Nicolas Baudin

“ The treaty of Amiens was negotiated and signed while Baudin's ships were at sea. The British Government at that time was very anxious for peace, and was prepared to make concessions—did, in fact, surrender a vast extent of territory won by a woful expenditure of blood and treasure. It cannot be said that Australia was greatly valued by Great Britain at the time. She occupied only a small portion of an enormous continent, and would certainly not have seriously opposed a project that the French should occupy some other portion of it, if Bonaparte had put forward a claim as a condition of peace. ”

“ Upon his return to Wilhelm's Plains, he wrote Baudin a letter of sympathy and encouragement, bidding him reflect that there were other branches of useful service open to a sailor than that of warfare. He had commenced his naval career with discovery; he now knew what the horrors of war were. Which was the worthier branch of the two? Flinders continued: "No, my friend, I cannot contemplate this waste of human life to serve the cause of restless ambition without horror. Never shall my hands be voluntarily steeped in blood, but in the defence of my country. ”

“ If we had only the Baudin-King correspondence, we should think him not unworthy to be the successor of La Perouse and Bougainville. If we had only the Voyage de Decouvertes, we should think him barely fit to command a canal barge. It may not have been the happiness of many navigators to enjoy the affection of those under them to such an eminent degree as did Cook and Flinders; but there are fortunately latitudes of difference between love and hate. Respect is often felt to be due when deeper sentiments are not stimulated. ”

“ His French biographer makes a remark, commonplace enough, which yet notes the essential difference in the lot of the two gallant men who thus casually met. "For the few who allow occasions to escape them, how many could justly complain that a chance has never been offered them? Admiral Baudin never had the opportunity to which his capacities suited him; all his aptitudes designated him for war on a great scale; a man such as he, succeeding Latouche-Tréville, would have saved us the sorrows of Trafalgar." ”

“ After taking part in several engagements against the British, he joined in 1800, along with his brother Louis Henri de Freycinet (1777–1840) , who afterwards rose to the rank of admiral, the expedition sent out under Captain Baudin in the “Naturaliste” and “Géographe” to explore the south and south-west coasts of Australia. Much of the ground already gone over by Flinders was revisited, and new names imposed by this expedition, which claimed credit for discoveries really made by the English navigator. An inlet on the coast of West Australia, in 26° S., is called Freycinet Estuary ”

“ Victor Hugo, writing to the poet, said, “Vous dotez le ciel de l’art d’un rayon macabre, vous créez un frisson nouveau.” Baudelaire, the publisher, and the printer were successfully prosecuted for offending against public morals. The obnoxious pieces were suppressed, but printed later as Les Épaves (Brussels, 1866) . Another edition of the Fleurs du mal, without these poems, but with considerable additions, appeared in 1861.
Baudelaire had learnt English in his childhood, and had found some of his favourite reading in the English “Satanic” romances, such as Lewis’s Monk. ”

“ His son, Jean Gaspard Bauhin (1606-1685) , was professor of botany at Basel for thirty years. His elder brother, Jean Bauhin (1541-1613) , after studying botany at Tübingen under Leonard Fuchs (1501-1566) , and travelling with Conrad Gesner, began to practise medicine at Basel, where he was elected professor of rhetoric in 1766. Four years later he was invited to become physician to the duke of Württemberg at Montbéliard, where he remained till his death in 1613. He devoted himself chiefly to botany. ”

“ Writers of this kind are very rarely poets; and it is Baudelaire's great distinction that he was able to combine the hideous and devastating conceptions of complete pessimism with the passion, the imagination, and the formal beauty that only live in magnificent verse. He is the Swift of poetry. His vision is black and terrible. ”

“ With Baudelaire, these were the three masters who in all the range of French literature, modern and profane, had most caught and moulded Des Esseintes' tastes; but by dint of re-reading them, of saturating his mind in their works, of knowing them by heart from end to end, he had been constrained in order to gain the power of absorbing them again, to force himself to forget them and leave them for a while undisturbed on his bookshelves. ”

