Summary

Various Encyclopaedia Britannica, 11th Edition…

The Iconoclasts left an indelible impress on the Christian art of the Greek Church, in so far as they put an end to the use of graven images; for the Eastern icon is a flat picture, less easily regarded than would be a statue as a nidus within which a spirit can lurk. Half the realm of creative art, that of statuary, was thus suppressed at a blow; and the other half, painting, forfeited all the grace and freedom, all the capacity of new themes, forms and colours, all the development which we see in the Latin Church.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

It is not the teaching of idealism alone but of the facts which logical analysis has brought home to us that all difference in the last resort finds its ground in the quality or content of the things differentiated, and that this difference of content shows in turn a double strand, the strand of sameness and the strand of otherness—that in which and that by which they differ from one another. Idealism has, of course, no quarrel with numerical difference. All difference has its numerical aspect: two different things are always two both in knowledge and in reality.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

In France the 15th century opened more auspiciously for the art of illumination. Brilliant colouring and the diapered background glittering with gold, the legacy of the previous century, still continue in favour for some time; the border, too, of ivy-leaf tracery still holds its own. But in actual drawing there are signs, as time advances, of growing carelessness, and the artist appears to think more of the effect of colour than of draughtsmanship.
Source: Gutenberg

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