Summary

Various The Atlantic Monthly, Volume 12…

It is one of those symbols of humanity which spring from and are not grafted upon Nature; it proclaims her affinity with man, and links her spontaneous benefits with his invention and his needs; it seems to celebrate the stream over which it rises, and to wed the wayward waters to the order and the mystery of life. There is no hint of superfluity or impertinence in a bridge; it blends with the wildest and the most cultivated scene with singular aptitude, and is a feature of both rural and metropolitan landscape that strikes the mind as essential.
Source: Gutenberg

Various The Atlantic Monthly, Volume 12…

There are thirty-four stars in it now, Danforth. I thank God for that, though I do not know what their names are. There has never been one taken away: I thank God for that. I know by that, that there has never been any successful Burr. Oh, Danforth, Danforth,' he sighed out, 'how like a wretched night's dream a boy's idea of personal fame or of separate sovereignty seems, when one looks back on it after such a life as mine! But tell me,—tell me something,—tell me everything, Danforth, before I die!'"
"Ingham, I swear to you that I felt like a monster that I had not told him everything before.
Source: Gutenberg

Various The Atlantic Monthly, Volume 12…

Who is a poet but he whom the heart of man permanently accepts as a singer of its own hopes, emotions, and thoughts? And what is poetry but that song? If words have a uniform meaning, it is useless to declare that Pope cannot be a poet, if Lord Byron is, or that Moore is counterfeit, if Wordsworth be genuine. For the art of poetry is like all other arts. The casket that Cellini worked is not less genuine and excellent than the dome of Michel Angelo. Is nobody but Shakspeare a poet? Is there no music but Beethoven's? Is there no mountain-peak but Dhawalaghiri? no cataract but Niagara?
Source: Gutenberg

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