Madame Tussaud

Definition and stakes

Portrait of John Theodore Tussaud John Theodore Tussaud,  The Romance of Madame Tussaud's

“ If ever there was the maker of an important thing it was this woman and if ever there was an important thing proceeding entirely from one individual, that thing is the collection which still remains to us.
There is a sort of parallel which can be drawn between Madame Tussaud and Madame Campan. Both of them have seen, and worked at, the Palace of Louis XVI, under and in connection with his Queen. Both were much of an age, Madame Campan eight years senior to Madame Tussaud. Both lived on through the Revolution and the Empire, the one till 1822, the other beyond the revolutionary year of 1848.
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Source: Gutenberg

Portrait of John Theodore Tussaud John Theodore Tussaud,  The Romance of Madame Tussaud's

“ The wax figure on exhibition at Madame Tussaud’s dressed in subject’s own clothes and shown with the organ used by this eccentric gentleman on his organ-grinding career.
At an Exhibition supper at which “Viscount Hinton” was present, we having modelled his figure and purchased his organ on the death of the old Earl, to which title he now laid claim, a speaker, in proposing my health, began “Mr. Chairman, my Lord, Ladies and Gentlemen.” That was enough for “Earl Poulett.”
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Source: Gutenberg

Portrait of John Theodore Tussaud John Theodore Tussaud,  The Romance of Madame Tussaud's

“ The Sister of Louis XVI and Patroness of Madame Tussaud. A Portrait Study by John T. Tussaud.
Among the many distinguished visitors who honoured Curtius’s studio with their presence in 1780 was one who was destined to exercise a great influence on Madame Tussaud’s life. This was the King’s sister, Madame Elizabeth of France, who, at the time we speak of, was sixteen years of age. Her disposition was singularly sweet and charming, and the keen interest she took in the models and mysteries of the studio caused her to bestow upon the niece of Curtius very special attention.
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Source: Gutenberg

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