Latin poetry

“ Ornamental epithets, metaphorical phrases, and the substitution of abstract for concrete words, occur much more frequently. Latin poetry creates for itself an artificial diction by assimilating, to a much greater extent than in any earlier work of genius, the long-accumulated wealth of Greek poetry. ”

“ Even the expression of personal feeling, experience, and convictions is often coloured by light reflected from earlier representations. Hence a great deal in Latin poetry appears to come less directly from the poet's heart, and to fit less closely to the facts of human life, than the best poetry both of Greece and of modern nations. ”

“ XIII. The Legend of Orpheus and Eurydice, IV. 453. 256Roman poetry was more generally understood and more diligently studied in the most polished days of English literature, than the yet scarcely discovered stores of Greek learning. Want of originality was not considered a blemish in an age the taste of which, notwithstanding all its merits, was very artificial; whilst the exquisite polish and elegance which constitute the charm of Latin poetry, recommended it both for admiration and imitation. ”

“ Our poetry, though it has been a deliberate bringing back of the Latin joy and the Latin love of beauty, has had to put off the old marching rhythms, that once delighted more than expedient hearts, in separating itself from a life where servile hands have become powerful. ”

“ How foolish it is to suppose that nature and truth are to be found in one school of poetry to the exclusion of another! The eternal virtues of literature are sincerity, clarity, breadth, force, and subtlety. They are to p. 29be found, in diverse combinations, now here and now there. While the late Latin Christian poets were bound over to Latin models—to elegant reminiscences of a faded mythology and the tricks of a professional rhetoric—there arose a new school, intent on making literature real and modern. These were the Romance poets. ”

“ The clever boys are, as a rule, well provided for; but, even for them, the methods of this book have been found to be the shortest road to accuracy and style in translation. Moreover by this means they have gained a firsthand acquaintance with Latin literature and the sources of Roman history.
It is impossible here to enter into ‘the question of the close and striking correspondence between the history, the literature, and the language of Rome. It was not until the history of Rome threw its mantle over her poetry that the dignity of the poet was recognised and acknowledged. ”

“ The Latin literature which has come down to us is of later date than the commencement of the Second Punic War, and consists almost exclusively of works fashioned on Greek models. The Latin metres, heroic, elegiac, lyric, and dramatic, are of Greek origin. The best Latin epic poetry is the feeble echo of the Iliad and Odyssey. The best Latin eclogues are imitations of Theocritus. The plan of the most finished didactic poem in the Latin tongue was taken from Hesiod. The Latin tragedies are bad copies of the masterpieces of Sophocles and Euripides. ”

“ Theodoric the Goth, Charlemagne, and Alfred the Great, the chief patrons of the literature of their age, sought to carry on, side by side, and to improve, these two literatures, the Latin and the vernacular. They aimed to refine and educate man by the Latin, and to increase the national spirit by preserving their national poetry. While these old heroic poems of the different races are full of interest and charm for us, we must not forget that the Latin kept alive and preserved from extinction the whole of classical and Christian antiquity. ”

“ The Latin worship was grounded on man's enjoyment of earthly pleasures, and not on his fear of the wild forces of nature, and it gradually sunk into a dreary round of ceremonies. The Italian god was simply an instrument for the attainment of worldly ends, and not an object of profound awe or love, and hence the Latin worship was unfavorable to poetry, as well as philosophical speculation. ”

“ With reference to Castro Alves, I admire the man in the poet more than the poet in the man.
FOOTNOTES:
[1] “It has already been said,” writes Verissimo, “that the Latins have no poetry, but rather eloquence; they confound sentimental emotion, which is the predicate of poetry, with intellectual sensation, which is the attribute of eloquence. There is in the poetry of the so-called Latin peoples more rhetoric than spontaneity, more art than nature, more artifice than simplicity. ”

“ Their purpose is to indicate the stages of development of the prose and the phases of evolution of the verse; and to illustrate the way in which antique themes and antique knowledge passed into vernacular poetry. Classical standards will supply us less with a point of view than with a point of departure. [Pg 158] Nothing more need be said of the Latin of the Church Fathers and Gregory of Tours. But one must refer to the Carolingian period, in order to appreciate the Latin styles of the twelfth and thirteenth centuries. ”

“ Medieval Latin took over all of these devices from Classical Latin, and in its varied oratorical, liturgical and epistolary forms it strove to imitate the various modes of cursus ("running") and clausula ("cadence") which had characterized the rhythms of Isocrates and Cicero. [Footnote: A. C. Clark, Prose Rhythm in English. Oxford, 1913. Morris W. Croll, "The Cadence of English Oratorical Prose," Studies in Philology. January, 1919. Oliver W. Elton, "English Prose Numbers," in Essays and Studies by members of the English Association, 4th Series. Oxford, 1913.] ”

“ In conclusion I should like to say that it has been my aim throughout to adhere to what is best in Roman literature, and to omit passages the choice of which can only be justified by regarding their literary form apart from their moral value. Latin literature contains so much that is at once excellent in style and noble in thought that it seems a grave mistake to exalt the one at the expense of the other. ”

“ The two greatest among the Roman poets had many feelings in common,—the love of Nature, the love of study, especially the study of ancient poetry and of science, a natural shrinking from the pomp and luxury of city-life and from the schemes of worldly ambition, an abhorrence of the crimes and violence of civil war. ”

“ There is no feeling so characteristic of the works of Roman genius as the sense of majesty. This feeling is called forth by the idea or outward manifestation of strength, stability, vastness, and order; by whatever impresses the imagination as the symbol of power and authority, whether in the aspect of Nature, or in the works, actions, and institutions of man. It is in their most serious and elevated writings, and chiefly in their epic and didactic poetry, that the Romans show their peculiar susceptibility to this grave and dignified emotion. ”

