“ Why, asks the impatient reader, should not a romance be always full of this glow, and colour, and passion? The warm light that touches the oval outline of a tender woman's face is a beautiful thing, and even the sadness of love is beautiful: why should not a romance be full of these supreme elements? Why should not the romancist cut out the long prose passages of a man's life, and give us only those wonderful moments in which being glows with a sort of transformation? ”
Romance writer
Definition and stakes
Quotes about “romance writer”
Nathaniel Hawthorne,
The Marble Faun
(1860)
“ No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens, and wall-flowers need ruin to make them grow. ”
Walter Lionel George,
A Novelist on Novels
“ It is therefore in science and statesmanship that the romantic quality of the future will be found. Romance is a maligned word, debased to fit any calf-love; romance is pinkish, or bluish, tender, feeble, and ends in orange blossom, or, as the case may be, tears by the side of mother's grave. That is the romance of the provincial touring company. True romance is virile, generous, and its voice is as that of the trumpet. Romance is the wage of the watcher, who with ever-open eyes scans the boundless air in eternal expectation that a thing unknown will appear. ”
Annie S. Swan,
Courtship and Marriage, and the Gentle Art of Home-Making
“ But the day comes sooner or later to the married pair, when the prose pages must be turned, and poetry relegated to the background, days on which the reality of life, in all its grim nakedness, seems to banish romance, and when love needs all its strength and staying power for the fight. ”
Robert W. Chambers,
The Adventures of a Modest Man
“ No; you must listen—for the veil of romance is rent and we are face to face in the living world! Do you think a real man cares what title you wear, if you but wear his name? Countess that you are not—if you say you are not—but woman that you are, is there anything in Heaven or earth that can make love more than love? Veil your beautiful true eyes with romance, and answer me; look with clear, untroubled eyes upon throbbing, pulsating life ”
Georg Brandes,
Main Currents in Nineteenth Century Literature - 2…
“ The eye glows with noble desire; enthusiasm shines from that fair brow, surmounted only by clustering curls, not yet by the laurel wreath. He is a poet. The wondrous smile of love, of life, is on his lips; romance dwells in these thoughtful eyes, drollery in the cheeks' roguish curves. ”
Washington Irving,
Bracebridge Hall, or The Humorists
“ She gazed with enthusiasm upon its magnificent monuments, and her memory was filled with the traditional tales and ballads of Moorish chivalry. Indeed, the solitary life she had led, and the visionary turn of her father’s mind, had produced an effect upon her character, and given it a tinge of what, in modern days, would be termed romance. All this was called into full force by this new passage; for, when a woman first begins to love, life is all romance to her. ”
Sir Walter Alexander Raleigh,
Robert Louis Stevenson
“ What are the indescribable effects that romance, casting far beyond problems of character and conduct, seeks to realise? What is the nature of the great informing, underlying idea that animates a truly great romance—The Bride of Lammermoor, Monte Cristo, Les Misérables, The Scarlet Letter, The Master of Ballantrae? ”
Baron Edward Bulwer Lytton Lytton, Paul Clifford — Complete
“ Oh, those burning moments in love, when romance has just mellowed into passion, and without losing anything of its luxurious vagueness mingles the enthusiasm of its dreams with the ardent desires of reality and earth! ”
John Cowper Powys,
Suspended Judgments: Essays on Books and Sensations
“ What is romance? I think it is the instinctive recognition of a certain poetic glamour which an especial kind of grouping of persons and things—of persons and things seen under a particular light—is able to produce. It does not always accompany the expression of passionate emotion or the narration of thrilling incidents. These may arrest and entertain us when there is no romance, in my sense at any rate of that great word, overshadowing the picture. ”
Bernard Capes, The skeleton key (1920)
“ What spirit of romance, to be sure, might lurk unsuspected under the hard official rind. Here was the last man in the world whom one would have credited with a sense of beauty, and he was wrought to emotion by a landscape! “You talk,” said he, “of your profession not affording you many such moments as this. Now, to my mind, it seems the profession for a man romantically inclined.” “Does it, indeed, sir?” “Why, don’t you live in a perpetual atmosphere of romance? Think of the mysteries which are your daily food.” ”
Charlotte M. Brame,
The Shadow of a Sin
“ I plead guilty myself to a most passionate love of romance—that is, romance which teaches, elevates, and ennobles—the soul of poetry, the high and noble faculty that teaches one to appreciate the beautiful and true. ”
Ralph Waldo Emerson,
Love
(1841)
“ How we glow over these novels of passion, when the story is told with any spark of truth and nature! And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before, and never shall meet them again. But we see them exchange a glance, or betray a deep emotion, and we are no longer strangers. We understand them, and take the warmest interest in the development of the romance. All mankind love a lover. ”
R. M. Ballantyne,
Under the Waves: Diving in Deep Waters
