Juvenal

“ IV. JUVENAL, THE YOUNGER PLINY, SUETONIUS: DECAY OF CLASSICAL LATIN. From the name of Tacitus that of Juvenal is inseparable. The pictures drawn of the Empire by the historian and the satirist are in such striking accordance that they create a greater plausibility for the common view they hold than could be given by any single representation; and while Juvenal lends additional weight and colour to the Tacitean presentment of the imperial legend, he acquires from it in return an importance which could hardly otherwise have been sustained by his exaggerated and glaring rhetoric. ”

“ In this Satire Juvenal indulges his honest spleen against Crispinus, already noticed, and Domitian, the constant object of his scorn and abhorrence. The introduction of the tyrant is excellent; the mock solemnity with which the anecdote of the Turbot is introduced, the procession of the affrighted counselors to the palace, and the ridiculous debate which terminates in as ridiculous a decision, show a masterly hand. ”

“ Juvenal here (in dialogue with Nevolus) exposes the detestable vice then practised in Rome, and the covetousness of a rich old citizen, which so prevailed over his pleasure, that he would not gratify the drudge who had so often obliged him in the lewd enjoyment of his desire. ”

“ It is not easy for the modern reader to enjoy Juvenal. His satires are full of allusions to unknown persons and things at Rome; they abound also in mythological references and literary reminiscences, and finally the savage tone of the earlier books is disagreeable. Yet the power of invective, the clearness and vividness of description, the variety of diction, and the beauty of versification have combined to make Juvenal a much read author. ”

“ Juvenal's Domitian is nearer to history than Tacitus's Tiberius.
It is in his delineations of society that Juvenal is at his greatest. There is nothing ideal about him, but his pictures of real life, allowing for their glaring lights, have an almost overpowering truthfulness. Every grade of society is made to furnish matter for his dramatic scenes. The degenerate noble is pilloried in the eighth, the cringing parasite in the fifth, the vicious hypocrite in the second, the female profligate in the sixth. It is rarely that he touches on contemporary themes. ”

“ This Juvenalis may have been the poet, but he may equally well have been a relation. The evidence of the satires does not point to a prolonged absence from the metropolis. They are the product of immediate and intimate familiarity with the life of the great city. An epigram of Martial, written at the time when Juvenal was most vigorously employed in their composition, speaks of him as settled in Rome. ”

“ The scorn and hatred of Juvenal for wealth and its vices is natural to a class which was too proud to struggle out of poverty, by engaging in the industries which it despised. And the freedman, who occupied the vacant field, and rose to opulence, is even more an object of hatred to Juvenal and Martial than the recreant noble or the stingy patron. ”

“ Conscious of great talents, with a character almost fierce in its energy, he felt a burning hatred of a society which seemed to value only material success, or those supple and doubtful arts which could invent some fresh stimulus for exhausted appetite. In Juvenal a great silent, sunken class, whom we hardly know otherwise than from the inscriptions on their tombs,366 finds for once a powerful voice and a terrible avenger. ”

“ Why he should voluntarily debase his poetry, it is difficult to say: if he thought that he was imitating Horace in his laxity, his judgment must suffer considerably. The verses of Horace are indeed akin to prose; but as he seldom rises, he has the art of making his low flights, in which all his motions are easy and graceful, appear the effect of choice. Juvenal was qualified to "sit where he dared not soar." His element was that of the eagle, "descent and fall to him were adverse," and, indeed, he never appears more awkward than when he flutters, or rather waddles, along the ground. ”

“ How did it escape this learned man, that he was likely to do himself more injury in their opinion by the banishment of Juvenal at that same instant? an old man of fourscore, who, by his own testimony, had spoken of him with kindness, in a poem which did more honor to his reign than any thing produced in it! and whose only crime was an allusion to the influence of a favorite player! Indeed, the informers of Hadrian's reign must have had more sagacious noses than those of Domitian's, to smell out his fault. ”

