George Jean Nathan,
The Critic and the Drama
“ I have once before pointed out that, even accepting the theory of crowd psychology and its direct and indirect implications so far as drama is concerned, it is as nonsensical to assume that one thousand persons assembled together before a drama in a theatre are, by reason of their constituting a crowd, any more likely to be moved automatically than the same crowd of one thousand persons assembled together before a painting in an art gallery. ”
