Thomas Gordon Hake

Thomas Gordon Hake

Summary

Portrait of Thomas Gordon Hake Thomas Gordon Hake Memoirs of Eighty Years

Rome is rich in metamorphoses, besides being one itself: the fine bronze statue in the cathedral, a figure of Jupiter, has been transfigured into Peter, who reigns in its stead.
But the most valued Transfiguration of all is Raphael’s: it has a fault of the first magnitude, a ghastly fault that hands it over to the ruins.
The great painter was but a fragmentary genius, or he would not have made that hideous epileptic the conspicuous rival of Christ. Our eyes join the eyes of the painted crowd in looking at a sight so loathsome, and that in so healing a Presence.
Source: Gutenberg

Portrait of Thomas Gordon Hake Thomas Gordon Hake Memoirs of Eighty Years

Spezia has its charm; the old streets at the back, the new ones in front near the sea, the temple of Venus on the hill to the right of the shore, Lerici on the left, where Shelley died. But those marble hills that surround the place! As the sun sets, they and the sea become of one pink colour; as the sun sinks deeper, the brilliance quits the water, except where the little waves rise and just dip their crests into it once more.
We took the train to Florence, Henry getting out at Pisa to join me again.
Source: Gutenberg

Portrait of Thomas Gordon Hake Thomas Gordon Hake Memoirs of Eighty Years

Rossetti’s intellectual force was not of a striking order, but it was adequate; his charm lay in the artistic colouring of his mind, arrayed as it was in the fascinations of a Provençal attire. This is very different to the charm in which Nature invests her lovers; and yet it is so bewitching as to claim a rivalry, and to almost appear the subject of her inspirations in some enchanted guise.
I had heard that paintings were leaving Cheyne Walk, such as in colouring had not been seen since Titian lived; and, with a claim on his acquaintance, I was induced to visit him.
Source: Gutenberg

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