“ His salons of 1845 and 1846 attracted immediate attention by the boldness with which he propounded many views then novel, but since generally accepted. He took part with the revolutionaries in 1848, and for some years interested himself in republican politics but his permanent convictions were aristocratic and Catholic. Baudelaire was a slow and fastidious worker, and it was not until 1857 that he produced his first and famous volume of poems, Fleurs du mal. ”

“ The genuineness of both personality and influence was one of the first critical issues raised after Baudelaire's advent into literature; it is still one of the main issues in all critical consideration of him. A question which involves by implication the whole relation of poetry, and of art as such, to life, is obviously one that furnishes more than literary issues, and engages other than literary interests. And thus, by easy and natural corollaries, Baudelaire has been made a subject of appeal not only to judgment, but even to conscience. ”

“ And the more Des Esseintes read Baudelaire, the more he felt the ineffable charm of this writer who, in an age when verse served only to portray the external semblance of beings and things, had succeeded in expressing the inexpressible in a muscular and brawny language; who, more than any other writer possessed a marvelous power to define with a strange robustness of expression, the most fugitive and tentative morbidities of exhausted minds and sad souls. ”

“ That great modern neurosis, called Commerce, has its mental wrecks, too, and no one pays attention; but when a poet falls by the wayside is the chase begun by neurologists and other soul-hunters seeking victims. After the death of Baudelaire's father, the widow, within a year, married the handsome, ambitious Aupick, then chef de bataillon, lieutenant-colonel, decorated with the Legion of Honour, and later general and ambassador to Madrid, Constantinople, and London. Charles was a nervous, frail youth, but unlike most children of genius, he was a scholar and won brilliant honours at school. ”

“ It is Baudelaire the critic of æsthetics in whom we are interested. Yet I cannot forbear saying that if all the negations of Schérer had been transformed into affirmations, only justice would have been accorded Baudelaire, who was not alone a poet, the most original of his century, but also a critic of the first rank, one who welcomed Richard Wagner when Paris hooted him and his fellow composer, Hector Berlioz, played the rôle of the envious; one who fought for Edouard Manet, Leconte de Lisle, Gustave Flaubert, Eugène Delacroix ”

“ Bunyan was the opposite of a mystic. His common sense in his sermons of advice is extraordinarily close-packed and hard, and exhibits acute observation of the ways of human nature in practical life. He wrote once what was almost a novel, a history of one Mr. Badman, which is probably truer to contemporary life than the adventures of Jonathan Wild in the next century. If he did not weaken his eyesight over books, he sharpened it on men and women. ”

“ What Judgment shall he make how God will deal with him, by beholding the lamb-like death of his companion? Be sure, he cannot, as from such a sight say, Wo be to me, for Judgment is before him: He cannot gather, that sin is a dreadful and a bitter thing, by the child-like death of Mr. Badman. But must rather, if he judgeth according to what he sees, or according to his corrupted reason, conclude with the wicked ones of old, That every one that doth evil, is good in the sight of the Lord, and he delighteth in them ”

“ Like Wagner, Baudelaire painted in his sultry music the profundities of abysms, the vastness of space. He painted, too, the great nocturnal silences of the soul.
Pacem summum tenent! He never reached peace on the heights. Let us admit that souls of his kind are encased in sick frames; their steel is too shrewd for the scabbard; yet the enigma for us is none the less unfathomable. Existence for such natures is a sort of muffled delirium. To affiliate him with Poe, De Quincey, Hoffman, James Thomson, Coleridge, and the rest of the sombre choir does not explain him ”

“ Baudelaire, then, was no less sound a critic of the plastic arts than of music and literature. Like his friend Flaubert, he had a horror of democracy, of the democratisation of the arts, of all the sentimental fuss and fuddle of a pseudo-humanitarianism. During the 1848 agitation the former dandy of 1840 put on a blouse and spoke of barricades. Those things were in the air. Wagner rang the alarm-bells during the Dresden uprising. Chopin wrote for the pianoforte a revolutionary étude. Brave lads! Poets and musicians fight their battles best in the region of the ideal. ”

“ Why I would say, I hope no Good man, no man of good conscience, no man that either feareth God, regardeth the credit of Religion, the peace of Gods people, or the salvation of his own soul, will do thus.
Professors, such perhaps there may be, and who, upon earth can help it? Jades there be of all colours. [103a] If men will profess, and make their profession a stalking-Horse to beguile their neighbours of their estates, as Mr. Badman himself did, when he beguiled her that now is with sorrow his wife, who can help it? ”

“ The poet does not delight in the spectacle of evil." Still, Baudelaire broods over evil things with a tremendous persistency, a morbid satisfaction, which shows a mind radically diseased and a nature utterly heartless. In and out of season, he invoked the spirit of Horror. Jaded with self-indulgence, he had a mad pleasure in considering the world a charnel-house, and in posing the figures of Love and Beauty in the agonies of disease and the ghastly stillness of death. ”

“ Fourthly, At Funerals there does use to be Mourning and lamentation, but here also Mr. Badman differs from others; his Familiars cannot lament his departure, for they have not sence of his damnable state; they rather ring him, and sing him to Hell in the sleep of death, in which he goes thither. Good men count him no loss to the world, his place can well be without him, his loss is only his own, and ’tis too late for him to recover that dammage or loss by a Sea of bloody tears, could he shed them. ”

“ Baudelaire is more human than Poe. His range of sympathy is wider. In this he transcends him as a poet, though his subject-matter often issues from the very dregs of life. Brother to pitiable wanderers, there are, nevertheless, no traces of cant, no "Russian pity" à la Dostoiëvsky, no humanitarian or socialistic rhapsodies in his work. Baudelaire is an egoist He hated the sentimental sapping of altruism. His prose-poem, Crowds, with its "bath of multitude," may have been suggested by Poe; but in Charles Lamb we find the idea: "Are there no solitudes out of caves and the desert? ”

“ He discovered Poe, Wagner, and Manet. Where even Sainte-Beuve, with his vast materials, his vast general talent for criticism, went wrong in contemporary judgments, Baudelaire was infallibly right. He wrote neither verse nor prose with ease, but he would not permit himself to write either without inspiration. His work is without abundance, but it is without waste. It is made out of his whole intellect and all his nerves. Every poem is a train of thought and every essay is the record of sensation. ”

“ While Baudelaire had deciphered in the hieroglyphics of the soul the period of recurrence of feelings and thoughts, he had, in the realm of morbid psychology, more particularly scrutinized the region of will.
In literature, he had been the first, under the emblematic title of "The Demon of Perversity," to explore those irresistible impulses which the will submits to without understanding their nature and which cerebral pathology now accounts for with a fair degree of certainty ”

“ He is a man that sayes in his heart and with his actions, I have loved strangers, (sins) and after them I will goe. He is a man that shuts his eyes, stops his ears, and that turneth his spirit against God. Yea he is the man that is at enmity with God, and that abhorres him with his soul. [163b]
Atten. What other signe can you give me that Mr. Badman died without repentance?
Wise. Why, he did never heartily cry to God for mercy all the time of his affliction. ”

“ I know well how much may be said in defence of a man like this by a wise and beneficent criticism; but I know, too, that defence has been overwrought, till mercy for the sinner has enlarged into sympathy with the sin. I am well aware, moreover—no man can be better aware—of the charm of writers like Baudelaire, and even of a certain service they may do to literature by careful attention to æsthetic form. Having few ideas, they endeavour to express them neatly, and with novelty. ”

“ Badman himself, and others go thither as did his Brethren. But above all, Mr. Badmans death, as to the manner of dying, is the fullest of Snares and Traps to wicked men; therefore they that die as he, are the greatest stumble to the world: They goe, and goe, they go on peaceably from Youth to old Age, and thence to the Grave, and so to Hell, without noyse: They goe as an Ox to the slaughter, and as a fool to the correction of the Stocks ”