Hetaera

Definition and stakes

E. F. M. Benecke,  Antimachus of Colophon and the Position of Women in Greek Poetry (1896)

“ Pherecrates and his imitators seem to have been merely concerned in drawing a picture—perhaps a somewhat burlesque one—of the general life of an Hetaera and her followers, and in dwelling upon the various comic incidents which might occur in her environment, without troubling to connect these incidents by means of any very definite story. In other words, the Hetaera-play of Pherecrates was still, in the main, that mixture of pantomime and variety-show with which one is familiar in Aristophanes, and with which one’s ideas of the early Athenian Comedy are usually associated. ”
Source: Gutenberg

E. F. M. Benecke,  Antimachus of Colophon and the Position of Women in Greek Poetry (1896)

“ On the first and older class of Hetaera-play, it is useless to dwell further; a certain vague idea of their general nature is all that can be gained by the study of their fragments, and the external evidence as to their character is equally meagre, while the intentional want of coherence which marked their action makes it obviously absurd to endeavour in any way to reconstruct them. ”
Source: Gutenberg

active 11th century Somadeva Bhatta,  The Kathá Sarit Ságara; or, Ocean of the Streams of Story

“ Rúpiṇiká’s mother, Makaradanshṭrá, who had trained up many hetæræ, was annoyed when she saw this, and said to her in private; “My daughter, why do you associate with a poor man? Hetæræ of good taste embrace a corpse in preference to a poor man. What business has a hetæra like you with affection? How have you come to forget that great principle? The light of a red9 sunset lasts but a short time, and so does the splendour of a hetæra who gives way to affection. A hetæra, like an actress, should exhibit an assumed affection in order to get wealth ”
Source: Gutenberg

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