Rialto Bridge

Definition and stakes

Various,  The Atlantic Monthly, Volume 18…

“ The four beheld this impassable stream, boiling and surging and sweeping on to mingle itself with the madly leaping sea-waves out there in the dim night-gloom to the left, as they descended from the diligence and prepared to go on foot across something that looked like a rudely-constructed imitation of the Rialto Bridge at Venice, seen through a haze of darkness, slanting rain, faintly-beaming coach-lamps, pushing and heaving men, panting led horses, passengers muffled up and umbrellaed, conductor leading and directing. ”
Source: Gutenberg

Portrait of E. V. Lucas E. V. Lucas,  A Wanderer in Venice

“ Giorgion's frescoes faced the Canal; Titian's the Rialto.
And so we reach the Rialto bridge, on this side of which are no shrines, but a lion is on the keystone, and on each side is a holy man. After the Rialto bridge there is nothing of any moment for many yards, save a house with a high narrow archway which may be seen in Mr. Morley's picture, until we reach Sansovino's Palazzo Manin, now the Bank of Italy, a fine building and the home of the last Doge. The three steamboat stations hereabouts are for passengers for the Riva and Lido, for Mestre, and for the railway station, respectively.
”
Source: Gutenberg

Various,  The Atlantic Monthly, Volume 12…

“ What lines of grace are added to the night view of a great city by the lights on the bridges! what subtile principles enter into the building of such a bridge as the Britannia, where even the metallic contraction of the enormous tubes is provided for by supporting them on cannon-balls! how venerable seems the most graceful of Tuscan bridges, when we remember it was erected in the fifteenth century,—and the Rialto, when we think that it was designed by Michel Angelo! ”
Source: Gutenberg

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