A Doll's House

Definition and stakes

Portrait of G. K. Chesterton G. K. Chesterton What I saw in America

It is the true tragedy of every fallen son of Adam that he has grown too big to live in a doll's house. These things seem somehow to escape the irony of time by not even challenging it; they are too temporary even to be merely temporal. These people are not building tombs; they are not, as in the fine image of Mrs. Meynell's poem, merely building ruins. It is not easy to imagine the ruins of a doll's house; and that is why a doll's house is an everlasting habitation. How far it promises a political permanence is a matter for further discussion; I am only describing the mood of discovery
Source: Gutenberg

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Manalive (1912)

I have found out how to turn a house into a doll's house. Get a long way off it: God lets us turn all things into toys by his great gift of distance. Once let me see my old brick house standing up quite little against the horizon, and I shall want to go back to it again. I shall see the funny little toy lamp-post painted green against the gate, and all the dear little people like dolls looking out of the window.
Source: Wikisource

Clayton Meeker Hamilton The Theory of the Theatre, and Other Principles of Dramatic Criticism

The question in A Doll's House is not whether any woman should forsake her husband and children when she happens to feel like it, but whether a particular woman, Nora, living under special conditions with a certain kind of husband, Torwald, really did deem herself justified in leaving her doll's home, perhaps forever.
Source: Gutenberg

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