Greek hero

“ To every god and every hero it was consistent with Grecian ideas to ascribe great diversity of human motive and attribute: each indeed has his own peculiar type of character, more or less strictly defined; but in all there was a wide foundation for animated narrative and for romantic incident. The gods and heroes of the land and the tribe belonged, in the conception of a Greek, alike to the present and to the past: he worshipped in their groves and at their festivals ”

“ There were horrid stories of women who refused them going mad and leaping into the sea, and the Bacchanals used to fall upon and destroy all who resisted them.
p. 35CHAP. IV.—THE HERO PERSEUS.
hero means a great and glorious man, and the Greeks thought they had many such among their forefathers—nay, that they were sons of gods, and themselves, after many trials and troubles, became gods, since these Greeks of old felt that “we are also His offspring.”
Here is a story of one of these heroes. His mother was the daughter of an Argive king, and was named Danaë. ”

“ They may not care for subtleties of thought, but they do care for action, and they sympathize with the strong primitive passions of the Greek heroes. And it seems to me very wholesome in these cold northern winters of ours to have the boys plunge into the open sunshine, the pure animality, the sincere passion of the Greek world, and return warm and invigorated. ”

“ We have to bear in mind, here and elsewhere, that these Greek heroes, of whatever race we are to suppose them to be, are of an entirely different temperament to us cold and self-restrained northerns. They are highly sensitive to bodily pain, very much given to groans and tears, and very much afraid of death for themselves, however indifferent to human life in the case of others. Death, to these sensuous Greeks, was an object of dread and aversion, chiefly because it implied to their minds something like annihilation. ”

“ Our modern sympathies are apt to side with the giants and centaurs. An age of order likes romantic violence, as landsmen safe in their houses like [61] storms at sea. But to the Greek, this battle was full of symbolical meaning. It is the strife, the ultimate victory, of human intelligence, reason, and gentleness, against what seems at first the overwhelming power of passion and unguided strength. It is Hellas against the brute world. ”

“ All the passions play their part freely, nor do the rules of propriety compress any feeling with the Greeks. The heroes are just as much under the influence of suffering as other men, and what makes them heroes is the very fact that they feel suffering strongly and deeply, without suffering overcoming them. They love life as ardently as others; but they are not so ruled by this feeling as to be unable to give up life when the duties of honor or humanity call on them to do so. Philoctetes filled the Greek stage with his lamentations ”

“ On this day, it is fitting that we reflect on the enormous contributions the Greek people have made to the modern world. The legacy of the ancient Greeks, in the fields of philosophy, literature, drama, sculpture, and architecture, continues to influence our beliefs, our values, and our concept of art. And, after more than 2,000 years, the ideology of Greece-as embodied in the concept of democracy-is still the ideal that guides us in charting our course for the future. ”

“ But it must be carefully borne in mind that these legends are not history, though some of them may be confused remembrances of actual events.
The Heroes: Heracles, Theseus, and Minos.—The Greeks believed that their ancestors were a race of heroes of divine or semi-divine lineage. Every tribe, district, city, and village even, preserved traditions of its heroes, whose wonderful exploits were commemorated in song and story. Many of these personages acquired national renown, and became the revered heroes of the whole Greek race.
Heracles was the greatest of the national heroes of the Greeks. ”

“ Hadst thou not Greek enough to understand thus much: The end of man is an Action, and not a Thought, though it were the noblest? ”

“ Man, man, Greek is the only living bridge between the present and the past!"
Then, snatching up a handful of newspapers from Athens, he continued, "Some folks call Greek a dead language. Poor souls! They don't know any better. These things should interest you. They are fresh from Athens; not a week old." And then he read aloud from them, a bit of politics, an advertisement, lines from the bargain counter, as if to show that one touch of shopping makes the whole world kin. "But no heroes, man, no heroes! There's no Aristotle now, no Shakespeare, no Goethe, no Apostle Paul!" ”

“ The foundation of this world seems to be the Myth; and as the world grew it developed in terms of Myth. The Greek mind had only one background. Athletics and Statuary, Epic and Drama, Religion and Art, Skepticism and Science expressed themselves through the same myths. In this lies the fascination of Greece for us. What a complete cosmos it is! And how different from any other civilization! Modern life, like modern language, is a monstrous amalgam, a conglomeration and mess of idioms from every age and every clime. The classic Greek hangs together like a wreath. ”

“ My idea would approach more nearly the objects of the great Greek dramas, in which the first sympathies of the people were appealed to by the most powerful recollections of historic virtue; their national victories over the Persian, the lofty conceptions of their Olympus, the glories of their national power, and the prospects of their imperishable renown. ”

“ The old Greeks, with that intense admiration of beauty which made them, in after ages, the master-sculptors and draughtsmen of their own, and, indeed, of any age, would, of course, require in their hero, their god-like man, beauty and strength, manners too, and eloquence, and all outward perfections of humanity, and neglect his moral qualities. Neglect, I say, but not ignore. The hero, by virtue of his kindred with the gods, was always expected to be a better man than common men, as virtue was then understood. ”

“ The Hero.—The hero in Greece is a man who has become illustrious, and after death a mighty spirit—not a god, but a demi-god. The heroes do not live on Olympus in the heaven of the gods, they do not direct the life of the world. And yet they, too, possess a power higher than that of any human, and this permits them to aid their friends and destroy their enemies. For this reason the Greeks rendered them worship as to the gods and implored their protection. ”

“ Both the powerful and the humble receive them with enthusiasm and rejoice at seeing them. It is an irresistible outburst which carries with it all classes of the Italian people. Like a wind-blown flame, Greek genius inspires a new life in the world. ”

“ So died, when sixty-two years of age, the greatest orator, and one of the greatest patriots and statesmen, of ancient times,—a man whose fame as an orator is as great as that of Homer as a poet, while in foresight, judgment, and political skill he had not his equal in the Greece of his day. Had Athens possessed any of its old vitality he would certainly have awakened it to a new career of glory. ”

“ The pan-Hellenic Homer finds his delight in the frivolity of the gods; but it is astounding how he can also give them dignity again. This amazing ability to raise one's self again, however, is Greek.
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What, then, is the origin of the envy of the gods? people did not believe in a calm, quiet happiness, but only in an exuberant one. This must have caused some displeasure to the Greeks; for their soul was only too easily wounded: it embittered them to see a happy man. That is Greek. If a man of distinguished talent appeared, the flock of envious people must have become astonishingly large. ”

“ Even the shrill song of the humble grasshopper held sweet music for the Greek. He revelled in the loveliness and colour of life. He was inspired by the glory of the human form. He extolled the majesty of man. The Hebrew mind was nursed by meditation; the Hellenic drew its nourishment from contemplation. Nature was the Greek’s sole guide in taste as well as in conduct; from nature he learnt the canons of the beautiful as well as the laws of right and wrong. Hence no country has produced greater poets than Greece, or fewer saints. ”

“ The Greek artist, with his miraculous cunning of hand, could deal with such types as he could not have dealt with ‘the Word’ or with the ‘Buddha.’ Nor was he merely the exponent of the highest popular imagination, but, unconsciously perhaps and in obedience to a true art-tradition, at times a reformer and in any case a creator. For us his works have this value among others that, even more than the poetic literature, they reveal to us how the people at their best imagined their deities. ”

“ The position of the Greeks, much more than a thousand miles from their country, in the heart of an empire filled with foes, and in the presence of a vast hostile army, seemed hopeless. Yet they refused to surrender at the demand of the king. They were victors, not defeated men; why should they surrender? "If the king wants our arms, let him come and try to take them," they said. "Our arms are all the treasure we have left; we shall not be fools enough to hand them over to you, but shall use them to fight for your treasure." ”

“ Achilles will stand well enough for the young chivalrous warrior, Odysseus for the man of resource and endurance. In the case of the Greeks, these types had not merely an artistic and a moral interest; they had, further, a religious interest, because the Greeks believed that the epic heroes, sprung from the gods, were their own ancestors. Greek tragedy arose when the choral worship of Dionysus, the god of physical rapture, had engrafted upon it a dialogue between actors who represented some persons of the legends consecrated by this faith. ”

“ Nobly to live or nobly to die is the sole choice of a brave man. It is characteristic of the Greek temperament, that the personages of the Greek poetry ever bid a last lingering and half-reluctant farewell to the sun. ”

“ The age of the heroes, from the first appearance of the Hellenes in Thessaly to the return of the Greeks from Troy, was supposed to be a period of about two hundred years. These heroes were believed to be a noble race of beings, possessing a superhuman though not a divine nature, and superior to ordinary men in strength of body and greatness of soul.
Among the heroes three stand conspicuously forth: Hercules, the national hero of Greece; Theseus, the hero of Attica; and Minos, king of Crete, the principal founder of Grecian law and civilization. ”

“ As the body in its vigour renews itself every seven years, so it is possible for the spirit to open its doors periodically upon new realms of percipience and creative power. Set about your own rebirth, Raymond! Don’t imagine that you can achieve re-genesis by pondering the sources that gave the pagan Greek his apprehension, shall I say, of the joy of life. The Greek lived in a narrow time and in a narrow world, in spite of which he made living glorious. ”

“ Imagine then what would occur in the mind of a clever and high-thinking boy who was brought suddenly from the one society into the heart of the second, and made to realise that the battles and duties and prizes of life were tenfold more thrilling and important than he had ever dreamed. That is the kind of awakening that must have occurred in the minds of a large part of the Greek people in the early fifth century. ”

“ If we reflect how deeply the feeling of an intercourse between men and a divine race superior to themselves had worked itself into the Greek character—what a number of fables, some beautiful, some impure, it had impregnated and procured credence for—how it sustained every form of polity and every system of laws, we may imagine what the effects must have been of its disappearance. ”

“ The plays then written, the subjects of which were the popular Greek legends, still rank, for grandeur of sentiment and nobility of feeling, with the finest poetry the world has ever produced. This proves to us that the Greeks were a highly refined and cultivated people. The Greek influence in art and literature has left its own mark in civilising and elevating mankind ”

“ We sit to-day beneath a Greek sky on the rising tiers of the modern centuries, and the drama of Athenian life is reproduced before our eyes. The greater protagonists of literature and life play out their rôles. ”

“ What is the foundation of that interest all men feel in Greek history, letters, art, and poetry, in all its periods from the Heroic or Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period. The Grecian state is the era of the bodily nature, the perfection of the senses,—of the spiritual nature unfolded in strict unity with the body. In it existed those human forms which supplied the sculptor with his models of Hercules, Phœbus, and Jove ”

“ Now, of such monstrous forms of idols, the records in Greece are very few and very ancient—relics of an older worship, and most probably of an older race. From the earliest historic period, the Greek was discerning more and more that the divine could be best represented by the human; the tendency of his statuary was more and more to honour that divine, by embodying it in the highest human beauty. ”