John Thomas Smith,
Nollekens and his times
(1829)
“ The expression of a feature,—an eye for instance, so fascinating to the beholder, in which the very focus and soul of the modeller is seated,—if carelessly finished, might be lost for ever, particularly if too much of the stone were cut away. What an acquisition, then, an excellent carver must be in the studio of the classic Sculptor of high fame, whose mind must necessarily be engaged upon his designs; and whose hand, had it once been master of the tool, for the want of practice, could not manage it with so much ease as that of the artist who is continually employed on the marble only ”
