Byzantine literature

“ We have numerous tirades against the manners of Constantinople preserved in Byzantine literature, and may judge from them something of the faults of the time. It would seem that there was much of the sort of luxury to which ascetic preachers take exception—much splendour of raiment, much ostentatious display of plate and furniture, of horses and chariots. Luxury and evil living often go together, but when we examine all the enormities laid to the charge of the Byzantines, there is less alleged than we might expect. ”

“ The importance of Byzantine culture and literature in the history of the world is beyond dispute. The Christians of the East Roman empire guarded for more than a thousand years the intellectual heritage of antiquity against the General significance of Byzantine literature. ”

“ Byzantium cannot boast a scholastic like Thomas Aquinas. In the 11th century philosophical studies experienced a satisfactory revival, mainly owing to Michael Psellus, who brought Plato as well as Aristotle again into fashion.
Ancient rhetoric was cultivated in the Byzantine period with greater ardour than scientific philosophy, being regarded as an indispensable aid to instruction. ”

“ The reader however must not expect to find a vestige of philosophical genius, nor a philosophical representation of the events. Entirely unacquainted with classical literature, the Greek writers of the Byzantine age were their only models. The best that can be expected is a dry and faithful narrative of facts. ”

“ He will more seriously deplore the loss of the Byzantine libraries, which were destroyed or scattered in the general confusion: one hundred and twenty thousand manuscripts are said to have disappeared; 72 ten volumes might be purchased for a single ducat; and the same ignominious price, too high perhaps for a shelf of theology, included the whole works of Aristotle and Homer, the noblest productions of the science and literature of ancient Greece. ”

“ Is is admitted that Byzantine society created none of the elements which form this rich and brilliant synthesis of art. Nothing is owed to new inspirations; no particular note of a new race is struck; there is no influence of a special milieu, no discovery due to the existence of an artist of genius, all we can trace in the development of Byzantine civilization being the presence of able writers and perfect technicians, all seeking to give greater proportions to borrowed models. Roman, Greek and Oriental art united to give that interesting blend: the Byzantine. ”

“ Byzantine, equally with Italian art, sprang from the last floraison of Roman Art, and grew up at Constantinople, the New Rome, but much modified by Greek and Syrian influences. At first the culture of the two Empires was so linked together, that it is the merest shade which distinguishes Roman Art in the East and West. The division widens, and the two branches stretch out, one, the purely Latin, soon to wither and almost perish, and the other to grow into that spreading tree of Byzantine Art, whose branches have scattered fruit in every part of Europe and the Levant. ”

“ Byzantium might be in decadence, her provinces falling away, her glory wasting; the follies of the court and emperors, the best manhood of the empire lost in cloisters and hermitages, the preference of the nobility for intrigue and diplomacy might be all working their deplorable results—nay, the results might be at hand! Still the passion of the people for fetes and holidays remained. Tastes are things of heredity. In nothing is a Byzantine of this day so nearly a classic Greek as in his delicacy and appreciation where permitted to indulge in the beautiful. ”

“ The more ancient a nation is, the more liable is it to be overwhelmed by this dreadful evil. The Byzantine empire, during a thousand years of civilisation and opulence, did not produce one work of original thought; five hundred years after the light of Athenian genius had been extinguished, the schools of Greece were still pursuing the beaten paths, and teaching the doctrines of Plato and Aristotle. ”

“ Alike from any such complete change, complete degeneracy, or ultimate attainment of life and perfection, the genuine Greek style of the Byzantine empire was exempted. That Oriental splendour of gold and colour by which so early as the days of Justinian the Great, it sought to gloss over the feebleness of its reminiscences of classical beauty, remained the unchanged leading characteristic of its illuminations down to the final extinction of the empire in 1453. ”

“ Thus, by the enthusiasm of faith, was called into existence that really primitive School of Painting which has received the name of Byzantine; because at the very time when it obtained the liberty of displaying itself, Constantine, transferring the seat of empire to Byzantium, necessarily took with him the body of artists of whom he was the protector; because, too, as we have before observed, Byzantium henceforth became for many centuries the sole focus whence light radiated towards the West, which was now plunged in barbarism. ”

“ Having glanced at the beginnings of Christian art, we must not linger over the history of Byzantine. Eastern traders and artisans, pushing into Western Europe from the Adriatic and along the valley of the Rhone, carried with them the ferment. ”

“ In one of the most perfect sentences to be found in English prose he thus describes the Greek tongue: "In their lowest depths of servitude and depression, the subjects of the Byzantine throne were still possessed of a golden key that could unlock the treasures of antiquity, of a musical and prolific language that gives a soul to the objects of sense and a body to the abstractions of philosophy." ”

“ In the turn of the ages we are confronted by new Pagans who adhere to an obsolete religion; and the philosopher can only hope for an era when every one will have sufficient sense and science to think according to the laws of nature and civilization.
The history of the disintegrating and moribund Byzantine Empire has been explored by modern scholars with untiring assiduity; and the exposition of that debased political system will always reflect more credit on their brilliant researches than on the chequered annals of mankind. ”

“ Continuing in existence throughout the later middle ages, it is hardly yet extinct in the lands of the Greek Church. It had enormous influence over the art of Europe and the East during the early middle ages, not only through the distribution of minor works from Constantinople but by the reputation of its architecture and painting. Several buildings in Italy are truly Byzantine. It is difficult to set a time for the origin of the style. When Constantine founded new Rome the art was still classical, although it had even then gathered up many of the elements which were to transform its aspect. ”