“ We stand up for romance as being the bright staircase that leads childhood to reality, and culminates at last in that vision which the eye of man hath not yet seen nor his mind conceived; a vision which transcends all romance is itself the greatest of all realities, and is “laid up for the people of God.” ”
Jessie Fothergill,
The Wellfields: A novel. Vol. 2 of 3
(1880)
“ Sometimes, after reading some very noble or beautiful poem, some very striking and powerful novel, she had, it is true, wondered a little if life was ever to contain any romance for her, and had thought that such a romance would be pleasant. ”
Paul Heyse,
The Romance of the Canoness: A Life-History
“ Ah, if you were a professional author, and, instead of a truthful narrative of the life of the woman so dear to you, could transform her fate into a genuine romance, skillfully blending fact and fiction, or if you at least possessed the gift of describing these experiences in hues so fresh and vivid that no one could help finding her as charming as she is to you! ”
Letitia Elizabeth Landon,
Francesca Carrara
(1834)
“ What impassioned thoughts, how much of that poetry which first creates and then colours the future, haunt the lonely mornings and the long evenings, when the tapestry grows almost mechanically beneath the hand, but when the mind is wholly given up to the heart! A young girl has rarely any thing to call forth that romance inherent in every nature but the idea of her lover ”
Sir Walter Alexander Raleigh,
Robert Louis Stevenson
“ Now, it is precisely in these effects that the chief excellence of romance resides; it was the discovery of a world of these effects, insusceptible of treatment by the drama, neglected entirely by the character-novel, which constituted the Romantic revival of the end of last century. ‘The artistic result of a romance,’ says Stevenson, ‘what is left upon the memory by any powerful and artistic novel, is something so complicated and refined that it is difficult to put a name upon it, and yet something as simple as nature. ”
George Saintsbury,
A History of the French Novel, Vol…
“ Romantic in its preferential appeal to emotion rather than to pure intelligence; above all, Romantic in its quest—often no doubt ill-guided and unsuccessful, but always more or less present—for that element of strangeness which, though invisible to many who live, is a pervading character of Life itself, and the presence of which it is the glory of Romance itself, from its earliest to its latest manifestations, to have recognised and to some extent fixed, in artistic representation. ”
Waldron Baily, Heart of the Blue Ridge
“ The glamour of romance was like a golden mist over all the scene, irradiating each leaf and flower, softening the bird-calls to fairy flutings, draping the nakedness of distant rugged peaks, bearing gently the purling of the limpid brook along which the path ran in devious complacence. Often, indeed, the lovers’ way led them into the shallows, through which their bare feet splashed unconcerned. ”
Honoré de Balzac,
The Duchesse de Langeais
(1834)
“ It would be tedious, and, for the many young men who carry a redundance of such sweet memories in their hearts, it were superfluous to follow the story step by step—the progress of a romance growing in those hours spent together, a romance controlled entirely by a woman's will. ”
Rudyard Kipling,
Letters of Travel (1892-1913)
“ Only people will not believe this when you tell them. They are too near things and a great deal too well fed. So they say of the most cold-blooded realism: 'This is romance. How interesting!' And of over-handled, thumb-marked realism: 'This is indeed romance!' It is the next century that, looking over its own, will see the heroes of our time clearly. ”
Carl Van Doren,
Contemporary American Novelists…
“ Does the course of human life not singularly resemble the dance of puppets in the hands of a Supreme Romancer? How, then, may any one declare that romance has become antiquated or can ever cease to be indispensable to mortal character and mortal interest? ”
George Sand,
She and he; Lavinia; Memoir
(1902)
“ She indeed pictures life as it should, and might, be; but she also describes it as she sees it; she feels what she writes; she reads and interprets the "never-changing language of nature"; she recognizes that the romance must be human before all else, and assumes that true reality consists in a mixture of good and evil. ”
F. E. Mills Young, The Shadow of the Past
“ Romance coruscates in shining distances, like the splendid bewilderment of the Northern Lights: one cannot reach out and grasp these wonders—to take hold of romance is to lose it; to attempt to decrease the distance is to dull the golden vista and distort the fine sense of proportions. ”
Various, Blackwood's Edinburgh Magazine…
“ But a romance, such as one can conceive, such as we have some models of, is one of the noblest productions of the human mind, one of the most influential on the hearts of individuals, and which is best fitted in the end to form the morals of nations." [21] It is in this spirit that romance should be written—it is in this spirit that it has been written by some of the masters of the art who have already appeared, during the brief period which has elapsed since its creation. ”
William Clark Russell,
The Death Ship: A Strange Story…
“ It is not the least of their merits that the romances are founded on fact—or what, at least, has been handed down for truth by long tradition—and the romance of reality far exceeds the romance of fiction."—Standard. ”
