Walter Scott,
The Lady of the Lake
(1810)
“ Another peculiarity of Scott's poetry which made powerfully for its popularity, was its spirited meter. People were weary of the heroic couplet, and turned eagerly to these hurried verses, that went on their way with the sharp tramp of moss-troopers, and heated the blood like a drum. The meters of Coleridge, subtle, delicate, and poignant, had been passed by with indifference—had not been heard perhaps, for lack of ears trained to hear; but Scott's metrical effects were such as a child could appreciate, and a soldier could carry in his head. ”