“ But at least he sets forth an ideal, that any honest man must admit to be noble. It is precisely because he is no casuist, because he hits hard and unsparingly, and is translucently honest, and because his weapon is the most fervid and trenchant rhetoric, that Juvenal is the most quoted and one of the most popular of Latin poets. He has contributed little to the thought of the world, but he has taught men to hate iniquity. ”

“ If we could imagine the elder Cato living under Domitian, cut off from all share in public life, and finding no outlet for his combative energy except in literature, we should perhaps understand the motives of Juvenal’s satire and the place which is his due as a representative of the genius of his country. As a man he shows many of the strong qualities of the old Roman plebeian—the aggressive boldness, the intolerance of superiority and privilege, which animated the tribunes in their opposition to the senatorian rule. ”

“ The various objects of animadversion are painted in the strongest colours, and placed in the most conspicuous points of view. Giving loose reins to just and moral indignation, Juvenal is every where animated, vehement, petulant, and incessantly acrimonious. ”

“ Something more massive in structure, more vigorous in movement, was needed as the vehicle of so much rhetoric and invective. The delicate tripping hexameter of contemporary epic was equally unsuitable.
Unlike the majority of post-Augustan poets, Juvenal is almost untouched by the Ovidian influence. As far as his metre has any ancestry, it is descended from the Vergilian hexameter, though with the licence of satire it claims greater liberty in its treatment of pauses and of elision. The post-Augustan poet with whom in this respect Juvenal has greatest affinity is Persius. ”

“ Equally elevated in tone, and with a temperate gravity peculiar to itself, is the part of the fourteenth satire which deals with the education of the young. We seem to hear once more in it the enlightened eloquence of Quintilian; in the famous Maxima debetur puero reverentia he sums up in a single memorable phrase the whole spirit of the instructor and the moralist. The allusions to childhood here and elsewhere show Juvenal on his most pleasing side; his rhetorical vices had not infected the real simplicity of his nature, or his admiration for goodness and innocence. ”

“ In Juvenal's case we have reason to believe that, whatever his weaknesses, he was a man of genuinely high ideals. Martial at his best shows himself a man capable of fine feeling, but he gives no evidence of moral earnestness or strength of character. On the other hand, to give him his due, we must remember the standard of his age. Although he is lavish with the vilest obscenities, and has no scruples about accusing acquaintances of every variety of unnatural vice, it must be pointed out that such accusations were regarded at Rome as mere matter for laughter. ”

“ Trajan had, however, a favourite in the pantomimus Pylades. Dio. Cass. Ixviii. 10.
713. The simplest suggestion is that Juvenal was at some time banished, that the reason for his banishment was forgotten and supplied by conjecture. Cp. Friedländer's ed., p. 44. There is no real evidence to prove that Juvenal was ever in Egypt or Britain. His topography in Sat. xv is faulty, and allusion to the oysters of Richborough (ostrea Rutupina, iv. 141) would be possible even in a poet who had never visited Britain. ”

“ The sides of Democritus shook with unceasing laughter, although in the cities of his day there were no purple-bordered or purple-striped robes, no fasces, no palanquins, no tribunals. What if he had seen the Praetor uplifted in his lofty car amid the dust of the Circus, attired in the tunic [6] of Jove, hitching an embroidered Tyrian toga [6] on to his shoulders, and carrying a crown so big that no neck could bear the weight of it? For a public slave is sweating under the burden; and that the Consul may not fancy himself overmuch, the slave rides in the same chariot with his master. ”

“ Though Juvenal, strictly speaking, did not come under the description of a philosopher, yet, like the hare in the fable, he might not unreasonably entertain some apprehensions for his safety, and, with many other persons eminent for learning and virtue, judge it prudent to withdraw from the city. ”

“ We are therefore quite prepared to admit the conjecture that the allusion in line 136 is to the column of Trajan, erected in the year A.D. 113. The repetition of the line (226) also connects this with the first Satire, which it probably preceded only by a short interval.
The 203d line of the eleventh Satire fixes its date to the later years of Juvenal's life. It breathes, besides, throughout the spirit of a calm and philosophic enjoyment of the blessings of life, that tells of declining age ”

