Thomas Rowley

“ But of all men, most versatile and rich in lore and [Pg 277] intellect was Thomas Rowley, the friend of Canynge, and priest of St. John, in Bristol; and, truly, if the poems which he put forth in Rowley's name had been Rowley's, Rowley would have been a famous poet indeed—to say nothing of his sermons, histories, and other writings.
Spite of the wretchedness of his domestic position in Lambert's house, this must have been the happiest portion of Chatterton's life. ”

“ The suicide of the young poet in 1770 made his story of discovering ancient manuscripts all the more intriguing. When Thomas Tyrwhitt published the first collected edition in March of 1777,2 speculation about whether the poems were the work of Rowley or Chatterton began in earnest. ”

“ Milles was President of the Society of Antiquaries and his commentary is characterized by Professor Skeat as 'perhaps the most surprising trash in the way of notes that was ever penned.
1782. Mathias' Essay on the Evidence ... relating to the poems called Rowley's—he is pro-Rowleian and criticizes Tyrwhitt's appendix.
1782. Thomas Warton's Enquiry ... into the Poems attributed to Thomas Rowley—Anti-Rowleian. ”

“ He taught himself to read from a black-letter Bible. He drew charcoal sketches of churches, castles, knightly tombs, and heraldic blazonry. When only eleven years old, he began the fabrication of documents in prose and verse, which he ascribed to a fictitious Thomas Rowley, a secular priest at Bristol in the 15th century. Chatterton pretended to have found these among the contents of an old chest in the muniment room of St. Mary Redcliff's. The Rowley poems included two tragedies, Aella and Goddwyn, two cantos of a long poem on the Battle of Hastings, and a number of ballads and minor pieces. ”

“ George Hardinge’s Rowley and Chatterton in the Shades brilliantly depicts various scenes in the other world after news of the Rowley controversy is carried there. The most hilarious performance of the year—indeed, of the entire controversy—was the Archaeological Epistle to Dean Milles, published by John Nichols at the end of March,29 which turned the language of the Rowley poems ingeniously against the two fumbling historians. Such pieces would have appeared whether or not Malone had written the Cursory Observations. ”

“ While they are perusing the poems of the fictitious Rowley, they constantly compare them with the poetry of the fifteenth century; and are ready every moment to exclaim, how much he surpasses all his contemporaries. While the verses that Chatterton acknowledged as his own, are passing under their eyes, they still recollect that they are the productions of a boy of seventeen; and are slow to allow them even that merit which they undoubtedly possess. ”

“ If such a man as Rowley had existed, who could troul off whole verses of Shakspeare, Dryden, and Pope, in the middle of the fifteenth century, he would have had half the parchment in the kingdom at his command; statues would have been erected to him as the greatest prodigy that the world had ever seen; and in a few years afterwards, when printing came to be practised, the presses of Caxton and Wynkyn de Worde would have groaned with his productions.
Much stress is laid upon Chatterton's having been seen frequently writing, with old crumpled parchments before him. No doubt of the fact. ”

“ There a monument has since been erected to his memory, with the appropriate inscription, borrowed from his “Will,” and so supplied by the poet’s own pen—“To the memory of Thomas Chatterton. Reader! judge not. If thou art a Christian, believe that he shall be judged by a Superior Power. To that Power only is he now answerable.”
Bibliography.—Poems supposed to have been written at Bristol by Thomas Rowley and others, in the Fifteenth Century (1777) was edited by Thomas Tyrwhitt ”

“ After his arrival in London, if his forgeries had met with any success, he would undoubtedly have produced ancient poetry without end; but perceiving that the gentleman in whom he expected 50 to find at once a dupe and a patron, was too clear-sighted to be deceived by such evident fictions, and that he could earn a livelihood by his talents, without fabricating old Mss. in order to gain a few shillings from Mess. Barrett and Catcott, he deserted his original plan, and we hear little more of Rowley’s verses. ”

