Translation (literature)

“ How much time, trouble and money are wasted in the translation of the literary work of a nation, and yet how small a portion of its literature has ever been so reproduced or will be, even more or less unfaithfully. ”

“ How impossible it is to convey the exact properties of a foreign language by translation! Every word, from the highest to the lowest, has a peculiar significance, determinable only by an accurate knowledge of national and local attributes and peculiarites. ”

“ To the moderns the art of translation is of greater importance than it was to the ancients, in the same proportion that the great mass of ancient and of modern literature, accumulated up to the present times, bears to the general stock of learning in the most enlightened periods of antiquity. ”

“ In any inquiry involving the question of foreign influence in literature it is obviously necessary to treat of the work done in the way of translation, although when the influence is of at all a widespread nature, as in the present instance, such discussion is apt to usurp a position unjustified by its intrinsic importance. ”

“ It is more convenient to discuss the details of such cases in another context, but any general approach to the theory of translation in Middle English literature must include this consideration. If we are not in possession of the exact original of a translation, our conclusions must nearly always be discounted by the possibility that not only the subject matter but the comment on that subject matter came from the French or Latin source. The pronoun of the first person must be regarded with a slight suspicion. ”

“ People who are prejudiced against translations, forget that the Bible and our best literature are translations of the classics of the world's leading languages. Translations should be welcomed by a people who themselves are in a state of translation, especially if the translations are from their mother tongue into the language they are learning. ”

“ Prefixed to a translation, translation is the theme; with us an unvalued art, because our translators have usually been the jobbers of booksellers; but no inglorious one among our French and Italian rivals. In this poem, if the reader's ear be guided by the compressed sense of the massive lines, he may feel a rhythm which, should they be read like our modern metre, he will find wanting; here the fulness of the thoughts forms their own cadences. The mind is musical as well as the ear. ”

“ But it is a singular consideration, that under the daily experience of the advantages of good translations, in opening to us all the [3] stores of ancient knowledge, and creating a free intercourse of science and of literature between all modern nations, there should have been so little done towards the improvement of the art itself, by investigating its laws, or unfolding its principles. ”

“ We can, it is true, point to few realizations of the ideal theory, but in approaching a literature which possesses the English Bible, that marvelous union of faithfulness to source with faithfulness to the genius of the English language, we can scarcely view the problem of translation thus hopelessly. ”

“ For the multitude, upon whom the effect is to be produced, a plain translation always remains the best. Those critical translations, which vie with the original, really only seem to amuse the learned among themselves. ”

“ The excellence of a translation will consist, not merely in the faithful rendering of words, or in the composition of a sentence only, or yet of a single paragraph, but in the colour and style of the whole work. ”

“ Such a work should be the common property of man. It is, indeed, impossible to transfer the graces of style and diction from one language to another as much of the spirit is lost with the translation. ”

“ For him a foreign language is only his own, with another vocabulary; and so, when he does a piece of translation, he carefully replaces on his paper each word of his English text by one of the equivalents that he finds for it in his dictionary, rarely failing to choose the wrong one, as I have already said. ”

“ The necessity for open-mindedness, indeed, in some degree accounts for the tentative quality in so much of the theory of translation. Translation fills too large a place, is too closely connected with the whole course of literary development, to be disposed of easily. ”

“ I long to know languages, not so much to be able to speak them, as for the far greater joy of being able to read the many beautiful works of foreign authors in their own tongue. Is it not true that never mind how good a translation may be, it is never so fine as the original? That is always stronger—more charming. ”

“ If it were possible accurately to define, or, perhaps more properly, to describe what is meant by a good Translation, it is evident that a considerable progress would be made towards establishing the Rules of the Art ”

“ I maintain that every new language learned gives you new ideas, as it puts you at once more au fait of the manners and customs of the people, which can only be thoroughly learned by reading popular authors in their original language: for there are several authors of the merit of whose style it is impossible to form an adequate idea in a translation, however correct and excellent it be. ”

“ The translator who makes verbal literalness his chief care ‘will’, says a writer in the National Review whom 33I have already quoted, ‘be appreciated by the scholar accustomed to test a translation rigidly by comparison with the original, to look perhaps with excessive care to finish in detail rather than boldness and general effect, and find pardon even for a version that seems bare and bold, so it be scholastic and faithful’. ”

“ Truth smoothly told, and pleasantly severe;
(So well is Art disguis'd, for Nature to appeare.)
Nor need those Rules, to give Translation light;
His own example is a flame so bright;
That he, who but arrives to copy well,
Unguided will advance; unknowing will excel. ”

“ The field of discussion also has narrowed considerably, and theory has gained by becoming less scattering. Translation in the seventeenth and eighteenth centuries showed certain new developments, the most marked of which was the tendency among translators who aspired to the highest rank to confine their efforts to verse renderings of the Greek and Latin classics. A favorite remark was that it is the greatest poet who suffers most in being turned from one language into another. ”

“ We have observed, in the preceding part of this essay, that poetical translation is less subjected to restraint than prose translation, and allows more of the freedom of original composition. It will hence follow, that to exercise this freedom with propriety, a translator must have the talent of original composition in poetry; and therefore, that in this species of translation, the possession of a genius akin to that of his author, is more essentially necessary than in any other. ”