“ It must be inquired, however, what amount of originality could belong to any, even the most original, Romantic literature in the middle ages. In all Romanic countries compositions in the vernacular began to appear While the custom of writing in Latin was still preserved by uninterrupted tradition. Even during the most barbarous periods, when intellectual life was at its lowest, it was in Latin that sermons, lives of saints more or less apocryphal, accounts of miracles designed to attract pilgrims to certain shrines, monastic annals, legal documents, and contracts of all kinds were composed. ”

“ One profound imagination, one man, who with a more prosperous subject might have been a great poet, lifted Roman literature above its ordinary level of tasteful common-sense. The invocation of Venus, as the genetic force of nature, by Lucretius, seems to me the one sunburst of purely poetic inspiration which the Latin language can show. ”

“ Great as is the force of native, unadorned eloquence, vigorous common sense, honest truthfulness, and indignant passion, nature would give way to art as taste became more cultivated. Nor could the Romans long have the finished models of Greek eloquence before their eyes, without transferring to the forum or the senate-house somewhat of their simple grandeur and majestic beauty.
The first efforts of the Roman historians were devoted to the transfer of the records of poetry into prose, as their more appropriate and popular vehicle. ”

“ In another connection, a year or two ago, I had occasion to speak of the literary merit of some of these metrical epitaphs,52 of their interest for us as specimens of the literary compositions of the common people, and of their value in indicating the æsthetic taste of the average Roman. It may not be without interest here to speak of the literary form of some of them a little more at length than was possible in that connection. Latin has always been, and continues to be among modern peoples, a favored language for epitaphs and dedications. ”

“ Latin, however, had not the plastic property of the Greek, the faculty of transforming itself into every variety of form and shape conceived by the fancy and imagination; it partook of the spirit of Roman nationality, of the conscious dignity of the Roman citizen, of the indomitable will that led that people to the conquest of the world. In its construction, instead of conforming to the thought, it bends the thought to its own genius. It is a fit language for expressing the thoughts of an active and practical, but not of an imaginative and speculative people. ”

“ If, as we read them, the imagination is not so powerfully stimulated by the revelation of a new world, yet, in the elevated tones of Roman poetry, there is felt to be a permanent affinity with the strength and dignity of man's moral nature; and, in the finer and softer tones, a power to move the heart to sympathy with the beauty, the enjoyment, and the natural sorrows of a bygone life. ”

“ The Latin pieces are lusciously elegant: but the delight which they afford is rather by the exquisite imitation of the ancient writers, by the purity of the diction, and the harmony of the numbers, than by any power of invention or vigour of sentiment. They are not all of equal value ”

“ If ever there be a true Latin renascence, which is scarcely to be hoped for, it will come, not from a writer who is saturated with French, Russian, German, and English influences, but one who has the Latin genius, the Latin temper, unalloyed. ”

“ Nor are these indications of individual character confined to the poets who profess to communicate their own feelings, and to record their own fortunes. All the works of Roman poetry bear emphatically the impress of their authors. While the finest Greek poetry seems like an almost impersonal emanation of genius, Roman poetry is, to a much greater extent, the expression of character. ”

“ Of all modern writers he is foremost Latin, in knowledge, in instinct for beauty and form, in love of tradition. Even in his erotic and mystical passages this vein of purest gold may be seen, this understanding of the potential greatness of the tradition into which he was born. What wonder, then, that the first fundamental passion of the mature man's soul should be his desire to proclaim once more the cause of Latin civilization, should be the ardor of fighting in his own manner with his weapon of inspired words the world battle? ”

“ Yet the Latin language is still the necessary foundation of one half of human knowledge, and the forms created by Roman genius underlie the whole of our civilisation. So long as mankind look before and after, the name of Rome will be the greatest of those upon which their backward gaze can be turned. ”

“ Further, in the fervour and dignity of their moral feeling, the Roman poets are true exponents of the genius of Rome. Their spirit is more authoritative, and less speculative than that of Greek poetry. They speak rather from the will and conscience than from the wisdom that has searched and understood the ways of life. Greek poetry strengthens the will or purifies the heart indirectly, by its truthful representation of the tragic situations in human life; Roman poetry appeals directly to the manlier instincts and more magnanimous impulses of our nature. ”

“ For exercising the intellectual faculties, and for awakening and developing a sense of the fundamental properties of a good style—namely, correctness, precision, and brevity of expression—there is no doubt that Latin with its limpid clearness, its rigorous precision, and its absolute definiteness of meaning, is a better object of study than Greek with its multitudinous forms and particles, the import of which is matter rather of skilled conjecture and artistic feeling than of logical analysis. ”

“ Well, then, gentlemen, there is another thing I enter my protest against, and that is Latin verses. I do not think the history of poets is so prosperous that the end and object of mankind should be to make as many young people as possible poetasters. One of the least profitable of the little talents that a man can have is that of scribbling verses, and yet years of our lives are taken up in the attempt to teach us to write Latin verses, which, after all, are a mere cento of expressions stolen from different authors, the meaning of which we may not ourselves know. ”

“ Latin was the common language of scholars and remained so even down to the days of Shakespeare. Even yet it is more nearly than any other tongue the universal language of the learned. The life of to-day is much nearer the life of ancient Rome than the lapse of centuries would lead one to suppose. You and I are Romans still in many ways, and if Cæsar and Cicero should appear among us, we should not find them, except for dress and language, much unlike men of to-day. ”