Vermillion

Definition and stakes

Portrait of Angna Enters Angna Enters,  Among the Daughters (1955)

“ Vermillion said to Lucy.
Beman, irritated, said, "You fellows always think you are special. No one else expects to be supported without working."
"I don't think my painting is necessary to anyone but myself, and so no one owes me a living," Vermillion said mildly. "Since I'm selfishly indulging myself, I don't care what anyone thinks—as much as I do, that is, about my painting. If I'm not pleased, no one can convince me. And the most difficult task for any artist is to convince himself, so occasionally he has to talk out loud to himself.
”
Source: Wikisource

Portrait of Angna Enters Angna Enters,  Among the Daughters (1955)

“ Clem asked Vermillion, anxious to learn what the critic had said.
"Bernard Genlis. He's the only one you can't be sure of—though he liked the 'Hepaticas' and will say so. Even if he didn't, the town is ripe for you. I'm going to take another turn around."
Clem was exultant. Success was success, no matter which painting was singled out by a critic.
As if in affirmation Lucy came up, a perfumed nimbus of pastel tints and rolls of ash-grey fur and hepatica eyes.
"I'm dressed to kill for your show," she laughed, her sparkling glance circling the room and lighting on Vermillion.
”
Source: Wikisource

Portrait of Angna Enters Angna Enters,  Among the Daughters (1955)

“ Clem scoffed belligerently. "The ultimate in European decadence. New York may be impressed with Paris, but not the real America where I come from. A row of smokestacks is as beautiful as the Parthenon. More, because they're functional."
Vermillion peered at him hazily. "You mean you're the latest art pope through which a new aesthetic, which is to say pioneer, U.S.A. speaks? Only popes are infallible, artists never—as you should know—or they'd stop after the first painting. A painter doesn't work as an artist for a political slogan or patron, any more than for a prince.
”
Source: Wikisource

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