Zealia B. Bishop, Medusa's coil (1939)
“ I've had a dim idea of it ever since we were in Paris, but I'm sure now. It's Marceline, old chap; that face and that hair, and the train of shadowy images they bring up. Not merely visible beauty—though God knows there's enough of that—but something peculiar and individualized, that can't exactly be explained. Do you know, in the last few days I've felt the existence of such a stimulus so keenly that I honestly think I could outdo myself, if I could get hold of paint and canvas at just the time when her face and hair set my fancy stirring and weaving. ”
