Anne C. E. Allinson

Summary

Anne C. E. Allinson,  Roads from Rome

“ I have come to feel, my friends, that the restoration of an art that is not the outcome of a genuine national life is a futile thing. Rome cannot restore the glory of old Athens. She can only learn from Greece how to create a glory of her own. She must so govern her life, so train her sons, that out of their own impulses a new poetry, a new art will grow. Divine influences from the past, yes, they exist. In your own most creative times Cicero and Lucretius, Virgil and Horace, did more than restore. Seeking aliment from Greece, they nurtured their own genius. ”
Source: Gutenberg

Anne C. E. Allinson,  Roads from Rome

“ The magnificent hills girdling the horizon had freshly impressed them as more sculpturesque in outline than the familiar ones about their own Rome, and the very shape of the olive trees in a large orchard by the roadside had seemed un-Italian and strange. They had already become attuned to a Greek mood when the blue sea opened before them and they reached the large plain, stretching from the foot-hills of Pentelicon to the water's edge. The heat had stilled all life in the neighbourhood, and Marathon seemed hushed, after all these five hundred years, in reverence before the spirit of liberty. ”
Source: Gutenberg

Anne C. E. Allinson,  Roads from Rome

“ But what could he, Paulus, do? In Rome, in Athens, he was one of the little men. Was he not, then, justified in living his own life in the best possible way, atoning for the meagreness of his talent by the honourableness of his quest?
But even as he said this to himself he remembered why Athens had achieved perfection. In the age of Pericles, geniuses, like flawless jewels cut out of a proper matrix, had been fashioned out of a large body of men, themselves not gifted, but able to understand and safeguard those who were.
”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature