Greco-Roman culture

“ The culture of Greece culminated in its scientific achievements of the third century B. C. At that time in comparison with the Greeks the neighboring, peoples were at best semi-barbarians; in the eastern Mediterranean the Greeks were the dominant race, still animated by a strong love of political freedom. But the Roman conquest with its ruthless exploitation of the provinces ruined the Greek world economically and broke the morale of the Greek peoples, forcing them to seek their salvation in fawning servility to Rome. ”

“ They had acquired through education the fastidiousness of men of culture, a quality not easily gained and retained without some sacrifice of native force and popular sympathies. Recognising the immense superiority of the Greek originals in literature to the rude Roman copies, they believed that the best way to create a national Latin literature was to deviate as little as possible, in spirit, form, and substance, from the works of Greek genius. ”

“ Before considering the state of the healing art throughout the period of the Roman Empire, it is necessary to devote the next chapters to a consideration of the rise and progress of medical [Pg 12] science in Greece, for it cannot be too strongly emphasized that Roman philosophy and Roman medicine were borrowed from the Greeks, and it is certain also that the Greeks were indebted to the Egyptians for part of their medical knowledge. The Romans were distinguished for their genius for law-giving and government, the Greeks for philosophy, art, and mental culture generally. ”

“ What is meant is, that the Greeks never recovered their national vigor or produced men so great as those whom we have hitherto been mentioning. The Macedonian empire prepared the way for the Roman: Hellenic civilization put on the garb of servitude to Rome and to Christianity. Henceforth we must not look to Greece proper for the more eminent achievements of the still surviving spirit of the Greeks. Greek culture in its decadence has become the heritage of the whole world. Syrians, Egyptians, Phrygians, Romans, carry on the tradition inherited from Athens. ”

“ Everywhere we can see the influence of Greek artists importing fragments of Greek history, rationalising names and customs, antedating and reduplicating later constitutional struggles, writing appropriate speeches for early parliamentarians who never existed, and generally demonstrating the power of Greek invention to flatter Roman credulity. ”

“ In her political degradation, Greece still was the most interesting country on the globe. Every city had a history; every monument betokened a triumph of human genius. On her classic soil the great miracles of civilization had been wrought—the immortal teacher of all the nations in art, in literature, in philosophy, in war itself. Every cultivated Roman traveled in Greece; every great noble sent his sons to be educated in her schools; every great general sent to the banks of the Tiber some memento of her former greatness, some wonder of artistic skill. ”

“ There is, perhaps, nothing in the history of human intelligence to compare with the dazzling 'swiftness of its development or the rapidity of its decline. War was followed by pillage and devastation, and victorious Roman generals, mere depredators and plunderers, crowded Rome with the stolen treasures of Greece, with the result that Greek art and Greek influence soon made themselves felt in-the imperial city, and for generations its artists were almost exclusively Greeks, chiefly portrait painters and decorators. ”

“ In these provinces they were copyists of the Greeks: they lacked ideality. They had, also, far less delicacy of perception, flexibility, and native refinement of manners. But they had more sobriety of character and more endurance. They were a disciplined people; and in their capacity for discipline lay the secret of their supremacy in arms and of their ability to give law to the world. If they produced a much less number of great men than the Greeks, there was more widely diffused among Roman citizens a conscious dignity and strength. ”

“ Everything we have of their [Pg 36] art shows their imitation of Grecian models. Their embroideries would certainly have shown the same impress.
Greece—herself crushed and demoralized—even as late as the Eastern Empire gave to Rome the fashion of the Byzantine taste, which she at once adopted, and it was called the Romanesque. This style, which was partly Arab, still prevails in Eastern Europe, having clung to the Greek Church. In her best days, Roman poetry, architecture, and decorative arts were Greek of Greece, imitating its highest types, but never creating. ”

“ It is now proposed briefly to relate how this line was lost, when the politeness and philosophy, the literature and the Art of Greece were chained to the triumphal cars of Roman conquerors,—and how it seems to have been found again in our own day, after slumbering so long in ruined temples, broken statues, and cinerary urns.
The scholar who studies the aesthetical anatomy of Greek Art has a melancholy pleasure, like a surgeon, in watching its slow, but inevitable atrophy under the incubus of Rome. ”

“ The Romans conquered, and the conquered provinces were to furnish soldiers or labourers, and were tied by means of despotism to the wheels of the proud state-carriage. The Greeks humanised; the Romans demoralised and organised. The Greeks played at soldiers in a spirit of glorious patriotism. The Romans were soldiers for the sake of conquest, plunder, and vain glory. Spirited youthfulness was the Greek element. Stern and calculating manliness the essence of the Roman. The Greek was free in life, in art, in the worship of his gods, in poetry and philosophy. ”

“ From this time forth not only were Greek philosophers of eminence drawn to live themselves at Rome, and so to meet her statesmen and nobles in habits of intercourse, but the higher classes of the great capital commonly completed their education by visiting and studying at Athens, Rhodes, and other centres of Grecian thought. Thus by the fusion of Greece with the empire, while her political importance dwindled away, her influence upon the mind of her subjugators was immensely increased. But the Roman on his side obtained a sort of victory. ”

“ And if Rome lived in the dust of her ancient roads and the ruins of her temples, the Italian peoples and States seemed singularly suggestive of Greece. Their republics and tyrants, their civic life and military adventurers, their rich cities with their colonies and commerce, their rapid changes of fortune, their swift oscillations from freedom to bondage and from bondage back to freedom, their love of art and of letters, their mutual jealousies and ambitions were Greek rather than Roman ”