“ Of Rowley’s origin and birth nothing is known. He first appears as collaborator in a play of Queen Anne’s men in 1607, and, although he may have also acted with this company, there is no evidence of the fact. His name is in the patent of 30 March 1610 for the Duke of York’s men with that of Thomas Hobbes, to whom his pamphlet A Search for Money (1609, Percy Soc. ii.) is dedicated. He acted as their payee from 1610 to 1615, and they played his Hymen’s Holiday or Cupid’s Vagaries, now lost, in 1612. A Knave in Print and The Fool without Book, entered as his on 9 Sept. ”

“ And here the cautious conduct of Chatterton’s new commentator is very remarkable. All the similies that poor Chatterton borrowed 16 from Pope’s or Chapman’s Homer, to embellish his Battle of Hastings, are exhibited boldly; but then “they were all clearly copied from the original of the Grecian Bard,” in whom we are taught, that Rowley was better read than any other man, during the preceding or subsequent century: but in the tragedy of Ella, and other pieces, where we in almost every page meet with lines and half-lines of Shakspeare, Dryden, &c. ”

“ I will not stay to take notice of the impotent attempts that Chatterton’s new commentators have made to overturn the very satisfactory and conclusive reasoning of Mr. Tyrwhitt’s Appendix to the former edition of the fictitious Rowley’s Poems. That most learned and judicious critick wants not the assistance of my feeble pen: Non tali auxilio, nec defensoribus istis——. If he should come into the field himself (as I hope he will) , he will soon silence the Anglo-Saxon batteries of his opponents. ”

“ II. THE VALUE OF ROWLEY'S POEMS—PHILOLOGICAL AND LITERARY As imitations of fifteenth-century composition it must be confessed the Rowley poems have very little value. Of Chatterton's method of antiquating something has already been said. He made himself an antique lexicon out of the glossary to Speght's Chaucer, and such words as were marked with a capital O, standing for 'obsolete' in the Dictionaries of Kersey and Bailey. ”

“ In order to escape a marriage urged by the king, Canynge retired to the college of Westbury in Gloucestershire, where he enjoyed the society of Rowley, and eventually became dean of the institution. In “The Storie of William Canynge,” one of the shorter pieces of his ingenious romance, his early history is recorded.
This beautiful picture of the childhood of the ideal patron of Rowley is in reality that of the poet himself—“the fate-marked babe,” with his wondrous child-genius, and all his romantic dreams realized. ”

“ Is it not a fact that the average baron stayed at home in his castle devising abominable schemes to wring money or its equivalent from miserable and half-starved peasants?'—such a one can only be answered with another question: 'Is Pierrot like a man, and has it been put beyond question that Pontius Pilate was hanged for beating his wife?' The Rowley writings are—properly considered—entirely fanciful and unreal. They have many faults, but are seen at their worst when Chatterton is trying to exhibit some eternal truth. ”

“ Monast. Art. BRISTOL and WESTBURY.—Dugdale's Warwickshire, p. 634.
It may be proper just to remark here, that Mr. Canynge's brother, mentioned in ver. 129, who was lord mayor of London in 1456, is called Thomas by Stowe in his List of Mayors, &c.
The transaction alluded to in the last Stanza is related at large in some Prose Memoirs of Rowley, of which a very incorrect copy has been printed in the Town and Country Magazine for November 1775. It is there said, that Mr. Canynge went into orders, to avoid a marriage, proposed by King Edward, between him and a lady of the Widdevile family. ”

“ In London (as the same writer observes) was to be learned that which even genius cannot teach, the knowledge of life. Extemporaneous bread was to be earned more suddenly than even Chatterton could write poems for Rowley ”

“ This being granted, I have nothing to do but to prove, that the language of the poems attributed to Rowley (when every proper allowance has been made) is totally different from that of the other English writers of the XV Century, in many material particulars. It would be too tedious to go through them all; and therefore I shall only take notice of such as can be referred to three general heads; the first consisting of words not used by any other writer; the second, of words used by other writers, but in a different sense ”

