Anton Raphael Mengs

Definition and stakes

Various,  Lippincott's Magazine of Popular Literature and Science…

“ Only those who know how he can draw if he will, how he has painted—portraits best, perhaps—when he would, are vexed beyond endurance by the folly and the carelessness and the sins he chooses to give us. It has been said that Raphael Mengs was a born genius spoiled by the coldness, the pseudo-classicism, the artificiality and eclecticism of the eighteenth century. A companion portrait is Hans Makart, ruined by the amateurishness, the rhapsodizing, the theorizing, the morbid self-consciousness of the nineteenth. ”
Source: Gutenberg

The New International Encyclopædia…

“ In 1775 he returned to Rome, where he died, June 29, 1779.
His fresco paintings are superior to his canvases. Good examples of the latter are a “Nativity” in Madrid, and an “Annunciation” in the Vienna Gallery. Mengs was an eclectic who endeavored to blend the beauty of antique art with that of the great Italian masters. Living at a time of extreme degradation in art, he commanded great admiration by his skill in composition and his thorough knowledge of technical processes. He exercised a profound inlluence upon his contemporaries, and trained numerous pupils.
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Source: Wikisource

Portrait of Giacomo Casanova Giacomo Casanova,  The Memoirs of Jacques Casanova de Seingalt…

“ He died at the age of fifty, and is regarded by posterity as a Stoic philosopher, a scholar, and a compendium of all the virtues; and this opinion must be ascribed to a fine biography of him in royal quarto, choicely printed, and dedicated to the King of Spain. This panegyric is a mere tissue of lies. Mengs was a great painter, and nothing else; and if he had only produced the splendid picture which hangs over the high altar of the chapel royal at Dresden, he would deserve eternal fame, though indeed he is indebted to the great Raphael for the idea of the painting. ”
Source: Gutenberg

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