“ This little touch [Pg 99] of art throws a gleam of inner light on the struggle towards originality and truth which characterized the Greek principles of beauty and fitness in literature and art, in direct contrast to that which was always turning back to those fossil forms which were only respectable on account of their age and their mystery, but of which the tradition and intention were already lost.
Roman patterns were merely Greek adaptations with an Etruscan flavour, which was a survival of the earliest Italian art. ”

“ In science and philosophy none to compare with Aristotle and Plato.
And in the arts, all the finest sculpture and architecture in Rome is known to have been copied from the Greeks. Where are the Roman names to put with those of Phidias and Praxiteles?
Everywhere, throughout the world, if a great literary work or a great artistic work was done, it was done either by a Greek or by some one of another race who had learnt from the Greeks. If Rome had conquered and possessed the world by her arms, Greece had conquered and possessed it by her thought. ”

“ Without it, we may doubt if the work of the Greeks would have been saved for us when the storms from the north, invasions of barbarian peoples, fell at last upon the sunny lands filled with the spirit of Greek thought and the divine works of Greek artists. To Roman discipline, law, and government, we owe not only much that even now is every day of practical benefit to us, but the preservation of what we still possess of the treasures of Hellenic genius. ”

“ The Greeks, at that period, were the noblest race of the ancient world—immortal for genius and art. But power dazzled them, and little remained of that glorious spirit which was seen at Thermopylae and Marathon. The Greek ascendency in Asia and Egypt was followed by the same luxury and extravagance and effeminacy that resulted from the rule of Persia. The Greeks had done great things, and contributed to the march of civilization, but they had done their work, and their turn of humiliation must come. Their vast empire fell into the hands of the Romans, and the change was beneficial to humanity. ”

“ Phidias, being asked how he conceived the idea of his Olympian Jupiter, answered by repeating a passage of Homer. We can scarcely conceive of the enthusiasm which the Greeks exhibited in the cultivation of art. Hence it has obtained an ascendency over that of all other nations. Roman art was the continuation of the Grecian. The Romans appreciated and rewarded Grecian artists. They adopted their architecture, their sculpture, and their paintings; and, though art never attained the estimation and dignity in Rome that it did in Greece, it still can boast of a great development. ”

“ The dignity and value of the Greeks from that time forward belong to them only as individual philosophers, preceptors, astronomers, and mathematicians, literary men and critics, medical practitioners, etc. In all these respective capacities, especially in the great schools of philosophical speculation they still constitute the light of the Roman world; though, as communities, they have lost their own orbit, and have become satellites of more powerful neighbors. ”

“ And even the minority who lorded it over that wide realm of subjugation and of restraint and forced labour were uneasy and unhappy in their souls; art and literature, science and philosophy, which are the fruits of free and happy minds, waned in that atmosphere. There was much copying and imitation, an abundance of artistic artificers, much slavish pedantry among the servile men of learning, but the whole Roman empire in four centuries produced nothing to set beside the bold and noble intellectual activities of the comparatively little city of Athens during its one century of greatness. ”

“ In Rome, where alone could be found a career for a creative artist, he had gradually to submit to the genius loci. The artificers of the empire must have long remained Greeks, and all Roman art bears the stamp of Hellenic origin, but at the same time Greek art is changed along the lines of pictorial illusion and pure realism in portraiture. It loses all touch with Greek idealism and serves to express Roman narrative history. Its gods, its myths, and its outlook are changed. It becomes Roman, just as Gothic art became national in each country which it invaded. ”

“ The worst feature is the predominance of crafty and cozening Greeks, who, by their versatility and diplomacy, can oust the Roman.
I cannot rule my spleen and calmly see A Grecian capital—in Italy! A flattering, cringing, treacherous artful race, Of torrent tongue, and never-blushing face; A Protean tribe, one knows not what to call, Which shifts to every form, and shines in all: Grammarian, painter, augur, rhetorician, Rope-dancer, conjurer, fiddler, and physician, All trades his own your hungry Greekling counts ”

“ In the days when Paul preached at Athens, the old capital of Greece, much of the ancient splendour and power of the Greek people had passed away, for the Romans had conquered their country, and they were no longer a free nation.
Yet, although the Greeks had been forced to yield to Rome, their conquerors knew that the Grecian scholars and artists were far better educated and more highly gifted than themselves, and Greek statues and writings had therefore become the fashion throughout the Roman Empire. Indeed, many of the Greek sculptors and authors are remembered and admired to this day. ”

“ Relation of Roman to Greek Literature: the Poets of the Republican Era.—Latin literature was almost wholly imitative or borrowed, being a reproduction of Greek models; still it performed a most important service for civilization: it was the medium for the dissemination throughout the world of the rich literary treasures of Greece.
It was the dramatic productions of the Greeks which were first studied and copied at Rome. Livius Andronicus, Naevius, Ennius, Plautus, and Terence, all of whom wrote under the republic, are the most noted of the Roman dramatists. ”

“ The citizens of this great state, which was to include, not only Greece and the Levant, but the whole Mediterranean and lands far beyond its shores, were to be proud of the name of Roman. Yet Rome, destined to be the Mistress of the World, and in political power an empire, succeeding where Greece {409} had failed, owed all that was most worth while in the things of the higher intellectual life of the mind to Greece. The Greek spirit was never to die. ”

“ The work of Greece is far beyond the furthest reach of Roman work—the glad spring, the grace of conscious strength that is beautiful as well as strong, the restfulness withal of perfect harmony that is thinking of more than merely utilitarian values; of these Rome knows not the secret. Beside the flight of Greek art she is pedestrian; to the Greek artist she plays at best but the part of Roman artisan. Forceful, massive, successful up to its highest desire, the Roman work is finished and perfect. ”