John William Cousin

“ With no family or political influence, and with some personal characteristics, and the then current prejudices in regard to his race to contend with, he rose by sheer force of will and intellect to the highest honours attainable in this country. His most marked qualities were an almost infinite patience and perseverance, indomitable courage, a certain spaciousness of mind, and depth of penetration, and an absolute confidence in his own abilities, aided by great powers of debate rising occasionally to eloquence. ”

“ In mere amount his output in each of the four departments of poetry, prose fiction, history and biography, and miscellaneous literature is sufficient to fill an ordinary literary life. Indeed the quantity of his acknowledged work in other departments was held to be the strongest argument against the possibility of his being the author of the novels. The achievement of such a result demanded a power of steady, methodical, and rapid work almost unparalleled in the history of literature. When we turn to its quality we are struck by the range of subject and the variableness of the treatment. ”

“ For strength of imagination, delicate accuracy and suggestiveness of language, and harmony of versification, he is unrivalled, and almost unapproached; and when the difficulties inherent in the subject of his great masterpiece are considered, the power he shows in dealing with them appears almost miraculous, and we feel that in those parts where he has failed, success was impossible for a mortal. ”

“ He has been called the poets' poet, a title which he well merits, not only by virtue of the homage which all the more imaginative poets have yielded him, but because of the almost unequalled influence he has exercised upon the whole subsequent course and expression of English poetry, which he enriched with the stanza which bears his name, and which none since him have used with more perfect mastery. ”

“ He was the friend of Johnson in the early and miserable days of the latter in London; and in The Lives of the Poets J. has given his story as set forth by himself, which is, if true, a singular record of maternal cruelty. There are strong reasons, however, for doubting whether it was anything but a tissue of falsehoods mingled with gross exaggerations of fact. He led a wildly irregular life, killed a gentleman in a tavern brawl, for which he was sentenced to death, but pardoned; and by his waywardness alienated nearly all who wished to befriend him. ”

“ Though not a philosopher in the technical sense, he deeply pondered the subjects with which philosophy sets itself to deal; but art was the dominating influence in his intellectual life, and it was said of him that "he was a philosopher who had gone to Italy by mistake instead of to Germany." ”

“ By this time S. had long reached a pinnacle of fame such as perhaps no British man of letters has ever attained during his lifetime. He had for a time been the most admired poet of his day, and though latterly somewhat eclipsed by Byron, he still retained great fame as a poet. He also possessed a great reputation as an antiquary, one of the chief revivers of interest in our ancient literature, and as the biographer and ed. of several of our great writers; while the incognito which he maintained in regard to his novels was to many a very partial veil. ”

“ The tide may be said to have turned with the publication of Treasure Island in 1882, which at once gave him an assured place among the foremost imaginative writers of the day. His greatest power is, however, shown in those works which deal with Scotland in the 18th century, such as Kidnapped, Catriona, and Weir of Hermiston, and in those, e.g., The Child's Garden of Verse, which exhibit his extraordinary insight into the psychology of child-life; Dr. Jekyll and Mr. Hyde is a marvellously powerful and subtle psychological story, and some of his short tales also are masterpieces. ”

“ The magnitude of his tragedy is only realised when it is considered not only that the poetry he left was of a high order of originality and imaginative power, but that it was produced at an age at which our greatest poets, had they died, would have remained unknown. Precocious not only in genius but in dissipation, proud and morose as he was, an unsympathetic age confined itself mainly to awarding blame to his literary and moral delinquencies. ”

“ Though the name of S. still bulks somewhat largely in the history of our literature, his works, with a few exceptions, are now little read, and those of them (his longer poems, Thalaba and Kehama) on which he himself based his hopes of lasting fame, least of all. To this result their length, remoteness from living interests, and the impression that their often splendid diction is rather eloquence than true poetry, have contributed. ”

“ He may perhaps be regarded as the chief of the modern romantic school, inspired by the love of beauty for its own sake; his poetry is rich and musical, and he has a power of description which makes his pictures live and glow, but his narratives sometimes suffer from length and slowness of movement. ”

“ From his early youth he showed a marked taste for literature and the fine arts, which his wealth enabled him to gratify; and in his later years he was a well-known leader in society and a munificent patron of artists and men of letters, his breakfasts, at which he delighted to assemble celebrities in all departments, being famous. ”

