Baron Edward Bulwer Lytton Lytton

“ But to the homeliness of her common thoroughfares and private mansions, the magnificence of her public edifices now made a dazzling contrast. The Acropolis, that towered above the homes and thoroughfares of men—a spot too sacred for human habitation—became, to use a proverbial phrase, "a city of the gods." The citizen was everywhere to be reminded of the majesty of the STATE—his patriotism was to be increased by the pride in her beauty—his taste to be elevated by the spectacle of her splendour. Thus flocked to Athens all who throughout Greece were eminent in art. ”

“ Pericles was rather the friend than the patron of philosophers. The increasing refinement of the Athenians—the vast influx of wealth that poured into the treasury from the spoils of Persia and the tributes of dependant cities, awoke the desire of art; and the graceful intellect of Pericles at once indulged and directed the desire, by advancing every species of art to its perfection. The freedom of democracy—the cultivation of the drama (which is the oratory of poetry) —the rise of prose literature—created the necessity of popular eloquence—and with Pericles the Athenian eloquence was born. ”

“ The characteristic excellence of Sophocles is, that in his most majestic creations he always contrives to introduce the sweetest touches of humanity.—Philoctetes will not even quit his miserable desert until he has returned to his cave to bid it farewell—to kiss the only shelter that did not deny a refuge to his woes. In the joy of his heart he thinks, poor dupe, that he has found faith in man—in youth. He trusts the arrows and the bow to the hand of Neoptolemus. ”

“ The other, in his grandest flights, remembers that men make his audience, and seems to feel as if art lost the breath of its life when aspiring beyond the atmosphere of human intellect and human passions. The difference between the creations of Aeschylus and Sophocles is like the difference between the Satan of Milton and the Macbeth of Shakspeare. Aeschylus is equally artful with Sophocles—it is the criticism of ignorance that has said otherwise. But there is this wide distinction—Aeschylus is artful as a dramatist to be read, Sophocles as a dramatist to be acted. ”

“ The spirit of poetry, or the pampered indulgence of certain faculties to the prejudice of others, produced in a whole people what it never fails to produce in the individual: it unfitted them just as they grew up into a manhood exposed to severer struggles than their youth had undergone—for the stern and practical demands of life; and suffered the love of the beautiful to subjugate or soften away the common knowledge of the useful. Genius itself became a disease, and poetry assisted towards the euthanasia of the Athenians. ”

“ Now in Athens, where audiences were numerous and readers few, every man who felt within himself the inspiration of the poet would necessarily desire to see his poetry put into action—assisted with all the pomp of spectacle and music, hallowed by the solemnity of a religious festival, and breathed by artists elaborately trained to heighten the eloquence of words into the reverent ear of assembled Greece. ”

“ M. Schlegel is pleased to indulge in one of his most declamatory rhapsodies upon the life, "so dear to the gods," of this "pious and holy poet." But Sophocles, in private life, was a profligate, and in public life a shuffler and a trimmer, if not absolutely a renegade. It was, perhaps, the very laxity of his principles which made him thought so agreeable a fellow. At least, such is no uncommon cause of personal popularity nowadays. People lose much of their anger and envy of genius when it throws them down a bundle or two of human foibles by which they can climb up to its level. ”

“ Creon, aware of the oracle, comes to recall him to Thebes. The treacherous kinsman humbles himself before his victim—he is the suppliant of the beggar, who defies and spurns him. Creon avenges himself by seizing on Antigone and Ismene. Nothing can be more dramatically effective than the scene in which these last props of his age are torn from the desolate old man. They are ultimately restored to him by Theseus, whose amiable and lofty character is painted with all the partial glow of colouring which an Athenian poet would naturally lavish on the Athenian Alfred. ”

“ Perhaps the loss of his works is not the least to be lamented of those priceless treasures which time has destroyed. So uncertain, after all, is the great tribunal of posterity, which is often as little to be relied upon as the caprice of the passing day! We have the worthless Electra of Euripides—we have lost all, save the titles and a few sententious fragments, of thirty-five comedies of Epicharmus! Yet if Horace inform us rightly, that the poet of Syracuse was the model of Plautus, perhaps in the Amphitryon we can trace the vein and genius of the father of true comedy ”

