Various, The Catholic World, Vol. 20, October 1874‐March 1875
“ Nothing could be more appropriate to the austere life of a Carthusian monk than that the chapel of his monastery should be decorated by such an artist as Spagnoletto. Nor is the choice of subjects less appropriate. Strength and depth of coloring; the expression of masculine force in all the forms; bold outlines, deep shadows, and strong lights, seem all in harmony with the condition of mind likely to be eliminated by a life of silence and real, though not apparent, solitude; for the monks, though many, dwelt alone in separate cells. ”
