Hugh MacDiarmid,
Albyn; or, Scotland and the future
(1927)
“ There is more in this Scottish antithesis of the real and fantastic than is to be explained by the familiar rules of rhetoric. This mingling, even of the most eccentric kind, is an indication to us that the Scot, in that mediæval fashion which takes all things as granted, is at his ease in both ‘rooms of life,’ and [23] turns to fun, and even profanity, with no misgivings. For Scottish literature is more mediæval in habit than criticism has suspected, and owes some part of its picturesque strength to this freedom in passing from one mood to another. ”