“ And where, might we ask Dodwell, was the "jest" of sending a man on the verge of the grave, in a military capacity, into Egypt? Could the most supple of Hadrian's courtiers look on it as any thing but a wanton exercise of cruelty? At eighty, the business of satirizing, either in prose or verse, is nearly over: what had the emperor then to fear? And to sum up all in a word, can any rational being seriously persuade himself that the Satires of Juvenal were produced, for the first time, by a man turned of fourscore? ”

“ Juvenal is accused of being too sparing of praise. But are his critics well assured that praise from Juvenal could be accepted with safety? I do not know that a private station was "the post of honor" in those days; it was, however, that of security. Martial, Statius, V. Flaccus, and other parasites of Domitian, might indeed venture to celebrate their friends, who were also those of the emperor. Juvenal's, it is probable, were of another kind; and he might have been influenced no less by humanity than prudence, in the sacred silence which he has observed respecting them. ”

“ Filled with resentment at this attack, the histrio prevailed upon the emperor to send Juvenal into exile in Egypt under pretence of a military command, where he died shortly after of a broken heart.
Now we are not obliged to translate the words erat tum in deliciis aulae histrio by "The actor [i.e. Paris] was at that time a favourite of the Court." The words indeed would more naturally mean " There was at that time an actor who was a favourite at Court," who resented the attack upon a member of his own profession as an indirect attack upon himself. ”

“ What a nice man! Fall prostrate at the threshold of Tarpeian Jove, and sacrifice to Juno a heifer with gilded horns, if you have the rare good fortune to find a matron with unsullied chastity. So few are there worthy to handle the fillets of Ceres; so few, whose kisses their own fathers might not dread. Wreathe chaplets for the door-posts, stretch thick clusters of ivy over the threshold. Is one husband enough for Iberina? Sooner will you prevail on her to be content with one eye. ”

“ I hold, in opposition to the commentators, that Juvenal was known in Domitian's time, not only as a poet, but as a keen and vigorous satirist. He himself, though he did not choose to commit his safety to a promiscuous audience, appears to make no great secret of his peculiar talents. In this Satire, certainly prior to many of the others, he tells us that he accompanied Umbritius, then on his way to Cumæ, out of the gates of Rome. Umbritius predicted, as Tacitus says, the death of Galba, at which time he was looked upon as the most skillful aruspex of the age. He could not then be a young man ”

“ Juvenal sometimes goads himself into inappropriate frenzies and sometimes betrays a suspiciously close acquaintance with the most disgusting details of the worst vices of the age. But though he had something of the unreality of the rhetorician, and though his character may, perhaps, not have been free from serious blemish, he is never a hypocrite; nor, though he paints exclusively the darkest side of society, is there the least reason to accuse him of culpable misrepresentation of actual facts. ”

“ This defect, it may be admitted, is less serious in satire than in almost any other branch of literature. Such discursiveness was justified by the tradition and by the inherent nature of satire. But Juvenal offends in this respect beyond due reason, and only his extraordinary merits in other directions save him from the penalties of this failing.
Juvenal is the last of the poets of the Silver Age, and the only one of them to whom the epithet 'great' can reasonably be applied. He is no faultless writer, but he has genius and power, and has risen superior to the besetting sins of the age. ”

“ There is at times a certain violence and even coarseness [241] of description which does duty for realism, but the words ring hollow and false. The picture described or suggested is got at second-hand. He lacks the vivacity, realism, and common sense of Horace, the cultured man of the world, the biting wit, the astonishing descriptive power, and the masterly rhetoric of Juvenal. We care little for the greater part of Persius' disquisition [242] on the trite theme of the schools, 'what should be the object of man's prayers to heaven?' when we have read the tenth satire of Juvenal. ”