“ Translation is destructive, or is often considered so, of the power of ‘thinking in the foreign language,’ and yet it is suggested that the student should do translation work and at the same time train himself to think in the foreign language. ”

“ Yet it is those critics who have faced all the difficulties boldly, and who have urged upon the translator both due regard for the original and due regard for English literary standards who have made the most valuable contributions to theory. It is much easier to set the standard of translation low, to settle matters as does Mr. ”

“ Independently of its special use in giving power of expression, translation is an indisputable source of progress in mental culture. Correct expression and correct thinking are one and the same. Great eloquence implies high intelligence. The act of mind by which a student assures himself of the exact sense of the foreign text, and the search for expressions which shall better render the thought of the author, are operations of high intellectual import. ”

“ One might just as well say "no prose translation can give the sense and spirit of the original; it can only substitute the sense and spirit of the words and phrases of the translator's language;" and then, these two assertions balancing each other, there will remain in the metrical translator's favor, that he may come as near to giving both the letter and the spirit, as the effects of the Babel dispersion will allow. ”

“ The real opportunity for a fresh, individual approach to the problems of translation lay in consideration of the claims of the original author. Renaissance scholarship was bringing a new knowledge of texts and authors and encouraging a new alertness of mind in approaching texts written in foreign languages. It was now possible, while making faithfulness to source obligatory instead of optional, to put the matter on a reasonable basis. ”

“ If the genius and character of all languages were the same, it would be an easy task to translate from one into another; nor would anything more be requisite on the part of the translator, than fidelity and attention. But as the genius and character of languages is confessedly very different, it has hence become a common opinion, that it is the duty of a translator to attend only to the sense and spirit of his original, to make himself perfectly master of his author’s ideas, and to communicate them in those expressions which he judges to be best suited to convey them. ”

“ On the whole, however, though the distinctive contribution of the period is the plea of the renaissance scholars that a reasonable faithfulness should be displayed, the comment of the mass of translators shows little grasp of the new principles. When one considers, in addition to their very inadequate expression of theory, the prevailing characteristics of their practice, the balance turns unmistakably in favor of a careless freedom in translation. ”

“ The chief emphasis has been laid upon the sixteenth century, the period of the most enthusiastic experimentation, when, though it was still possible for the translator to rest in the comfortable medieval conception of his art, the New Learning was offering new problems and new ideals to every man who shared in the intellectual awakening of his time. ”

“ There is nothing more difficult to imitate successfully in a translation than that species of composition which conveys just, simple, and natural thoughts, in plain, unaffected, and perfectly appropriate terms; and which rejects all those aucupia sermonis, those lenocinia verborum, which constitute what is properly termed florid writing. ”

“ He must ascertain with precision to what class it belongs; whether to that of the grave, the elevated, the easy, the lively, the florid and ornamented, or the simple and unaffected; and these characteristic qualities he must have the capacity of rendering equally conspicuous in the translation as in the original. If a translator fails in this discernment, and wants this capacity, let him be ever so thoroughly master of the sense of his author, he will present him through a distorting medium, or exhibit him often in a garb that is unsuitable to his character. ”

“ If he translates a good author, he forms the habit of expressing in French only just ideas. He rises to the height of the author by appropriating his thoughts: his own conceptions become more clear by the effort he makes to express them clearly. He thus forms a good style, in trying to reproduce in his translation the qualities of the original. ”

“ The more he studies a scrupulous imitation, the less his copy will reflect the ease and spirit of the original. How then shall a translator accomplish this difficult union of ease with fidelity? To use a bold expression, he must adopt the very soul of his author, which must speak through his own organs. ”

“ I can readily conceive that many of their most beautiful peculiarities cannot possibly be translated into another language, but even through the medium of a prose translation one can discern a rich vein of poetry, and even classical correctness, infinitely superior to any other compositions of that age, that we are acquainted with. ”

“ Defending diversities of translations, he says, "For that one interpreteth something obscurely in one place, the same translateth another, or else he himself, more manifestly by a more plain vocable of the same meaning in another place." ”

“ This admirable translation falls short of its original only in a single particular, the measure of the verse. One striking beauty of the original, is the easy and loose structure of the verse, which has little else to distinguish it from animated discourse but the harmony of the syllables; and hence it has more of natural impassioned eloquence, than is conveyed by the regular measure of the translation. ”

“ I shall in this chapter touch upon several other characteristics of composition, which, in proportion as they are found in original works, serve greatly to enhance the difficulty of doing complete justice to them in a translation.
1. The poets, in all languages, have a licence peculiar to themselves, of employing a mode of expression very remote from the diction of prose, and still more from that of ordinary speech. Under this licence, it is customary for them to use antiquated terms, to invent new ones, and to employ a glowing and rapturous phraseology, or what Cicero terms Verba ardentia. ”

“ It may be confidently asserted, that the Translator who shall endeavour to conform himself to these rules, even with the licence allowed of sacrificing to sense, perspicuity, and harmony, will produce, on the whole, a very sorry composition, which will be far from reflecting a just picture of his original. ”

“ To attempt to represent Poetry in Prose, is very much like attempting to translate music into speech. [C]
[A] "'There are two maxims of translation,' says he: 'the one requires that the author, of a foreign nation, be brought to us in such a manner that we may regard him as our own; the other, on the contrary, demands of us that we transport ourselves over to him, and adopt his situation, his mode of speaking, and his peculiarities. ”