Old Norse

“ But we are bound to believe that the Norseman not only made good his footing in the district, but established his language and customs there. And that being so, the old Norse literature of which such splendid remains have come down to us is obviously the best of all guides to a right understanding of the early history of any Danish colony or district in England. That literature, with its tales of daring adventure, its poetry, its mythology, its lives of heroes, and with its striking details of domestic manners reveals to us the daily life and customs of the Northmen who settled amongst us. ”

“ Not only does it smack of the sea-breeze and the salt water like all the finest old Norse sagas: but it gives a glimpse at least, of the nobleness which underlay the grim and often cruel nature of the Norseman. It belongs, too, to the culminating epoch, to the beginning of that era when the Scandinavian peoples had their great times; when the old fierceness of the worshippers of Thor and Odin was tempered, without being effeminated by the Faith of the ‘White Christ,’ till the very men who had been the destroyers of Western Europe became its civilisers. ”

“ The old Norse Mythology, with its Thor hammers and Thor hammerings, appeals to us,—for we are a Northern people,—as the true out-crop of human nature, more manly, more real, than the weak marrow-bones superstition of an effeminate South. ”

“ Advantage of the Study of Norse Literature—Bear and Wolf-skin Dresses—The Berserkir—Their Rage—The Story of Thorir—Passages from the Aigla—The Evening Wolf—Skallagrim and his Son—Derivation of the Words Hamr and Vargr— Laws affecting Outlaws—"To become a Boar"—Recapitulation. One of the great advantages of the study of old Norse or Icelandic literature is the insight given by it into the origin of world-wide superstitions. Norse tradition is transparent as glacier ice, and its origin is as unmistakable. ”

“ Icelandic poetry is more difficult to read than Icelandic prose, and so it seems strange that the former should have been attacked first by English scholars. Yet so it was, and until 1844 our English literature had no other inspiration in old Norse writings than the rude and rugged songs that first lent their lilt to Gray. The human North is in the sagas, and when they were revealed to our people, Icelandic literature began to mean something more than Valhalla and the mead-bouts there. The scene was changed to earth, and the gods gave place to nobler actors, men and women. ”

“ It is the infant Thought of man opening itself, with awe and wonder, on this ever-stupendous Universe. To me there is in the Norse System something very genuine, very great and manlike. A broad simplicity, rusticity, so very different from the light gracefulness of the old Greek Paganism, distinguishes this Scandinavian System. It is Thought; the genuine Thought of deep, rude, earnest minds, fairly opened to the things about them; a face-to-face and heart-to-heart inspection of the things,—the first characteristic of all good Thought in all times. ”

“ It is refreshing to come upon new views of Old Norse character, that recognize "amidst anarchy and bloodshed, redeeming features of kindliness and better feeling which tell of the ( 28 ) mingled principles that war within our nature for the mastery." Laing's translation accomplished this for English readers, and with the years came a deeper knowledge that showed those touches of tenderness and traits of beauty which, even in 1844, were not perceptible to those readers. ”

“ The older forms are Norse. There are poetical fragments of the story to be found in the ancient Scandinavian literature (you can find them in the library in the Corpus Poeticum Boreale) , and there is a splendid prose version of the story in the old Icelandic—this is the Volsunga Saga, from which Morris took his poetical materials. Between the versions of the German and the North, there are great differences of narrative, but perhaps not great differences of merit. If we could have the whole of the old Norse epic, we should perhaps find it even grander than the German. ”

“ The work, both in prose and verse, is well done, and the attempt was successful to make, as the preface proposes, the "rendering close and accurate, and, if it might be so, at the same time, not over prosaic." The last two paragraphs of this preface are particularly interesting to one who is tracing the influence of Old Norse literature on English literature, because they are words with power, that have stirred men and will stir men to learn more about a wonderful land and its lore. ”

“ The old Norse element has penetrated, and diffused itself, and hardened into the dialect of the Cumberland and Westmorland "fell-siders," and emphatically pronounces from whom it came. And, lastly, the physical and moral characteristics, as well as the manners and customs of the people, are those of the hardy race, whose transmitted blood gave the larger nerve and more enduring vigour which characterise their frame. Tall, bony, and firmly knit; fair-haired, and of Sanguine complexion; possessing strong feelings of independance, and a large share of shrewdness and mother-wit ”

“ Many of the old Norse poets were natives of Iceland, and in the early part of the Christian era, a supreme service was rendered to Norse literature by Christian priest, Sæmund, who industriously brought together a large amount of pagan poetry in a collection know as the Elder Edda, which is the chief foundation of our present knowledge of the religion of our Norse ancestors. ”

“ One can well understand, who handles the ponderous Thesaurus, why the first English lovers of Old Norse were antiquarians. "The Awakening of Angantyr" is literally buried in this work, and only the student of Anglo-Saxon prosody would come upon it unassisted, since it is an illustration in a chapter of the Grammaticæ Anglo-Saxonicæ et Moeso-Gothicæ. Students will remember in this connection that it was a work on poetics that saved for us the original Icelandic Edda. The Icelandic skald had to know his nation's mythology. ”

“ These Norse Tales we may characterize as bold, out-spoken, and humorous, in the true sense of humour. In the midst of every difficulty and danger arises that old Norse feeling of making the best of everything, and keeping a good face to the foe. ”

“ As already stated, it contained, especially in connection with the sea, and ships, gear, and tackle, many old Norse words,5 and, in the Gaelic of Sutherland, as in [pg 132] the English of Orkney and Shetland and of Caithness and Moray the Old Norse roots remain. Nor need we believe that every Magnus or Sweyn, or Ragnvald was a pure Norseman. For their Celtic mothers often preferred to give their children Old Norse names. ”

“ The survey that this essay takes begins with Thomas Gray (1716-1771) , and comes down to the present day. It finds the fullest measure of the old Norse poetic spirit in William Morris (1834-1896) , and an increasing interest and delight in it as we come toward our own time. The enterprise of learned societies and enlightened book publishers has spread a knowledge of Icelandic literature among the reading classes of the present day ”

“ It would lead us too far away from our purpose if we should undertake to prove that all the myths and traditions of the North are based on ancient poems, but the correctness of the statement is admitted by all scholars, and this being granted, it follows that Old Norse poetry must have been extraordinarily extensive in quantity. ”

“ The old mythological stories of the Norsemen abound in poetry of the truest and most touching character. These stories tell us in sublime and wonderful speech of the workings of external nature, and may make us cheerful or sad, happy or mournful, gay or grave, just as we night feel, if from the pinnacle of Gausta Fjeld we were to watch the passing glories of morning and evening tide. There is nothing in these stories that can tend to make us less upright and simple, while they contain many thoughts and suggestions that we may be the better and happier for knowing. ”

“ And then the blue-eyed Norseman told: A Saga of the days of old.
"There is," said he, "a wondrous book
Of Legends in the old Norse tongue,
Of the dead kings of Norroway,--
Legends that once were told or sung
In many a smoky fireside nook
Of Iceland, in the ancient day,
By wandering Saga-man or Scald ”

“ The activities of the Vikings were all-embracing, and before any attempt can be made to estimate their influence in the various countries which came permanently under their rule, or were brought more or less closely into touch with them, some account, however slight, must be given of Scandinavian civilisation at this time, both on its spiritual and on its material sides. For the former aspect we must turn chiefly to the poems and sagas of old Norse literature, for the latter to the results of modern archaeological research. ”

“ But we are not concerned with these critical considerations here; and so it will be enough to record the fact that with the publication of Percy's Northern Antiquities—the English name of Mallet's work—in 1770, knowledge of Icelandic literature passed from the exclusive control of learned antiquarians. More and more, as time went on, men went to the Icelandic originals, and translations of poems and sagas came from the press in increasing numbers. In the course of time came original works that were inspired by Old Norse stories and Old Norse conceptions. ”

“ In 1770 he published another work of great importance on account of its recognition of the high interest of the old Norse life. This was entitled ‘Northern Antiquities, with a Translation of the Edda and other pieces from the Ancient Islandic Tongue. ”

“ What he had to say was in support of a theory which is not accepted to-day, and of course his statements concerning the origin of the Scandinavian ( 15 ) people were as wrong as those that we found in Mallet and Temple. But with all his misinformation, Warton managed to get at many truths about Icelandic poetry, and his presentation of them was fresh and stimulating. Already the Old Norse mythology was well known, even down to Valhalla and the mistletoe. ”

“ It should not be hard for the general reader to understand that the influence which is the theme of this dissertation is real and explicable. If he will but call the roll of his favorite heroes, he will find Sigurd there. In his gallery of wondrous women, he certainly cherishes Brynhild. These poetic creations belong to the English-speaking race, because they belong to the world. And if one will but recall the close kinship of the Icelandic and the Anglo-Saxon languages, he will not find it strange that the spirit of the old Norse sagas lives again in our English song and story. ”

“ The Icelanders of the present day retain the Old Norse language, while on the Continent it has been modified into Swedish and Norwegian-Danish. They are a well-educated people, and, in proportion to their numbers, publish many books. [Back to Main Text]
Footnote 177: A full collection of these chronicles is given in Rafn's Antiquitates Americanæ, Copenhagen, 1837, in the original Icelandic, with Danish and Latin translations. ”

“ The stationary existence of the Norse language in Icelandic, in which it has been preserved almost intact to the present day, is explained by the secluded position of the island, and the zeal with which the old songs and sagas, as collected and fixed in the two Eddas, have been cultivated by the inhabitants. ”

“ It is not likely that the poems would have been understood without the preface and the explanatory notes, and these, in a measure, made the reader interested in the literature from which they were drawn. Gray called the pieces "dreadful songs," and so in very truth they are. Strength is the dominant note, rude, barbaric strength, and only the art of Gray saved it from condemnation. To-day, with so many imitations from Old Norse to draw upon, we cannot point to a single poem which preserves spirit and form as well as those of Gray. ”

“ Among the scholars who have labored to give England the benefit of a fuller and truer knowledge of Norse matters, none will be remembered more gratefully than Sir George Webbe Dasent. Known to the reading public most widely by his translations of the folk-tales of Asbjörnsen and Moe, he has still a claim upon the attention of the students of Icelandic. As we have seen, he gave out a translation of the Younger Edda in 1842, and during the half century and more that followed he wrote other works of history and literature connected with our subject. ”

“ This old belief, then, might be expected to be found in these Norse Tales, and accordingly we find men transformed in them into various beasts. Of old these transformations, as we have already stated, were active, if we may use the expression, as well as passive. A man who possessed the gift frequently assumed the shape of a beast at his own will and pleasure, like the soldier in Petronius. Even now in Norway, it is matter of popular belief that Finns and Lapps, who from time immemorial have passed for the most skilful witches and wizards in the world, can at will assume the shape of bears ”

“ A large-hearted people reaching out in the dark towards ideals which were better than they knew. Ragnarok was to undo their gods because they had stumbled from their higher standards.
We have to thank a curious phenomenon for the [xv] preservation of so much of the old lore as we still possess. While foreign influences were corrupting the Norse language, it remained practically unaltered in Iceland, which had been colonised from the mainland by the Norsemen who had fled thither to escape the oppression of Harold Fairhair after his crushing victory of Hafrsfirth. ”