens and middens! ’Tis statues that suffer most from their arrangement in ghostly rows. A statue is an æsthetic climax, the crown of a summit, the close of a vista. ”

“ If, for instance, there is already in existence in the city some collection which with proper tact may eventually come to the museum, it is the duty of the committee to plan the collection which they are to buy in such a way that it will not cover the same field. But the existence of private or other collections is not the only thing to be considered. There are two ends in view in adding the museum to the educational equipment of a city. One is the development of a high class of artisans producing a more artistic grade of manufactures. ”