Rhapsody

Definition and stakes

Philip H. Goepp,  Symphonies and Their Meaning; Third Series…

“ From out the maze and turmoil the shadowy melody rises in appealing beauty like heavenly vision and lo! is but a guise of the first strain of rhapsody. It rises amid flashes of fiery brass in bewildering blare of main theme, then sinks again to the depth of brooding, though the revery of the appealing phrase has a climactic height of its own, with the strange, palpitating harmonies. ”
Source: Gutenberg

Philip H. Goepp,  Symphonies and Their Meaning; Third Series…

“ The rhapsody seems too vague for melody; yet there are motives, one in chief, winding to a pause; here is a new appealing phrase; the ending is in a
return to the first. Over the whole symphony is cast the hue of this rhapsody, both in mood and in the literal tone.
All opposite, with sudden spring of buoyant strings, strikes the Allegro tune ending in a quick, dancing trip. The first voice is immediately pursued by another
in similar phase, like a gentler shadow, and soon rises to a passionate chord that is the main idiom of the movement.
”
Source: Gutenberg

F. V. N. Painter,  Poets of the South

“ No jingle of sound can replace the delicacy of fancy, nobleness of sentiment and energy of thought that constitute what we may call the soul of poetry. Rhapsody is not the highest form of poetic achievement. In its noblest forms poetry is the medium through which great souls, like Homer, Virgil, Shakespeare, Milton, Tennyson, give to the world, with classic self-restraint, the fruitage of their highest thought and emotion. ”
Source: Gutenberg

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