Magazine editor

Definition and stakes

Portrait of Edward W. Bok Edward W. Bok,  The Americanization of Edward Bok (1921)

“ With an editor ever alive to the new message, the new note, the fresh way of saying a thing, the new angle on a current subject, whether in article or story—since fiction is really to-day only a reflection of modern thought—the foolish notion that an editor must be approached through “influence,” by a letter of introduction from some friend or other author, falls of itself. There is no more powerful lever to open the modern magazine door than a postage-stamp on an envelope containing a manuscript that says something. ”
Source: Wikisource

Portrait of Edward William Bok Edward William Bok,  The Americanization of Edward Bok

“ And with a public that easily tires even of the best where it continually comes from one source, such an editorial policy would be suicidal.
Hence, if the editor is more keenly alert for one thing than for another, it is for the new writer. The frequency of the new note in his magazine is his salvation; for just in proportion as he can introduce that new note is his success with his readers. A successful magazine is exactly like a successful store: it must keep its wares constantly fresh and varied to attract the eye and hold the patronage of its customers.
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Source: Gutenberg

Portrait of Edward William Bok Edward William Bok,  The Americanization of Edward Bok

“ The editor is the pivot of a magazine. On him everything turns. If his gauge of the public is correct, readers will come: they cannot help coming to the man who has something to say himself, or who presents writers who have. And if the reader comes, the advertiser must come. He must go where his largest market is: where the buyers are. The advertiser, instead of being the most difficult factor in a magazine proposition, as is so often mistakenly thought, is, in reality, the simplest. He has no choice but to advertise in the successful periodical. ”
Source: Gutenberg

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