“ Chatterton could only produce poetry in his fifteenth-century vein; his imagination failed him in modern English. No one who has any appreciation of Rowley's poems will consider that the African Eclogues are for a moment comparable with them. If he was to write at all he must produce antiques, and, as it happened, interest had been aroused in ancient poetry, largely by the publication of Percy's Reliques and of the spurious Ossian. Appearing at this juncture, then, as ancient writings taken from an old chest, his poems would be read and their value appreciated ”

“ The inequality of the poems which Chatterton owned as his own compositions, when compared with those ascribed to Rowley, has been much insisted upon. But this matter has been greatly exaggerated. Some of the worst lines in Chatterton's Miscellanies have been selected by Mr. Bryant to prove the point contended for; but in fact they contain the same even and flowing versification as the others, and in general display the same premature abilities [15] .—The truth is, the readers of these pieces are deceived insensibly on this subject. ”

“ Now even had his authorities been well informed, which they were not by any means, and had Chatterton never misread or misunderstood them, which he very frequently did, it was impossible that his work should have been anything better than a mosaic of curious old words of every period and any dialect. Old English, Middle English, and Elizabethan English, South of England folk-words or Scots phrases taken from the border ballads—all were grist for Rowley's mill. It is only fair to say that he seldom invented a word outright, but he altered and modified with a free hand. ”

“ But this can only happen in the case of persons of no education and totally illiterate; and such persons seldom write. It is unnecessary however to discuss this point very accurately, as nobody, I believe, will contend, that the poems attributed to Rowley are written in any provincial dialect. If there should be a few words in them, which are now more common at Bristol than at London, it should be remembered that Chatterton was of Bristol. ”

“ In 1777, seven years after Chatterton's death, his Rowley poems were first collected and published by Thomas Tyrwhitt, the Chaucerian editor, who gave, in an appendix, his reasons for believing that Chatterton was their real author, and Rowley a myth. [11] These reasons are convincing to any modern scholar. Tyrwhitt's opinion was shared at the time by all competent authorities—Gray, Thomas Warton, and Malone, the editor of the variorum Shakspere, among others. Nevertheless, a controversy sprang up over Rowley, only less lively than the dispute about Ossian, which had been going on since 1760. ”

“ And if it appears matter for surprise that there should ever have been any controversy about the authorship of the Rowley writings, in view of the lad's admission that he had written three such signal pieces as the Bristowe Tragedy, the first Battle of Hastings, and Onn oure Ladies Chyrche, it must be considered that the production of the greater part of the poems by a poorly educated boy not turned seventeen would naturally appear a circumstance more surprising than that such a boy should tell a lie and claim some of them as his own. ”

“ If he should stick at the word entirely, which may possibly seem to carry the conclusion a little beyond the premisses, he is desired to reflect, that, the poems having been proved to be a forgery since the time of Skinner, and to have been written in great part by Chatterton, it is infinitely more probable that the remainder was also written by him than by any other person. The great difficulty is to conceive that a youth, like Chatterton, should ever have formed the plan of such an imposture, and should have executed it with so much perseverance and ingenuity ”

“ Only occasionally does one find the note (written with an obviously sincere pleasure) 'This word is correctly used.' Of course it was impossible that Chatterton should have produced even a colourable imitation of fifteenth-century poetry at a time when even Malone—for all his acknowledged reputation as an English Scholar—could not quote Chaucer so as to make his lines scan. The Rowley Poems and Percy's Reliques mark the beginning of that renascence of our older poetry so conspicuous in the time of Lamb and Hazlitt. ”

“ From the engraving in Tyrwhitt's edition.]
[Footnote 3: See Southey and Cottle's edition, quoted in Skeat, ii, p. 123.]
[Footnote 4: Dean Milles has a delightful account of the reception accorded to Rowley in the Chatterton household. Neither mother nor sister would appear to have understood a line of the poems, but Mary Chatterton (afterwards Mrs. Newton) remembered she had been particularly wearied with a 'Battle of Hastings' of which her brother would continually and enthusiastically recite portions.] ”