Lewis Richard Farnell

Biographical details

Portrait of Lewis Richard Farnell Lewis Richard Farnell Outline-history of Greek religion (1921)

A more spiritual or more mystic religion could not have produced or could not have borne with such an art. But it was the best and most satisfying expression of the best that the religious spirit of Hellenism admitted; for this polytheism had been built up by the teachers of the people, poets and artists obeying the race-instinct, not on vague conceptions of infinite Godhead ineffable for art and inexpressible in clear speech, but on vivid perceptions of concrete divine personages, distinct in form, attributes and character robust and very real.
Source: Gutenberg

Portrait of Lewis Richard Farnell Lewis Richard Farnell Outline-history of Greek religion (1921)

The Greek artist, with his miraculous cunning of hand, could deal with such types as he could not have dealt with ‘the Word’ or with the ‘Buddha.’ Nor was he merely the exponent of the highest popular imagination, but, unconsciously perhaps and in obedience to a true art-tradition, at times a reformer and in any case a creator. For us his works have this value among others that, even more than the poetic literature, they reveal to us how the people at their best imagined their deities.
Source: Gutenberg

Portrait of Lewis Richard Farnell Lewis Richard Farnell The evolution of religion (1905)

Probably all this is only a revival of aboriginal practices and superstitions rooted in the Hellenic soil, a religion which the intellectualism of Homeric civilisation had happily suppressed for a time, but which asserted itself with renewed strength when that civilisation was overthrown. Yet the revival, though apparently a “set-back,” bore fair fruit for morality, law, and even religion. The history of Greek ethic must reckon as it has not yet done with the ritual of purity, and the history of Greek law with the fear of the ghost and the miasma of bloodshed.
Source: Gutenberg

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