“ In the forging of condensed, pointed, and sparkling maxims of life and criticism he has no equal, and in painting a portrait Dryden alone is his rival; while in the Rape of the Lock he has produced the best mock-heroic poem in existence. Almost no author except Shakespeare is so often quoted. ”

“ As a lyrist, however, he stands much higher, and in such gems as "Proud Maisie" and "A weary lot is thine, Fair Maid," he takes his place among our greatest singers. His chief fame rests, of course, upon the novels. Here also, however, there is the same inequality and irregularity, but there is a singular command over his genius in virtue of which the fusing, creating imagination responds to his call, and is at its greatest just where it is most needed. ”

“ C. exercised a very powerful influence upon the thought of his age, not only by his own writings and personality, but through the many men of distinction both in literature and active life whom he imbued with his doctrines; and perhaps no better proof of this exists than the fact that much that was new and original when first propounded by him has passed into the texture of the national ideas. His style is perhaps the most remarkable and individual in our literature, intensely strong, vivid, and picturesque, but utterly unconventional, and often whimsical or explosive. ”

“ His extraordinary lack of humour and the, perhaps consequent, imperfect power of self-criticism by which it was accompanied, together with the theory of poetic theme and diction with which he hampered himself, led him into a frequent choice of trivial subjects and childish language which excited not unjust ridicule, and long delayed the general recognition of his genius. He has a marvellous felicity of phrase, an unrivalled power of describing natural appearances and effects, and the most ennobling views of life and duty. ”

“ His last poem was The Castaway, which, with its darkness almost of despair, shows no loss of intellectual or poetic power. In addition to his reputation as a poet C. has that of being among the very best of English letter-writers, and in this he shows, in an even easier and more unstudied manner, the same command of pure idiomatic English, the same acute observation, and the same mingling of gentle humour and melancholy. ”

“ In his greatest passages, as in the Vision of Sudden Death and the Dream Fugue, the cadence of his elaborately piled-up sentences falls like cathedral music, or gives an abiding expression to the fleeting pictures of his most gorgeous dreams. ”

“ As a master of metre he is hardly excelled by any of our poets, but it has not seldom been questioned whether his marvellous sense of the beauty of words and their arrangement did not exceed the depth and mass of his thought. The Hymn to Artemis in Atalanta beginning "When the hounds of Spring are on Winter's traces" is certainly one of the most splendid examples of metrical power in the language. As a prose writer he occupies a much lower place, and here the contrast between the thought and its expression becomes very marked, the latter often becoming turgid and even violent. ”

“ The rationalistic tendency of certain of his writings gave offence to many readers, and the sufficiency of his equipment in scholarship for dealing with some of the subjects which he handled was called in question; but he undoubtedly exercised a stimulating influence on his time; his writings are characterised by the finest culture, high purpose, sincerity, and a style of great distinction, and much of his poetry has an exquisite and subtle beauty, though here also it has been doubted whether high culture and wide knowledge of poetry did not sometimes take the place of the true poetic fire. ”

“ The first says, "To move a horror skilfully, to touch a soul to the quick, to lay upon fear as much as it can bear, to wean and weary a life till it is ready to drop, and then step in with mortal instruments to take its last forfeit, this only a Webster can do." W. revels in the horrible, but the touch of genius saves his work from mere brutality, and evokes pity and sorrow where, without it, there would be only horror and disgust. ”

“ Her works are full of tender and delicate, but also of strong and deep, thought. Her own sufferings, combined with her moral and intellectual strength, made her the champion of the suffering and oppressed wherever she found them. ”

“ Besides being the deliverer of his country from the ravages of the Danes, and the restorer of order and civil government, Æ. has earned the title of the father of English prose writing. The earlier part of his life was filled with war and action, most of the details regarding which are more or less legendary. But no sooner had he become King of Wessex, in 871, than he began to prepare for the work of re-introducing learning into his country. Gathering round him the few scholars whom the Danes had left, and sending for others from abroad, he endeavoured to form a literary class. ”

“ His character was a singularly complex one, and his intellect possessed a plasticity which made it possible to say of him that he never was anything, but was always becoming something. His life was a singularly noble and stainless one, and he must probably ever remain one of the great figures in the history of his country. ”

“ His chief poem, The Luggie (the river of his birthplace) contains much beautiful description; but his genius reached its highest expression in a series of 30 sonnets written in full view of an early death and blighted hopes, and bearing the title, In the Shadow. They breathe a spirit of the deepest, melancholy unrelieved by hope. ”