Amateur musician

Definition and stakes

J. B. Priestley Papers from Lilliput

It is only on the score of technique, the mere rule of thumb business, that we stand below the serious amateurs; we belong to a higher order of beings and have grander souls; in spirit we come nearer to the great masters. The motives of the serious amateur are not above suspicion. In his assiduous practice, his limited repertoire, his studied semi-public style of performance, is there not a suggestion of vanity? Is his conscious parade of skill, taken along with his fear of unknown works, the mark of a selfless devotion to music, and music alone?
Source: Gutenberg

Carl Engel Musical Myths and Facts, Volume 2…

And should he be inclined to join the musicians with his instrument in a performance,—to become for a little while, so to say, one of them,—he may be sure that they will do everything to help him through by covering his mistakes and giving him, if possible, the opportunity of displaying his skill.
What can be more delightful for an influential amateur than to join with first-rate professional players in practising [Pg 42] the classical Quartets of Haydn, Mozart, and Beethoven!
Source: Gutenberg

Ernest Ford A Short History of English Music

This lack of musical education leads at times to incidents that, though sometimes distressful, are occasionally diverting.
It is distressing when an amateur band, while fully capable of playing music that [Pg 148] demands nothing more than ordinary technical ability, is swayed by a wild enthusiasm for performing works that even Sir Henry Wood will give many rehearsals to prepare.
Source: Gutenberg

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