“ The manner of building and painting, the tradition of jewellery, metal work and decoration that we call Byzantine, are so closely connected with the history and liturgy of the Orthodox Eastern Church, that we ought not to pass them over here without some notice. The Byzantine question is one of those that are most disputed by archaeologists. When the Romans had come under the influence of Greece, they, or their Greek artists, covered the Empire with the buildings and statues that we call Roman-Greek. ”

“ We have an exaggerated idea of the rigidity of Byzantine art owing to the numerous repetitions by inferior craftsmen which are found in our museums, and by confusing the Golden Age, with the period of real deadness which commenced in the twelfth century, and has lasted to this very day in the art of the Greek Church. ”

“ They think it better to be Byzantine than Roman; but they think it atrocious to be a schismatic. It would be a great pity if what is left of so ancient a tradition as the Byzantine rite in Italy were ever to disappear. The Roman rite, extended over vast continents in unquestioned predominance, cannot fear the rivalry of this little remnant; no Latin could possibly be jealous of any other rite. May the Byzantine rite remain ever in this ancient home, and may it flourish always as the memory of so great a past. ”

“ The term Byzantine as applied to art is commonly used to denote the style which was developed in the Eastern empire soon after Constantine had transferred the seat of government from Old to "New Rome," or Constantinople as it was also called instead of Byzantium, which was the ancient name. ”

“ Nothing has ever surprised us more, we will frankly own, than this coincidence of authors in treating the Byzantine empire as feeble and crazy. On the contrary, to us it is clear that some secret and preternatural strength it must have had, lurking where the eye of man did not in those days penetrate, or by what miracle did it undertake our universal Christian cause, fight for us all, keep the waters open from freezing us up, and through nine centuries prevent the ice of Mahometanism from closing over our heads for ever? ”

“ So that, as a class, Byzantine art has acquired the reputation of a soulless adherence to mechanical rules and precedents, depriving it of originality and even of individuality, and therefore excluding the remotest scintilla of artistic genius. Of the great crowd of examples of ordinary work this may be true, but it certainly is not true of the best, by which it has the right to be judged, as we shall see from the examples referred to by-and-by. Certainly there is one invaluable particular in which Greek MSS. are superior to those of the West, Latin or otherwise. ”

“ Another thing the Byzantines did was to insist on education. Even the mighty French emperor Charlemagne had a hard time if he wanted to spell his way through a book and sign his name. Most Byzantine emperors could not only read and write but were thoroughly educated. Theophilus studied everything from Greek to natural history. Leo the Philosopher composed poems, sermons, and a life of his father. Constantine Born-in-the-Purple was famous for his books on the barbarians and on his empire. ”

“ Even before there had been riots with the “democracy in rags,” the poor people, joining the monks and abbots to make certain that the old-time religion of the Byzantines was kept true and pure even if this made the empire fall.
Nevertheless the old-time Orthodox Byzantine faith did not come into being just as it was and all at once. Since religion was so important, and since the Greeks loved to argue, the whole history of the Byzantines is filled with violent discussions and bitter differences of opinion about exactly what a man was supposed to believe. ”

“ The Byzantine artists could carve stone with amazing skill, as the capitals of their columns show, only it must not be the human figure. They carved twisted leaves and networks of twining branches, geometric patterns and crosses, baskets with birds peeping out, lions and lambs, doves and peacocks. The feeling of their carving alone shows that Byzantine work has quite definitely crossed the line from the classical to the mediæval manner. ”

“ Western Europe, Asia Minor, Persia and Egypt all contributed elements both of design and of technical skill, which combined to create the new and for a while vigorously flourishing school of Byzantine art. The dull lifeless forms of Roman art in its extreme degradation were again quickened into new life and beauty in the hands of these Byzantine craftsmen, who became as it were the heirs and inheritors of the art and the technique of all the chief countries of antiquity. ”

“ In this endeavour to teach they almost unawares taught themselves; the question "How shall I represent this most clearly?" became to themselves, presently, "How was this most likely to have happened?" and habits of fresh and accurate thought thus quickly enlivened the formalities of the Greek pictorial theology; formalities themselves beneficent, because restraining by their severity and mystery the wantonness of the newer life. Foolish modern critics have seen nothing in the Byzantine school but a barbarism to be conquered and forgotten. ”

“ We have had a glimpse of the luxury with which the Empress Eudoxia surrounded herself in her palace on the Bosporus, and our curiosity and interest may be satisfied concerning the domestic surroundings of a woman of rank during the period of the Byzantine decadence. The only truly original Christian art, down to the eleventh century, was the Byzantine; it dominated both Christian and pagan artists. ”

“ The Byzantine is a very easy style to recognize, because of the inflexible stiffness of the figures, depending for any beauty largely upon the use of burnished gold, and the symmetrical folds of the draperies, which often show a sort of archaic grace. ”

“ In the somewhat gaudy glories of the Byzantine school, we can trace only the failing powers of a great empire conscious of its old dignity but not fully able to display it. In the barbaric night which succeeded, we find art sunk to the most childish attempt at imitating simple nature ”

“ The traditional Greek and Roman arts were now assimilated with the arts of Persia and Syria, but moulded and influenced by the new religion, giving the strong personal vitality, deep significance and symbolism which was so remarkable throughout the Byzantine period. ”

“ All but twelve of their forty-eight grand viziers were either Byzantines or from former Byzantine provinces such as Albania, Dalmatia, or Greece.
Byzantine civilization affected much more of daily life than merely ceremonies and government, however. It entered into every phase of life. It was the Byzantines who invented the fork. From Constantinople it was taken to Italy, and medieval English tourists brought it back to Britain. But for a long time a man was considered sissy and affected if he used one instead of his fingers. ”