“ But when the scene, opening, discovers Ajax sitting amid the slaughtered victims— when that haughty hero awakens from his delirium—when he is aware that he has exposed himself to the mockery and derision of his foes— the effect is almost too painful even for tragedy. In contrast to Ajax is the soothing and tender Tecmessa. The women of Sophocles are, indeed, gifted with an astonishing mixture of majesty and sweetness. ”

“ The whole democracy were animated with the passion of Pericles; and when Phidias recommended marble as a cheaper material than ivory for the great statue of Minerva, it was for that reason that ivory was preferred by the unanimous voice of the assembly. Thus, whether it were extravagance or magnificence, the blame in one case, the admiration in another, rests not more with the minister than the populace. It was, indeed, the great characteristic of those works, that they were entirely the creations of the people: without the people, Pericles could not have built a temple or engaged a sculptor. ”

“ But honour and wealth alone would not have sufficed for the universal emulation, the universal devotion to all that could adorn or exalt the nation. It was the innovations of Aristides and Ephialtes that breathed into that abstract and cold formality, THE STATE, the breath and vigour of a pervading people, and made the meanest citizen struggle for Athens with that zeal with which an ambitious statesman struggles for himself [290] . These two causes united reveal to us the true secret why Athens obtained a pre-eminence in intellectual grandeur over the rest of Greece. ”

“ Macauley, in common with many others, insist far too much on the artlessness of the age and the unstudied simplicity of the writer? Though history itself was young, art was already at its zenith. It was the age of Sophocles, Phidias, and Pericles. It was from the Athenians, in their most polished period, that Herodotus received the most rapturous applause. Do not all accounts of Herodotus, as a writer, assure us that he spent the greater part of a long life in composing, polishing, and perfecting his history ”

“ Eteocles, here represented as the younger, drove out Polynices, and seized the throne; Polynices takes refuge at Argos, where he prepares war against the usurper: an oracle declares that success shall be with that party which Oedipus joins, and a mysterious blessing is pronounced on the land which contains his bones. Thus, the possession of this wild tool of fate—raised up in age to a dread and ghastly consequence—becomes the argument of the play, as his death must become the catastrophe. It is the deep and fierce revenge of Oedipus that makes the passion of the whole. ”

“ He owed his first distinction to Cimon, and he served afterward under Pericles; on his entrance into life, he led the youths that circled the trophy of Grecian freedom—and on the verge of death, we shall hereafter see him calmly assent to the surrender of Athenian liberties. In short, Aristophanes perhaps mingled more truth than usual with his wit, when even in the shades below he says of Sophocles, "He was contented here—he's contented there." A disposition thus facile, united with an admirable genius, will, not unoften, effect a miracle, and reconcile prosperity with fame. ”

“ VIII. Hence it will be seen that the origin of comedy does not rest with the Athenians; that Megara, if the birthplace of Susarion, may fairly claim whatever merit belongs to the first rude improvement, and that Syracuse is entitled to the higher distinction of raising humour into art. So far is comedy the offspring of the Dorians—not the Dorians of a sullen oligarchy, with whom to vary an air of music was a crime—not the Dorians of Lacedaemon—but of Megara and Syracuse—of an energetic, though irregular democracy—of a splendid, though illegitimate monarchy. ”

“ No visible representation can body forth his thoughts—they overpower the imagination, but they do not come home to our household and familiar feelings. In the contrast between the "Philoctetes" and the "Prometheus" is condensed the contrast between Aeschylus and Sophocles. They are both poets of the highest conceivable order; but the one seems almost above appeal to our affections—his tempestuous gloom appals the imagination, the vivid glare of his thoughts pierces the innermost recesses of the intellect, but it is only by accident that he strikes upon the heart. ”

“ And when Neoptolemus refuses, he pours forth a torrent of reproach. The son of the truth—telling Achilles can withstand no longer. He is about to restore the weapons, when Ulysses rushes on the stage and prevents him.
At length, the sufferer is to be left—left once more alone in the desert. He cannot go with his betrayers—he cannot give glory and conquest to his inhuman foes; in the wrath of his indignant heart even the desert is sweeter than the Grecian camp. And how is he to sustain himself without his shafts! ”

