John William Cousin

“ The first says, "To move a horror skilfully, to touch a soul to the quick, to lay upon fear as much as it can bear, to wean and weary a life till it is ready to drop, and then step in with mortal instruments to take its last forfeit, this only a Webster can do." W. revels in the horrible, but the touch of genius saves his work from mere brutality, and evokes pity and sorrow where, without it, there would be only horror and disgust. ”

“ C. exercised a very powerful influence upon the thought of his age, not only by his own writings and personality, but through the many men of distinction both in literature and active life whom he imbued with his doctrines; and perhaps no better proof of this exists than the fact that much that was new and original when first propounded by him has passed into the texture of the national ideas. His style is perhaps the most remarkable and individual in our literature, intensely strong, vivid, and picturesque, but utterly unconventional, and often whimsical or explosive. ”

“ With no family or political influence, and with some personal characteristics, and the then current prejudices in regard to his race to contend with, he rose by sheer force of will and intellect to the highest honours attainable in this country. His most marked qualities were an almost infinite patience and perseverance, indomitable courage, a certain spaciousness of mind, and depth of penetration, and an absolute confidence in his own abilities, aided by great powers of debate rising occasionally to eloquence. ”

“ In the forging of condensed, pointed, and sparkling maxims of life and criticism he has no equal, and in painting a portrait Dryden alone is his rival; while in the Rape of the Lock he has produced the best mock-heroic poem in existence. Almost no author except Shakespeare is so often quoted. ”

“ His last poem was The Castaway, which, with its darkness almost of despair, shows no loss of intellectual or poetic power. In addition to his reputation as a poet C. has that of being among the very best of English letter-writers, and in this he shows, in an even easier and more unstudied manner, the same command of pure idiomatic English, the same acute observation, and the same mingling of gentle humour and melancholy. ”

“ His extraordinary lack of humour and the, perhaps consequent, imperfect power of self-criticism by which it was accompanied, together with the theory of poetic theme and diction with which he hampered himself, led him into a frequent choice of trivial subjects and childish language which excited not unjust ridicule, and long delayed the general recognition of his genius. He has a marvellous felicity of phrase, an unrivalled power of describing natural appearances and effects, and the most ennobling views of life and duty. ”

“ In his greatest passages, as in the Vision of Sudden Death and the Dream Fugue, the cadence of his elaborately piled-up sentences falls like cathedral music, or gives an abiding expression to the fleeting pictures of his most gorgeous dreams. ”

“ His chief poem, The Luggie (the river of his birthplace) contains much beautiful description; but his genius reached its highest expression in a series of 30 sonnets written in full view of an early death and blighted hopes, and bearing the title, In the Shadow. They breathe a spirit of the deepest, melancholy unrelieved by hope. ”

“ Her works are full of tender and delicate, but also of strong and deep, thought. Her own sufferings, combined with her moral and intellectual strength, made her the champion of the suffering and oppressed wherever she found them. ”

“ His muse is tender and graceful, pervaded by a contemplative melancholy, and a love of solitude and the silence of the woods. Though he was brought up to admire Pope, and in his early youth imitated him, he was one of the first American poets to throw off his influence. ”

“ His last work was a Life of Titian, in which he collaborated with Northcote. H. is one of the most subtle and acute of English critics, though, when contemporaries came under review, he sometimes allowed himself to be unduly swayed by personal or political feeling, from which he had himself often suffered at the hands of others. His chief principle of criticism as avowed by himself was that "a genuine criticism should reflect the colour, the light and shade, the soul and body of a work." ”

“ The rationalistic tendency of certain of his writings gave offence to many readers, and the sufficiency of his equipment in scholarship for dealing with some of the subjects which he handled was called in question; but he undoubtedly exercised a stimulating influence on his time; his writings are characterised by the finest culture, high purpose, sincerity, and a style of great distinction, and much of his poetry has an exquisite and subtle beauty, though here also it has been doubted whether high culture and wide knowledge of poetry did not sometimes take the place of the true poetic fire. ”

“ The style is clear, spirited, and pointed, but, as has been said, "with all its force and vivacity ... fancy at times, and graphic descriptive power, it is poetry with as little of high imagination in it as any that was ever written." ”

“ His character was a singularly complex one, and his intellect possessed a plasticity which made it possible to say of him that he never was anything, but was always becoming something. His life was a singularly noble and stainless one, and he must probably ever remain one of the great figures in the history of his country. ”

“ Besides being the deliverer of his country from the ravages of the Danes, and the restorer of order and civil government, Æ. has earned the title of the father of English prose writing. The earlier part of his life was filled with war and action, most of the details regarding which are more or less legendary. But no sooner had he become King of Wessex, in 871, than he began to prepare for the work of re-introducing learning into his country. Gathering round him the few scholars whom the Danes had left, and sending for others from abroad, he endeavoured to form a literary class. ”

“ As a master of metre he is hardly excelled by any of our poets, but it has not seldom been questioned whether his marvellous sense of the beauty of words and their arrangement did not exceed the depth and mass of his thought. The Hymn to Artemis in Atalanta beginning "When the hounds of Spring are on Winter's traces" is certainly one of the most splendid examples of metrical power in the language. As a prose writer he occupies a much lower place, and here the contrast between the thought and its expression becomes very marked, the latter often becoming turgid and even violent. ”

