Carthusian monastery

Definition and stakes

Various,  The Catholic World, Vol. 20, October 1874‐March 1875

“ Nothing could be more appropriate to the austere life of a Carthusian monk than that the chapel of his monastery should be decorated by such an artist as Spagnoletto. Nor is the choice of subjects less appropriate. Strength and depth of coloring; the expression of masculine force in all the forms; bold outlines, deep shadows, and strong lights, seem all in harmony with the condition of mind likely to be eliminated by a life of silence and real, though not apparent, solitude; for the monks, though many, dwelt alone in separate cells. ”
Source: Gutenberg

J. H. Merle d'Aubigné,  History of the Reformation in Europe in the Time of Calvin…

“ The Carthusian monastery at Canterbury, four monks of which had died piously, contained several rotten members. Some of them used to put on lay dresses, and leave the convent during the night. There was one house for monks and another for nuns, and the blacksmith of the monastery confessed that a monk had asked him to file away a bar of the window which separated the two cloisters. It was the duty of the monks to confess the nuns; but by one of those refinements of corruption which mark the lowest degree of vice, the sin and absolution often followed close upon each other. ”
Source: Gutenberg

Thomas Ashby,  1911 Encyclopædia Britannica (1911)

“ The Carthusian monks, to whom the monastery was entrusted by the founder, were bound to employ a certain proportion of their annual revenue in prosecuting the work till its completion, and even after 1542 the monks continued voluntarily to expend large sums on further decoration. The Certosa di Pavia is thus a practical textbook of Italian art for wellnigh three centuries. The Carthusians were expelled in 1782 by the emperor Joseph II., and after being held by the Cistercians in 1784 and the Carmehtes in 1789 the monastery was closed in 1810. ”
Source: Wikisource

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