Summary

Portrait of John Morley John Morley Critical Miscellanies (Vol. 3 of 3…

Her tales to illustrate the truths of political economy are what might be expected from a writer of this character. They are far from being wanting—many of them—in the genuine interest of good story-telling. They are rapid, definite, and without a trace of either slovenliness or fatigue. We are amazed as we think of the speed and prompt regularity with which they were produced; and the fertile ingenuity with which the pill of political economy is wrapped up in the confectionery of a tale, may stand as a marvel of true cleverness and inventive dexterity.
Source: Gutenberg

Portrait of John Morley John Morley Critical Miscellanies (Vol. 3 of 3…

There is no fretting away of the portrait in over-multiplicity of lines and strokes. Here more than anywhere else Miss Martineau shows the true quality of the writer, the true mark of literature, the sense of proportion, the modulated sentence, the compact and suggestive phrase. There is a happy precision, a pithy brevity, a condensed argumentativeness. And this literary skill is made more telling by the writer's own evident interest and sincerity about the real lives and characters of the various conspicuous people with whom she deals.
Source: Gutenberg

Portrait of John Morley John Morley Critical Miscellanies (Vol. 3 of 3…

It is only one volume in a million that is not meant to perish, and to perish soon, as flowers, sunbeams, and all the other brightnesses of the earth are meant to perish. There are some forms of composition in which perfection is not only good but indispensable. But the most are designed for the purpose of a day, and if they have the degree of elaboration, accuracy, grasp, and faithfulness that suffice for the given purpose, then we may say that it is enough. There is literature proper, for which only two or three men and women in a generation have the true gift.
Source: Gutenberg

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