“ We can sympathize with the poet, but not with the actor. For the same reason, in a lesser degree, all creations, even of human character, that very highly task the imagination, that lift the reader wholly out of actual experience, and above the common earth, are comparatively feeble when reduced to visible forms. The most metaphysical plays of Shakspeare are the least popular in representation. Thus the very genius of Aeschylus, that kindles us in the closet, must often have militated against him on the stage. But in Sophocles all—even the divinities themselves— are touched with humanity ”

“ The age of Pericles is the sole historian of Pericles.
This statesman was now at that period of life when public men are usually most esteemed—when, still in the vigour of manhood, they have acquired the dignity and experience of years, outlived the earlier prejudices and jealousies they excited, and see themselves surrounded by a new generation, among whom rivals must be less common than disciples and admirers. ”

“ Placed between two rivers, the Crathis and the Sybaris—possessing extraordinary advantages of site and climate, this celebrated colony rose with unparalleled rapidity to eminence in war and luxury in peace. So great were its population and resources, that it is said by Diodorus to have brought at one time three hundred thousand men into the field—an army which doubled that which all Greece could assemble at Plataea! The exaggeration is evident; but it still attests the belief of a populousness and power which must have rested upon no fabulous foundation. ”

“ Had Corinth obtained the command of the seas and the treasury of Delos—had Corinth established abroad a power equally arbitrary and extensive, and at home a democracy equally broad and pure—Corinth might have had her Pericles and Demosthenes, her Phidias, her Sophocles, her Aristophanes, her Plato—and posterity might not have allowed the claim of Athens to be the Hellas Hellados, "the Greece of Greece."
XIV. But the increase of wealth bounded not its effects to these magnificent works of art—they poured into and pervaded the whole domestic policy of Athens. ”

“ Blind, powerless, excommunicated, Creon, whom Oedipus accused of murder, has now become his judge and his master. The great spirit, crushed beneath its intolerable woes, is humbled to the dust; and the "wisest of mankind" implores but two favours—to be thrust from the land an exile, and once more to embrace his children. ”

“ The more men are brought together to converse and discuss, the more the principles of a general national taste will become both diffused and refined. Less to their climate, to their scenery, to their own beauty of form, than to their social habits and preference of the public to the domestic life, did the Athenians, and the Grecian republics generally, owe that wonderful susceptibility to the beautiful and harmonious, which distinguishes them above all nations ancient or modern. ”

“ But it is not for that reason that we are to conclude, with M. Schlegel and others, that the Greek women knew not the sentiment of love. Such a notion, that has obtained an unaccountable belief, I shall hereafter show to be at variance with all the poetry of the Greeks—with their drama itself— with their modes of life—and with the very elements of that human nature, which is everywhere the same. But Sophocles, in the character of Antigone, personifies duty, not passion. ”

“ Chrysothemis joyfully returns to announce, that by the tomb of Agamemnon she discovers a lock of hair; libations yet moisten the summit of the mound, and flowers of every hue are scattered over the grave. "These," she thinks, "are signs that Orestes is returned." Electra, informing her of the fatal news, proposes that they, women as they are, shall attempt the terrible revenge which their brother can no longer execute. When Chrysothemis recoils and refuses, Electra still nurses the fell design. ”

“ Aeschylus belonged to the race and the period from which emerged Themistocles and Aristides—Sophocles to those which produced Phidias and Pericles. Sophocles indeed, in the calmness of his disposition, and the symmetry and stateliness of his genius, might almost be entitled the Pericles of poetry. And as the statesman was called the Olympian, not from the headlong vehemence, but the serene majesty of his strength; so of Sophocles also it may be said, that his power is visible in his repose, and his thunders roll from the depth of a clear sky.
IV. The age of Pericles is the age of art [344] . ”

“ A man is tried and found guilty—if past services and renown were to save the great from punishment when convicted of a state offence, society would perhaps be disorganized, and certainly a free state would cease to exist. The question therefore shrinks to this—was it or was it not ungrateful in the people to relax the penalty of death, legally incurred, and commute it to a heavy fine? I fear we shall find few instances of greater clemency in monarchies, however mild. Miltiades unhappily died. But nature slew him, not the Athenian people. ”