Edith Wharton,
The Last Asset — Chapter 4
“ For he saw, with a touch of compunction, that in the mephitic air of her surroundings a love-story of surprising freshness had miraculously flowered. He had only to intercept the glances which the young couple exchanged to find himself transported to the candid region of romance. ”
Recent Developments in European Thought
“ Romance, in a high sense, lies about his greatest poetry. But it is a romance rooted in memory, not in hope—the 'glory of the grass and splendour of the flower' which he had seen in childhood and imaginatively re-created in maturity ”
Sir Walter Alexander Raleigh,
Robert Louis Stevenson
“ In one of his essays he defines the highest achievement of romance to be the embodiment of ‘character, thought, or emotion in some act or attitude that shall be remarkably striking to the mind’s eye.’ His essay on Victor Hugo shows how keenly conscious he was that narrative romance can catch and embody emotions and effects that are for ever out of the reach of the drama proper, and of the essay or homily, just as they are out of the reach of sculpture and painting. ”
Various, The Atlantic Monthly, Volume 02…
“ I once found a romance in a glove. Since then, gloves are sacred." And Westwood gravely bit off the end of his cigar. "A romance? Tell me about that. I am tired of this endless stretch of sea-like country, these regular ground-swells; and it's a good two-hours' ride yet to yonder headland, which juts out into the prairie, between us and the setting sun. Meanwhile, your romance." "Did I say romance? I fear you would hardly think it worthy of the name," said my companion. "Every life has its romantic episodes, or, at least, incidents which appear such to him who experiences them. ”
Will Levington Comfort,
Child and Country: A Book of the Younger Generation
“ A great romance cannot be veiled from the world, because of all properties that the world waits for, this is the most crying need. Great lovers must be first of all great men and women; and lofty love invariably finds expression, since greatness, both acknowledged and intrinsic, comes to be through expression. A great romance will out—through a child or a book or some mighty heroism. ”
Sir Walter Alexander Raleigh,
Romance: Two Lectures
“ Nevertheless, the very name of romance has wielded such a power in human affairs, and has so habitually impressed the human imagination, that time is not misspent in exhibiting its historical bearings. These great vague words, invented to facilitate reference to whole centuries of human history—Middle Ages, Renaissance, Protestant Reformation, Revival of Romance—are very often invoked as if they were something ultimate, as if the names themselves were a sufficient explanation of all that they include. ”
Roswell Martin Field, The Romance of an Old Fool
“ And I am not at all sure that you would admire me in that attitude even if I did imitate the heroes of romance. A weeping lover is much more agreeable in a novel than in actual life. However if you insist that we must quarrel, in order to demonstrate the sincerity of my affection, I shall suggest that we have our spats when we part for the night, in order that no precious waking hours may be lost. ”
Emma Dorothy Eliza Nevitte Southworth,
The bride's fate
(1885)
“ There is really but little pure romance in this story, for the author has taken care to imagine love passages only between those whom history has credited with having entertained the tender passion one for another, and he succeeds in making such lovers as all the world must love. ”
Sir Frederick Wedmore,
On books and arts
(1899)
“ Under the influence of such an amiable paradox it is possible that we may ask ourselves, in regard to story-writing, whether the people singled out to practise it are those, chiefly, to whose personal history Romance has been denied: so that the greatest qualification even for the production of a lady’s love-tale, is—that the lady shall never have experienced a love-affair. ”
Bartlett Burleigh James, Women of England
“ There seems to be absolutely no limit to the range of subjects which women are capable of working up in romance; whether in novels of incident or novels of character, treating historical or social subjects, didactic or imaginative themes, with the plot in any period of time, among any people or set of conditions, women writers appear to be equally at home. ”
Guy Newell Boothby,
A Bid for Fortune
(1895)
“ This original and dramatic story presents fresh types, extraordinary situations, and novel suggestions with a freshness and vigor which show that the romancer's heart was in his work. How far certain incidents of the story are based upon personal experiences it is impossible to say, but the unflagging interest and unexpected phases of the romance are no less in evidence than the close personal relations established between author and reader. ”
Thomas W. Shannon, Self Knowledge and Guide to Sex Instruction…
“ When the natural, God-designed and God-honored, sex instinct is perverted and base desire supplants love, in the choice of a companion, the home instinct is degraded, love dethroned and inharmony prevails.The Romance, of Courtship and the Honeymoon, is Transitory. There is a certain amount of the glamour, mystery, novelty, romance and poetry connected with courtship and the honeymoon, while perhaps natural at the time, but in the very nature of the case cannot be permanent. The plain, practical, everyday experiences of life must become prominent in every successful home. ”
