Summary

Portrait of John Ruskin John Ruskin The Relation of Art to Use

Agriculture by the hand, then, and absolute refusal or banishment of unnecessary igneous force, are the first conditions of a school of art in any country. And until you do this, be it soon or late, things will continue in that triumphant state to which, for want of finer art, your mechanism has brought them;--that, though England is deafened with spinning wheels, her people have not clothes--though she is black with digging of fuel, they die of cold--and though she has sold her soul for gain, they die of hunger.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Relation of Art to Use

And farther, as their skill increases, and as their grace, so much more, their desire for truth. It is impossible to find the three motives in fairer balance and harmony than in our own Reynolds. He rejoices in showing you his skill; and those of you who succeed in learning what painter's work really is, will one day rejoice also, even to laughter--that highest laughter which springs of pure delight, in watching the fortitude and the fire of a hand which strikes forth its will upon the canvas as easily as the wind strikes it on the sea.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Relation of Art to Use

All the graphic arts begin in keeping the outline of shadow that we have loved, and they end in giving to it the aspect of life; and all the architectural arts begin in the shaping of the cup and the platter, and they end in a glorified roof.
Therefore, you see, in the graphic arts you have Skill, Beauty, and Likeness; and in the architectural arts, Skill, Beauty, and Use; and you _must_ have the three in each group, balanced and co-ordinate; and all the chief errors of art consist in losing or exaggerating one of these elements.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature