Rheingold

“ It has been already noted that the break between the musical style of Lohengrin and that of Rheingold is even greater than that between the dramatic forms of the two works. In the six years which separated the composition of these two operas Wagner’s exuberant spontaneity of expression became tempered with reflective inventiveness, and there pervades the entire score of Rheingold a classic solidity of feeling which by the side of the lyric suavity of Lohengrin is one of almost austere ruggedness. ”

“ Freia, the charming young woman for whom the giants wrangle, is a mere figure in "Rheingold." She might as well be a piece of stage property. She counts for nothing else. She has no more dramatic significance than the lumps of gold which the dwarfs lug upon their straining shoulders. ”

“ And pale with rage, he signed the dismissal of Hans Richter.
But at least they could not play the Rheingold that evening. Better that the sea should swallow one man than the whole ship.
A strip was pasted across the bills, postponing the performance to the following Thursday. The management sought for a new leader of orchestra, there was a mad rush about Munich, where many Capellmeisters had come to hear the Rheingold. ”

“ The Tetralogy presents not only the culmination of Wagner's poetic ideas and philosophical aspirations, but the final transformation in orchestral resources as well. The première of "Das Rheingold" took place in 1869 in Munich, followed in 1876 by the first performance of the entire "Ring" at Bayreuth. The music of the "Ring" is so inseparably welded to the drama that, apart from certain striking exceptions, much of it loses its significance when performed as "absolute music" away from the stage. ”

“ In its completed form it was performed for the first time at the opening of the Festspielhaus at Bayreuth in 1876, but the first two divisions of the work, 'Das Rheingold' and 'Die Walküre,' had already been given at Munich, in 1869 and 1870 respectively. ”

“ When he begins work upon the music of the Rhinegold he is a new being. His imagination has developed to an extent that is without a parallel in the case of any other musician. The characters and the milieu of the Rhinegold are themselves evidence of the audacious sweep of his vision: he undertakes to re-create in music gods and men and giants, creatures of the waters and creatures of the bowels of the earth; the music has to flood the scene now with water, now with fire, with the murky vapours of the underworld and the serene air of the heights over against Valhalla. ”

“ Where the river reaches the end of the Rhine valley crowned by the Seven Giants, a knight with his horse stopped to rest. Far away in the south, where the valley of Ronceval lies bathed in sunshine, he had lain in the hut of a poor herd. There the faithful squire had dragged his master pierced by a Moorish lance. The bold hero and leader had remained for weeks and months on his sick-bed struggling with death, till the force of his iron nature had at last conquered. Roland was recovering under loving care, while they were mourning him as dead in the land of the Franks. ”

“ Many counts and barons found on that day a grave in the land of the Swiss, and sounds of mourning were to be heard in many a German castle. But to Castle Rheinfels no traveller brought any tidings either of weal or woe, and we can imagine with what sickness of heart the maiden waited, and how her hope faded as the days and weeks slipped past. It was so long since the ill-fated army had set out against the Forest Cantons, and now the thoughts of men were turned in other directions, while the Swiss peasants were quietly allowed to reap the fruits of their bravery. ”

“ It was nearing midnight on the eve of the day fixed for Rheinhard’s return, so there was no time to be lost. The three repaired to the chapel, where the marriage was at once solemnized. Taking a basket of bread, meat, and wine, a lamp, and some other necessaries, the old man conducted the newly married pair through a subterranean passage to a cavern in the rock whereon the castle stood, a place known only to himself. Then, having blessed them, he withdrew.
Early on the following morning came the baron and his train, with the noble knight chosen as a husband for Etelina. ”

“ The ruins of Castle Rheinfels, which stand above the pretty little town of St. Goar, are the most extensive of their kind on the Rhine. The castle was erected in the middle of the 13th century by Count Dietherr, a nobleman belonging to the famous Rhenish family of Katzenelnbogen. It was a strongly fortified burg, and within ten years of its completion the mighty ramparts witnessed several bloody encounters. Twenty-six Rhenish cities once combined to carry the invulnerable fortress, but though some 4000 lives were sacrificed the army retreated baffled. ”

“ Rheinfels grows up from the river's edge, and is, indeed, the rock of the Rhine. The fortifications were immense, and this is the most wonderful ruin on the river. A confederacy of German and Rhenish cities broke up this fortress at the close of the thirteenth century, and long afterwards it was made a modern defence. Here the river seems pent up, almost; and just above St. Goar there rises from the water a lofty precipice, called the Lurley Rock. Nearly opposite, a man lives, who, when the boat passes, fires a pistol, and a very singular echo follows, as we can testify. ”

“ High above them rose the vast dismantled ruins of Rheinfels, the lightning darting through its shattered casements and broken arches, and brightening the gloomy trees that here and there clothed the rocks, and tossed to the angry wind. Swift wheeled the water-birds over the river, dipping their plumage in the white foam, and uttering their discordant screams. A storm upon the Rhine has a grandeur it is in vain to paint. Its rocks, its foliage, the feudal ruins that everywhere rise from the lofty heights, speaking in characters of stern decay of many a former battle against time and tempest ”

“ In Castle Rheinstein once lived a knight called Diethelm, who devoted himself without restraint to all the excesses of the robber barons. From one of his pillaging expeditions he brought back a charming maiden called Jutta. As the delicate ivy twines itself round the rough oak and clothes its knotty stem with shimmering velvet; so in time the gentle conduct of this maiden changed the coarse baron to a noble knight who eschewed pillaging and carousing, and ultimately made the fair Jutta the honoured wife of her captor. ”

“ As the Rhine flows, so flows the national genius, by mountain and valley, the wildest solitude, the sudden spires of ancient cities, the mouldered castle, the stately monastery, the humble cot,—grandeur and homeliness, history and superstition, truth and fable, succeeding one another so as to blend into a whole.
“But,” added Trevylyan, a moment afterwards, “the Ideal is passing slowly away from the German mind; a spirit for the more active and the more material literature is springing up amongst them. The revolution of mind gathers on, preceding stormy events ”

“ Rhondorf shows us a monument of one of the last robber-lords of Drachenfels, and Honnef a smiling modern settlement, a very Nice of the North, where the climate draws together people of means and leisure, littérateurs, retired merchants and collectors of art-treasures, as well as health-seekers. These little colonies, of which most of the large cities on the Rhine have a copy in miniature, even if it be not a bathing-place, are the places in which to seek for that domestic taste and refinement which some hasty and prejudiced critics have thought fit to deny to the Fatherland. ”

“ Think of being used as an exercise-book!
It is here at Rolandseck that the romance of the Rhine, as well as its world-renowned scenery, commences. Across the river is the Drachenfels—the crag upon which the remains of a castle may still be seen, where, "in the most ancient time," dwelt Hildegund, a maiden beautiful as those of all stories, and beloved by Roland, a nephew of Charlemagne. When he went away to the wars, she waited and watched at home—as other maidens have done; but alas! instead of her lover, came after a time only the news of his death. ”

“ The shores are now less enlivened by villages than in the Rheingau and other districts to the southward, where the cultivation and produce of the vineyards afford, at least, so much employment, that six or seven little towns, each clustered round its church, are frequently visible at once. The course of the river being also wider and less rapid, the succession of objects is slower, and the eye is often wearied with the uniform lowness of the nearer country, where the antient castle and the perched abbey, so frequent in the Rheingau, seldom appear. ”

“ The Mouse and the Cat, the beautiful ruins of two castles, are at either extremity of the view. The "Cat" is well stationed to watch its prey, but, contrary to all precedent, the "Mouse" is said always to have been the strongest when they were held by their lords, rivals and enemies. The immense Castle of Rheinfels, half way up the steep behind St. Goar, looks, as L. says, like a great bulldog that might have kept all its subordinates civil. Rheinfels, as early as the fourteenth century, was the strongest hold on the Rhine. ”

“ The Drachenfels is the loftiest of the Seven Mountains, and its summit commands one of the finest prospects on the Rhine. In the ruins of the old castle, ingenious and progressive man has seen fit to ignore sentiment, and thrust a modern restaurant, where in spite of his shocked sensibilities, the weary traveller may in return for German marks, rest and refresh himself with sparkling wine which is famous for its fine quality and flavor, while the cool breezes fan his brow and soothe his excited brain. ”

“ On the top of a tall black rock in the river Rhine there rested a magical treasure, more wonderful than any of the Nibelung hoards, or the possessions of the gods themselves—a bright, beautiful Gold, the radiance of which was so great that when the sun shone down into the river and-5- touched it the gray-green water was filled with golden light from depth to depth, and the fairies of the Rhine circled about their treasure, singing and laughing with delight. ”

“ This is the Rheingau, the most beautiful valley of rocks and bed of rapids which occurs during the whole course of the river—the region most crowded with legends and castles, and most frequented by strangers by railroad and steamboat. The right bank is at first the only one that calls for attention, dotted as it is with townlets, each nestled in orchards, gardens and vineyards, with a church and steeple, and terraces of odd, over-hanging houses ”

“ On one occasion Rheinhard was obliged to set out with his troop to join the wars in Italy, and ere he departed he confided his daughter to the care of the venerable chaplain, while his castle and lands he left in charge of Sir Rudolph. As may be supposed, the knight and the maiden frequently met, and ere long it became evident that Rudolph’s passion was returned. The worthy chaplain, who loved the youth as a son, did not seek to interfere with the course of his wooing, and so in due time the lovers were betrothed. ”

“ Nowhere is legend so thickly strewn as on the banks of the Rhine. Each step is eloquent of tradition, each town, village, and valley. No hill, no castle but has its story, true or legendary. The Teuton is easily the world’s master in the art of conserving local lore. As one speeds down the broad breast of this wondrous river, gay with summer and flushed with the laughter of early vineyards, so close is the network of legend that the swiftly read or spoken tale of one locality is scarce over ere the traveller is confronted by another. ”

“ It is, like themselves, heavy, lumbering, with a slur that is like the stumbling of heavy feet. Clumsy and ungraceful, it and what it represents cross the idyllic beauty of the motifs of Friea, Walhalla, the Ring, the Rhinegold, and the rest, with a harsh and disagreeable sense of an inharmonious element. How different from the majestic gods, and the clever, small-souled Nibelungs, are these great creatures who are all bodies and no brains, and who are so ably represented by the music allotted them in the operas! ”

“ For that privilege London has had to wait twenty-seven years since the original production in Bayreuth, though "Die Walküre" and "Siegfried" were long ago taken up into the ordinary Covent Garden repertory. There can be little doubt that "Rhinegold" is in all important respects the most difficult part of the "Ring" to make effective. Epic rather than dramatic in character, it presents to the actor an unfamiliar kind of task. He finds himself representing some creature that is scarcely individualised at all, and taking part in the interplay of elemental forces rather than of human passions. ”

“ Of all places that suggest Chaos, a poor bare beginning of things, that place is the desolate spot in which the Hinter Rhine takes its rise. It is called Paradise, and if ever man required to cheer himself with a euphemism, it might be here. From Splügen to Hinterrhein extends a flat tract of country on every inch of which nature has left an impression as of exhausted powers. And yet, under those external marks of sterility, lurks the beginning of a great thing, the Rhine, its fruitful valleys, its grandeur, its world-renowned towns. ”

“ So the blind knight, once more free, returned to his castle of Fürstenberg, compensated in part for the loss of his sight by the loving devotion of his son.
Rheinstein and Reichenstein
Centuries ago the castles of Rheinstein and Reichenstein frowned at each other from neighbouring eminences. But far from being hostile, they were the residences of two lovers. Kuno of Reichenstein loved the fair Gerda of Rheinstein with a consuming passion, and, as is so common with lovers in all ages, doubted whether his love were returned. ”