“ For about 20 years it was one of the most popular poems of its size -- it contains about 10,000 lines -- ever written, and he and Spenser were called the Homer and Virgil of their age. They must, however, have appealed to quite different classes. The plain-spoken, jolly humour, homely, lively, direct tales, vigorous patriotic feeling, and rough-and-tumble metre of Warner's muse, and its heterogeneous accumulation of material -- history, tales, theology, antiquities -- must have appealed to a lower and wider audience than Spenser's charmed verse. ”

“ George Eliot will probably always retain a high place among writers of fiction. Her great power lies in the minute painting of character, chiefly among the lower middle classes, shopkeepers, tradesmen, and country folk of the Midlands, into whose thoughts and feelings she had an insight almost like divination, and of whose modes of expression she was complete mistress. Her general view of life is pessimistic, relieved by a power of seizing the humorous elements in human stupidity and ill-doing. ”

“ Intensely proud, he suffered bitterly in youth and early manhood from the humiliations of poverty and dependence, which preyed upon a mind in which the seeds of insanity were latent until it became dominated by a ferocious misanthropy. As a writer he is our greatest master of grave irony, and while he presents the most humorous ideas, the severity of his own countenance never relaxes. ”

“ The Ecclesiastical Polity is one of the greatest achievements alike in English theology and English literature, a masterpiece of reasoning and eloquence, in a style stately and sonorous, though often laborious and involved. Hallam considered that no English writer had better displayed the capacities of the language. The argument is directed against the Romanists on the one hand and the Puritans on the other, and the fundamental idea is "the unity and all embracing character of law as the manifestation of the divine order of the universe." ”

“ A shy and timid child, the death of his mother when he was 6 years old, and the sufferings inflicted upon him by a bullying schoolfellow at his first school, wounded his tender and shrinking spirit irrecoverably. ”

“ Her characters, though of quite ordinary types, are drawn with such wonderful firmness and precision, and with such significant detail as to retain their individuality absolutely intact through their entire development, and they are never coloured by her own personality. Her view of life is genial in the main, with a strong dash of gentle but keen satire: she appeals rarely and slightly to the deeper feelings ”

“ A truly pious and loving soul, neglected and misunderstood by the world, but appreciated by an elect few, he led a cheerful and contented life of poverty illumined by visions and celestial inspirations. ”

“ At the news of his death Burke burst into tears, Reynolds laid down his brush and painted no more that day, and Johnson wrote an imperishable epitaph on him. The poor, the old, and the outcast crowded the stair leading to his lodgings, and wept for the benefactor who had never refused to share what he had (often little enough) with them. Much of his work—written at high pressure for the means of existence, or to satisfy the urgency of duns—his histories, his Animated Nature, and such like, have, apart from a certain charm of style which no work of his could be without, little permanent value ”

“ The questions which involved him in the greatest conflicts of his life and evoked his chief efforts of intellect were the disestablishment of the Irish Church, the foreign policy of his great rival Disraeli, and Home Rule for Ireland, on the last of which the old Liberal party was finally broken up. In the midst of political labours which might have been sufficient to absorb even his tireless energy, he found time to follow out and write upon various subjects which possessed a life-long interest for him. ”

“ It is only recently that his more important work as a novelist, in which he ranks with Greene and Nash, has received attention. He appears to have turned to this new field of effort when his original one was closed to him for the time. Less under the influence of Lyly and other preceding writers than Greene, he is more natural, simple, and direct, and writes of middle-class citizens and tradesmen with a light and pleasant humour. Of his novels, Thomas of Reading is in honour of clothiers, Jack of Newbury celebrates weaving, and The Gentle Craft is dedicated to the praise of shoemakers. ”

“ In all his work H. was actuated not only by the love of knowledge, but by a noble patriotism: he wished to see England the great sea-power of the world, and he lived to see it so. His work, as has been said, is "our English epic." ”

“ The poems of Y., though in style artificial and sometimes forced, abound in passages of passion and power which sometimes reach the sublime. But the feelings and sentiments which he expresses with so much force as a poet form an unpleasantly harsh contrast with the worldliness and tuft-hunting of his life. ”

“ Though the object, first of a kind of contemptuous dislike, then of an intense opposition, he rose to be universally regarded as, at all events, a great political force, and by a large part of the nation as a great statesman. As a writer he is generally interesting, and his books teem with striking thoughts, shrewd maxims, and brilliant phrases which stick in the memory. ”

“ Its language is much more English than that spoken and written in Scotland at the time. It is of the highest historical value, and in style terse, vigorous, with flashes of a quiet, somewhat saturnine humour, and of vivid description—the writing of a great man of action dealing with the events in which he had been the leading actor. His own figure and that of the Queen are those round which the drama turns. The leading features of his character were courage and intense earnestness. "Here," said the Regent Morton, "lies a man who never feared the face of man." ”

“ In the words of Warton, "The author's variety of learning, his quotations from rare and curious books, his pedantry sparkling with rude wit and shapeless elegance ... have rendered it a repertory of amusement and information." ”

“ In his autobiographical book, Grace Abounding, B. describes himself as having led an abandoned life in his youth; but there appears to be no evidence that he was, outwardly at any rate, worse than the average of his neighbours: the only serious fault which he specifies is profanity, others being dancing and bell-ringing. The overwhelming power of his imagination led him to contemplate acts of impiety and profanity, and to a vivid realisation of the dangers these involved. ”